Affects in 21st-Century British Theatre: Exploring Feeling on Page and Stage

​1 Introduction: Thinking-Feeling Our Way Mireia Aragay, Cristina Delgado-Garc燰 and Martin MiddekePart I Affects and Cognition: Thought, Intention, Empathy2 Feel and Think, Think and Feel: Complicating Empathy in debbie tucker green's hang Mireia Aragay3 Moving Parts: Emotion, Intention and Ambivalent Attachments Clare Wallace4 Love and the Intentionality of Affect in Lucy Prebble'sThe Effect and debbie tucker green's a profoundly affectionate, passionate devotion to someone (-noun)Korbinian St鐼kl5 Political Dramaturgies of Affect: Anthony Neilson's God in Ruins and The Wonderful World of Dissocia Liz TomlinPart II Affects and Politics: Identities, Institutions, Ideology 6 Black Lives, Black Words at the Bush Theatre: Art, Anger, Affect and ActivismLynette Goddard7 "Feeling Feminism" Politics of Mischief in Contemporary Women's TheatreMarissia Fragkou8 Contemporary British Theatre, Democracy and Affect: States of FeelingCristina Delgado-Garc燰9 Affect and the Politics of Abstraction in British New WritingPhilip WatkinsonPart III Affects and Hope: From Crisis to Utopian Feelings 10 Vibrant Materials: Affective Arrangements, the Allure of Glamour and Architexture(s) in Penelope Skinner'sEigengrau and Mike Bartlett's GameMartin Middeke11 Entanglements: Transaction and Intra-action with the Devil in How to Hold Your BreathJulia Boll12 Theatre at the End of the WorldMark Robson13 Affects and the Development of Political Subjectivity: From Resilience to Agency in Kae Tempest's WastedClara Escoda