For most of the sixteenth century, English poets were clearly anxious about the grief expressed in their funeral poems and often rebuked themselves for indulging in it, but towards the end of the century this defensiveness about mourning became less pressing and persistent. The shift is part of a wider cultural change which has escaped recognition: the emergence of a more compassionate attitude towards the process of mourning. In charting the development of elegy this book analyses poems by Surrey, Spenser, Jonson, Henry King and Milton, and also surveys a wide range of forgotten verse, both English and neo-Latin, as well as letter-writing handbooks and moral-theological tracts. The book culminates in a detailed study of the most famous elegy in the language, Milton's Lycidas.
For most of the sixteenth century, English poets were clearly anxious about the grief expressed in their funeral poems and often rebuked themselves for indulging in it, but towards the end of the century this defensiveness about mourning became less pressing and persistent. The shift is part of a wider cultural change which has escaped recognition: the emergence of a more compassionate attitude towards the process of mourning. In charting the development of elegy this book analyses poems by Surrey, Spenser, Jonson, Henry King and Milton, and also surveys a wide range of forgotten verse, both English and neo-Latin, as well as letter-writing handbooks and moral-theological tracts. The book culminates in a detailed study of the most famous elegy in the language, Milton's Lycidas.
This is the only edition of George Gascoigne's A Hundreth Sundrie Flowres to respect the integrity of the first edition, which he published as an anonymous anthology in 1573. Earlier editors either ba
Giovanni Pontano, who adopted the academic sobriquet “Gioviano,” was prime minister to several kings of Naples and the most important Neapolitan humanist of the quattrocento. Best known today as a Lat
