Czech Action Art ─ Happenings, Actions, Events, Land Art, Body Art and Performance Art Behind the Iron Curtain
- ISBN13：9788024623177
- 出版社：Univ of Chicago Pr
- 作者：Pavlina Morganova; Daniel Morgan (TRN)
- 裝訂／頁數：平裝／200頁
- 規格：21cm*14cm*1.9cm (高/寬/厚)
- 出版日：2014/06/15
定 價：NT$ 1375 元
無庫存，下單後進貨(到貨天數約30-45天)
可得紅利積點：41 點
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Czech action art?a medium similar to performance art that does not require an audience?emerged out of the political and social turmoil of the 1960s. This movement has received little critical attention, however, as the Iron Curtain prevented its dissemination to an international audience. Here theorist and art historian Pavlina Morganova gives this art scene its due, chronicling its inception and tracing its evolution through to the present.
Morganova explains the various forms of action art, from the ?actions” and ?happenings” of the 1960s; to the actions of land art that encompass stones, trees, water, or fire; to recent displays of body art; to the actions of the latest generation of artists, who are using the principles of action art in contemporary postconceptual and participative art. Along the way, she introduces the most prominent Czech artists of each specific niche, including Milan Kni?ak, Zorka Saglova, Ivan Kafka, Petr ?tembera, Karel Miler, Jiri Kovanda, and Katerina ?eda, and demonstrates not only the changes in the art forms themselves but also the shifting roles of artists and spectators after World War II.
With over one hundred illustrations, Czech Action Art introduces this heretofore overlooked but fascinating art form to a global readership.
Morganova explains the various forms of action art, from the ?actions” and ?happenings” of the 1960s; to the actions of land art that encompass stones, trees, water, or fire; to recent displays of body art; to the actions of the latest generation of artists, who are using the principles of action art in contemporary postconceptual and participative art. Along the way, she introduces the most prominent Czech artists of each specific niche, including Milan Kni?ak, Zorka Saglova, Ivan Kafka, Petr ?tembera, Karel Miler, Jiri Kovanda, and Katerina ?eda, and demonstrates not only the changes in the art forms themselves but also the shifting roles of artists and spectators after World War II.
With over one hundred illustrations, Czech Action Art introduces this heretofore overlooked but fascinating art form to a global readership.
作者簡介
Pavlina Morganova is director of the Research Center at the Academy of Fine Arts in Prague and a lecturer in art history at the Anglo-American University in Prague. Daniel Morgan has been translating from Czech for fifteen years.
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