Remaking Shakespeare ─ Performance across Media, Genres and Cultures

This collection focuses on contemporary remakings of Shakespeare in a variety of contexts and textual forms. Located at the intersection of Shakespeare studies, performance studies, post-colonial criticism and cultural studies, the essays address the question of how Shakespeare's plays affect and are affected by their environments as they are transposed into a variety of media, cultures, geographical locations, genres and historical moments. The volume includes articles on Shakespeare in American sign language, theatre, film, screenplay, music, documentary and soap opera.

PAROMITA CHAKRAVARTI Teaches English at the University of Jadavpur, Calcutta, IndiaJEAN CHOTHIA Fellow of Selwyn College, Cambridge and Senior Lecturer in the Cambridge University Faculty of English, UKSUSANNE GREENHALGH Senior Lecturer in Drama at Roehampton University of Surrey, UKBARBARA HODGDON Adjunct Professor of English and Drama at the University of Michigan, USAPETER NOVAK Assistant Professor in the Department of Visual and Performing Arts at the University of San Francisco, USAROBERT SHAUGHNESSY Reader in Drama, Theatre and Performance at the University of Surrey, Roehampton, UKCATHERINE SILVERSTONE Completed a DPhil thesis on Shakespeare and Performance at the University of Sussex, UKKAY H. SMITH Professor in the Department of Interdisciplinary Studies at Appalachian State University in Boone, North Carolina, USAPOONAM TRIVEDI Reader in English, Indraprastha College, University of Delhi, IndiaRAMONA WRAY Lecturer in English at Queen's University, Belfast, UK