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This series provides individual textbooks on early Greek poetry, on Greek drama, on philosophy, history and oratory, and on the literature of the Hellenistic period and of the Empire. A chapter on books and readers in the Greek world concludes Part IV. Each part has its own appendix of authors and works, a list of works cited, and an index.

This volume ranges in time over a very long period and covers the Greeks' most original contributions to intellectual history. It begins and ends with philosophy, but it also includes major sections on historiography and oratory. Although each of these areas had functions which in the modern world would not be considered 'Literary', the ancients made a less sharp distinction between intellectual and artistic production, and the authors included in this volume are some of Europe's most powerful stylists: Plato, Herodotus, Thucydides and Demosthenes.

This series provides individual textbooks on early Greek poetry, on Greek drama, on philosophy, history and oratory, and on the literature of the Hellenistic period and of the Empire. Each part has its own appendix of authors and works, a list of works cited, and an index. This volume studies the revolutionary movement represented by the more creative of the Hellenistic poets and finally the very rich range of authors surviving from the imperial period, with rhetoric and the novel contributing a distinctive flavour to the culture of the time. Appropriately enough, the volume closes with a survey of books and readers in the ancient world, which draws attention to the bookish nature of Greek literature from the Hellenistic period onwards and points forward to its survival into the Middle Ages.

The period from the eighth to the fifth centuries B.C. was one of extraordinary creativity in the Greek-speaking world. Poetry was a public and popular medium, and its production was closely related to developments in contemporary society. At the time when the city states were acquiring their distinctive institutions epic found the greatest of all its exponents in Homer, and lyric poetry for both solo and choral performance became a genre which attracted poets of the first rank, writers of the quality of Sappho, Alcaeus and Pindar, whose influence on later literature was to be profound. This volume covers the epic tradition, the didactic poems of Hesiod and his imitators, and the wide-ranging work of the iambic, elegiac and lyric poets of what is loosely called the archaic age. The contributors make use of recent papyrus finds (particularly in the case of Archilochus and Stesichorus) to fill out the picture of a cosmopolitan and highly sophisticated literary culture which had not yet f

As a creative medium, ancient Greek tragedy has had an extraordinarily wide influence: many of the surviving plays are still part of the theatrical repertoire, and texts like Agamemnon, Antigone, and Medea have had a profound effect on Western culture. This Companion is not a conventional introductory textbook but an attempt, by seven distinguished scholars, to present the familiar corpus in the context of modern reading, criticism, and performance of Greek tragedy. There are three main emphases: on tragedy as an institution in the civic life of ancient Athens, on a range of different critical interpretations arising from fresh readings of the texts, and on changing patterns of reception, adaptation, and performance from antiquity to the present. Each chapter can be read independently, but each is linked with the others, and most examples are drawn from the same selection of plays.

Greek religion is a subject of absorbing interest, essential for the understanding of history and culture, but often puzzling and elusive. This collection of essays ranges over many aspects of Greek civil life, looking at the ways in which religion manifested itself in institutions, art and literature, and tracing the attitudes that lay behind the manifold cults and customs. It is not meant as an exhaustive introduction to the subject, but as a series of related approaches which will help students to draw the threads together, on lines suggested by Sir Moses Finley in his introduction to the book.

Treating ancient plays as living drama.

Treating ancient plays as living drama. Classical Greek drama is brought vividly to life in this series of new translations. Students are encouraged to engage with the text through detailed commentari

Treating ancient plays as living drama.

Treating ancient plays as living drama. Classical Greek drama is brought vividly to life in this series of new translations. Students are encouraged to engage with the text through detailed commentari

Treating ancient plays as living drama.

R.C. Jebb's editions of Sophocles' plays appeared in the last years of the 19th century. They are distinguished by the author's sensitive, literary and dramatic interpretations and his neat translatio

R.C. Jebb's editions of Sophocles' plays appeared in the last years of the 19th century. They are distinguished by the author's sensitive, literary and dramatic interpretations and his neat translatio

This is an example of one of R.C. Jebb's editions of Sophocles' plays, originally appearing in the last years of the 19th century. He gives literary and dramatic interpretations and translations that

Richard Claverhouse Jebb (1841-1905), Regius Professor of Greek and Fellow of Trinity College, Cambridge, was one of the foremost classicists of the Victorian era. His editions of Sophocles' plays app

Follows the story of Agamemnon after he returns home to Argos at the end of the Trojan War.