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The Undergrounds of the Phantom of the Opera ― Sublimation and the Gothic in Leroux's Novel and Its Progeny
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Hogle (English, comparative cultural and literary studies, U. of Arizona) explores the ongoing popularity of The Phantom of the Opera in Western culture. Coverage includes an analysis of the psychological, social, ideological, and literary foundations of Leroux's book; historical and cultural analyses of the major films, stage versions, and rewritings of the The Phantom , and how these both continue and alter the book's ability to perform certain "subliminations" for the Western middle class; and an assessment of the nature and basis of these sublimations, and what they provide for Western audiences. For students of the history of Western culture, Gothic fiction, opera, musical theater, and film. Annotation c. Book News, Inc., Portland, OR (booknews.com)
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Jerrold E. Hogle is University Distinguished Professor in the Department of English and the Program in Comparative Cultural and Literary Studies at the University of Arizona.
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