Reflecting Truth ─ Japanese Photography In The Nineteenth Century

Nicole Coolidge Rousmaniere is founding Director of the Sainsbury Institute for the Study of Japanese Arts and Cultures, Norwich. She received her BA (Archaeology, 1986), MA (Regional Studies, 1988) and Ph.D. (art history, 1998) from Harvard University. Her publications include: Vessels of Influence (Duckworth, forthcoming), editor and contributor toHall of the Thirty-Three Bays: Photographs by Hiroshi Sugimoto (SCVA, 1997) andKazari: Decoration and Display in Japan, 15th-19th Centuries (British Museum Press, 2002), and editor ofBirths and Rebirths (Hotei, 2001) and Reflecting the Truth: Japanese Photography in the 19th-century (Hotei, 2004) with Mikiko Hirayama. She wrote essays and entries inJapan's Golden Age, Momoyama (Dallas Museum of Art, 1996) and Edo: Art in Japan 1615-1868 (National Gallery of Art, Washington D.C., 1998, andJiki (Museo Internazionale Delle Ceramiche, 2004). Her research interests include, Japanese decoration, early modern ceramics in East Asia and trade networks, the history of exhibition and collecting in Japan and in Europe.Mikiko Hirayama was the Robert and Lisa Sainsbury Fellow at the Sainsbury Institute for the Study of Japanese Arts and Cultures in 2002. She is currently Assistant Professor of Japanese Art History at the University of Cincinatti, Ohio. Hirayama received her Ph.D. from the University of Pittsburgh in 2001 having already published several articles, including ‘Ishii Hakutei and the Future of Japanese Painting’ inArt Journal (Autumn 1996), pp. 57-63. Hirayama’s research focuses on the study of modern Japanese art, Japanese photography, art criticism and theory.