In From Grain to Pixel , Giovanna Fossati analyzes the transition from analog to digital film and its profound effects on filmmaking and film archiving. Reflecting on the theoretical conceptualiz
Contributors with a wide range of expertise in the film and media world consider the practical and theoretical challenges posed by changing formats and technologies.
Film archives have long been dedicated to preserving movies, and they’ve been nimble in recent years in adapting to the changing formats and technologies through which cinema is now created and presen
Sparked by a groundbreaking Amsterdam workshop titled “Disorderly Order: Colours in Silent Film,” scholarly and archival interest in color as a crucial aspect of film form, technology and
