Jazz Guitar Dominant Chord Substitutions: Arpeggio Soloing Vocabulary for The Most Important Chord in Jazz
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Dominant Arpeggio Substitutions to Instantly Revolutionize Your Jazz Solos
- Bored of playing the same old jazz guitar ideas?
- Ready to learn how Kurt Rosenwinkel, Jonathan Kreisberg, and Julian Lage solo on dominant chords?
- Want to use jazz arpeggio substitutions to instantly make your playing pop?
Inject Your Jazz Guitar Soloing With Some New Ideas
You probably already know it's possible to play different arpeggios over one chord to create different tensions in your jazz guitar solos...
... but until now, there hasn't been a single comprehensive guide that describes and teaches every useful approach to all the colors you can play on a dominant chord to create altered tensions.
Enter Jazz Guitar Dominant Chord Substitutions - a literal bible of creative arpeggio substitutions that sound great played over any V7 chord.
In fact, you'll learn how to "layer" arpeggios you already know over dominant chords to access beautiful, interesting, and advanced note choices quickly and easily in your solos.
The great news is that you'll use arpeggios you already know, like Maj7, Min7, Dom7 and m7b5 in ways you'd never have thought of, to build exciting dominant chord lines. In fact, you'll learn multiple substitution ideas for each arpeggio, so you can get dozens of dominant substitutions with each one - just by applying the shape in a different way.
This is an intuitive, guitar-friendly "hack" that helps you play sophisticated, ear-catching lines instantly. Every idea is tested, nothing is taught that doesn't sound good, and every substitution idea is taught musically over a ii V I - there's no boring theory to worry about.
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