This topical study examines the novelizations of radical literary theory in the work of A.S. Byatt, Angela Carter, Umberto Eco, John Fowles, Richard Powers, and many other leading novelists. It offers
Sleep and the Novel is a study of representations of the sleeping body in fiction from 1800 to the present day which traces the ways in which novelists have engaged with this universal, indispensable
In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote. The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of
Jane Austen's richly textured worlds have enchanted readers for centuries and this neatly organised, playful book provides Austen enthusiasts and students alike with a unique insight into the much-loved writer's way with words. Using a lively A-Z structure, Greaney provides fresh angles on familiar Austen themes (D is for dance ; M is for matchmaking ), casts light on under-examined corners of her imagination (R is for risk ; S is for servant ), and shows how current social and cultural concerns are re-shaping our understanding of her work ( Q is for queer; W is for West Indies). Through this approach, we learn how attention to the tiniest linguistic detail in Austen's work can yield rewarding new perspectives on the achievements of one of our most celebrated authors.Sharply focused on textual detail but broad in scope it broaches questions that, like Austen's work, will intrigue, delight and inspire: Why are children so marginal in her storylines? Who is the best exponent of
Jane Austen's richly textured worlds have enchanted readers for centuries and this neatly organised, playful book provides Austen enthusiasts and students alike with a unique insight into the much-loved writer's way with words. Using a lively A-Z structure, Greaney provides fresh angles on familiar Austen themes (D is for dance ; M is for matchmaking ), casts light on under-examined corners of her imagination (R is for risk ; S is for servant ), and shows how current social and cultural concerns are re-shaping our understanding of her work ( Q is for queer; W is for West Indies). Through this approach, we learn how attention to the tiniest linguistic detail in Austen's work can yield rewarding new perspectives on the achievements of one of our most celebrated authors.Sharply focused on textual detail but broad in scope it broaches questions that, like Austen's work, will intrigue, delight and inspire: Why are children so marginal in her storylines? Who is the best exponent of
Ten Battles Every Catholic Should Know offers readers richly detailed accounts of pivotal engagements—many little known in the West—in the centuries-long defense of Christendom against militant Islam.
