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In this book, Jonathan Stalling extends to us his hospitality. Enter this grotto, this book of poems a haven & lodge for light & dark, made by Jonathan Stalling with an ethics of respect &

Poetry. Translation and translation studies. Poetry in translation is a trust exercise; reader must rely on translator to turn words into other words, while preserving the larger meaning of the origin

The Poetics of Emptiness uncovers an important untold history by tracing the historically specific, intertextual pathways of a single, if polyvalent, philosophical term, emptiness, as it is transforme

The Poetics of Emptiness uncovers an important untold history by tracing the historically specific, intertextual pathways of a single, if polyvalent, philosophical term, emptiness, as it is transforme

Shi Zhi has been a major force in Chinese poetry since 1968, when several of his poems were circulated as secret handwritten manuscripts in the midst of China’s Cultural Revolution. He gave voice to t

Jonathan Stalling’s experimental approach to bridging art, poetics, and linguistics imagines a world where individual value systems are no longer translated into the language of other mediums, but foster conscious “interlanguages.” Stalling writes, “Meeting in the middle, ‘interlanguages’ are spaces where one learns a new language without having left one’s home fully behind; these situations can result in richly generative interlingual and intercultural estuaries which provide new ways of imagining.” Stalling’s conceptual language art fuses Classical Chinese poetics and linguistics with modern algorithms to create art installations and poetry that transform Chinese into English and English into Chinese in new and surprising ways.With a visual gallery of Stalling’s work, an interview with the artist, a critical introduction by the editor, and critical chapters written by the comparative literature scholar Timothy Billings and Chinese Linguist Liu Nian, the volume provides readers with

The novella, as the editors of this volume explain, is in many ways the “native habitat” of modern Chinese literary production—the ideal fictional form for revealing the various facets of contemporary

First published in 1919 by Ezra Pound, Ernest Fenollosa's essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Poun

Mang Ke is a prominent Chinese poet and painter who started the underground literary journal Jintian (Today) with Bei Dao. He has published several collections of poetry in Chinese, as well as a novel