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【簡體曬書節】 單本79折,5本7折,優惠只到5/31,點擊此處看更多!

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原文書 (2)
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$800以上 (2)
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2016~2017 (1)
2016年以前 (1)
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作者

Brian James DeMare (2)
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Cambridge Univ Pr (2)

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2筆商品,1/1頁
Mao's Cultural Army ― Drama Troupes in China's Rural Revolution
滿額折
作者:Brian James DeMare  出版社:Cambridge Univ Pr  出版日:2017/06/01 裝訂:平裝
Charting their training, travels, and performances, this innovative study explores the role of the artists that roamed the Chinese countryside in support of Mao's communist revolution. DeMare traces the development of Mao's 'cultural army' from its genesis in Red Army propaganda teams to its full development as a largely civilian force composed of amateur and professional drama troupes in the early years of the People's Republic of China (PRC). Drawing from memoirs, artistic handbooks, and rare archival sources, Mao's Cultural Army uncovers the arduous and complex process of creating revolutionary dramas that would appeal to China's all-important rural audiences. The Communists strived for a disciplined cultural army to promote party policies, but audiences often shunned modern and didactic shows, and instead clamoured for traditional works. DeMare illustrates how drama troupes, caught between the party and their audiences, did their best to resist the ever growing reach of the PRC
定價:1559 元, 優惠價:9 1403
無庫存,下單後進貨(到貨天數約45-60天)
Mao's Cultural Army ― Drama Troupes in China's Rural Revolution
作者:Brian James DeMare  出版社:Cambridge Univ Pr  出版日:2015/05/31 裝訂:精裝
Charting their training, travels, and performances, this innovative study explores the role of the artists that roamed the Chinese countryside in support of Mao's communist revolution. DeMare traces the development of Mao's 'cultural army' from its genesis in Red Army propaganda teams to its full development as a largely civilian force composed of amateur and professional drama troupes in the early years of the People's Republic of China (PRC). Drawing from memoirs, artistic handbooks, and rare archival sources, Mao's Cultural Army uncovers the arduous and complex process of creating revolutionary dramas that would appeal to China's all-important rural audiences. The Communists strived for a disciplined cultural army to promote party policies, but audiences often shunned modern and didactic shows, and instead clamoured for traditional works. DeMare illustrates how drama troupes, caught between the party and their audiences, did their best to resist the ever growing reach of the PRC
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