Other Cinemas ─ Politics, Culture and Experimental Film in the 1970s

The 1970s was an enormously creative period for experimental film. Its innovations and debates have had far-reaching and long-lasting influence, with a resurgence of interest in the decade revealed by new gallery events, film screenings and social networks that recognise its achievements. Professor Laura Mulvey, and writer and director Sue Clayton, bring together journalists and scholars at the cutting edge of research into 1970s radical cinema for this collection. Chapters are at once historically grounded yet fused with the current analysis of today's generation of cine-philes, to rediscover a unique moment for extraordinary film production. Other Cinemas establishes the factors that helped to shape alternative film: world cinema and internationalism, the politics of cultural policy and arts funding, new accessible technologies, avant-garde theories, and the development of a dynamic and interactive relationship between film and its audiences. Exploring and celebrating the work of The Other Cinema, the London Film-makers' Co-op and other cornerstones of today's film culture, as well as the impact of creatives such as Stephen Dwoskin, Derek Jarman, and Sally Potter-and Mulvey and Clayton themselves-this important book takes account of a wave of socially aware film practice without which today's activist, queer, minority and feminist voices would have struggled to gather such volume.

Sue Clayton is a screenwriter and film director, and the Director of the Screen School at Goldsmiths, University of London. Her films include The Song of the Shirt (1979), The Disappearance of Finbar (1996) and The Last Crop (1990). She has made 14 award-winning documentaries for Channel 4, BBC, and Central, and a number of music videos.Laura Mulvey is Professor of Film and Media Studies at Birkbeck College, University of London. She is the acclaimed author of: Visual and Other Pleasures (1989; second edition 2009), Fetishism and Curiosity (1996; second edition 2013), Citizen Kane (1992; second edition 2012) and Death Twenty-four Times a Second: Stillness and the Moving Image (2006). She made six films in collaboration with Peter Wollen including Riddles of the Sphinx (1977) and Frida Kahlo & Tina Modotti (1984) as well as Disgraced Monuments (1996) with artist/filmmaker Mark Lewis.