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The French "Master of Light," Claude Monet (1840–1926) was a key forerunner of twentieth-century painting and an exemplar of impressionism. He painted by the sea, on the steep coast of Normandy, on the banks of the Seine, and in his own garden in Giverny. This volume focuses on the artists experiments with color, exploring an aspect of his oeuvre which has been hitherto understudied. Monets light and colors interact on the canvas with a nature that is constantly changing. In order to record such a variety of atmospheric impressions, he painted many of his subjects in series, which were able to capture color and light gradually becoming detached from their object. Carefully examining this phenomenon in Monets work, this wide-ranging retrospective traces the artists career from realism to impressionism to his development of a new form of painting that paved the way for abstract expre
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Dieter Buchhart is an art historian and curator. Heinz Widauer is curator for French art of the sixteenth and seventeenth centuries at the Albertina in Vienna.
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