In Royal Umbrellas of Stone: Memory, Politics, and Public Identity in Rajput Funerary Art, Melia Belli Bose provides detailed analysis of Rajput cenotaphs known aschatris (Lit: "umbrellas&
Women, Gender & Art in Asia, c. 1500-1900 brings women’s engagements with art into a pan-Asian dialogue with essays that examine women as artists, commissioners, collectors, and subjects from In
