Made in Europe ― The Production of Popular Culture in the Twentieth-century

This edited collection studies the production and dissemination of popular music, tourism, cinema, fashion, broadcasting programmes, advertising and coffee in Western Europe in the twentieth century. Focussing on the supply side of popular culture, it addresses a field of study that is neglected in European historiography. Moreover, it provides a theoretical and methodological discussion that takes into account the inherent dynamics of content production and the role of cultural intermediaries in the change of cultural repertoires.

Taking key developments in the culture industries in the USA as a point of reference, the book highlights particularities of cultural production in Europe. It identifies a greater autonomy of creatives, stronger influence of critics and a lesser concern with audience research as three characteristics of the production regime in Western Europe. It takes into view the transfer of popular culture across the Atlantic and between European countries and offers new insights into research on the cultural Americanisation of Europe.

This book was originally published as a special issue of the European Review of History.

Klaus Nathaus is Associate Professor in Western History since 1918 at the University of Oslo, Norway. He is a social historian of 19^th and 20^th century Britain and Germany who has worked on the history of clubs and associations, sports history and the production of popular culture in general and popular music in particular.