加里．斯奈德詩歌歷程中的佛學思想研究（簡體書）

《加里．斯奈德詩歌歷程中的佛學思想研究》探討了斯奈德佛學思想從基石作《砌石和寒山詩》中的佛學啟蒙，到界標之作《龜島》中的佛學生態觀，再到豐碑之作《山水無盡》中的佛學認識論的發展軌跡。同時，《加里．斯奈德詩歌歷程中的佛學思想研究》還指出斯奈德佛學思想的積極因素對現今東西方社會的生態危機、文化危機等社會問題的文化治癒功能，並指出斯奈德多元文化的詩歌歷程對當今世界東西方文化的互補互通有著深遠示範意義。
《加里．斯奈德詩歌歷程中的佛學思想研究》可作為英語專業高年級師生及研究生研究西方文學的參考用書，也可為相關研究者提供參考和借鑒。

Chapter 1 Introduction
1．1 Overview on Snyder
1．2 Literature Review
1．3 Structure Preview

Chapter 2 Cornerstone； Buddhist Enlightenment in Riprap and Cold Mountain Poems
2．1 Snyder's Buddhist Pilgrimage to Asia
2．1．1 Snyder's Asia Dream
2．1．2 Buddhism Boom in America
2．1．3 Snyder's Buddhist Practice in Japan
2．2 Snyder's Interplay with Han Shah
2．2．1 Similarities between Snyder and Han Shah
2．2．2 Snyder's Translation of Cold Mountain Poems
2．3 Snyder's Buddhist Enlightenment in Riprap Poems
2．3．1 Buddhist Theory of Dependent Origination
2．3．2 Buddhist Concept of Interpenetration in Riprap

Chapter 3 Milestone； Buddhist Ecology in Turtle Island
3．1 Snyder's Repatriation to America
3．2 Snyder's Perception of Ecological Crisis on "Turtle Island"
3．2．1 Ecological Crisis on Turtle Island
3．2．2 Ecological Crisis as Cultural Crisis
3．3 Snyder's Buddhist Ecological Vision in Turtle Island
3．3．1 Holistic Bioregional Vision
3．3．2 Buddha Nature in Indra's Net of Interrelatedness

Chapter 4 Capstone； Buddhist Epistemology in Mountains and
Rivers Without End
4．1 Snyder's Journey in Mountains and Rivers Without End
4．2 Snyder's Dharma Gate of Non-Duality in Mountains and Rivers Without End
4．2．1 Mountain and Water
4．2．2 Visual Painting and Verbal Poem
4．3 Snyder's Buddhist Epistemological Vision in Mountains and Rivers Without End
4．3．1 Buddhist Concept of Impermanence
4．3．2 Buddhist Concept of Emptiness

Chapter 5 Conclusion
Notes
Bibliography
Aeknowledgements