Why has the female voice - as the resonant incarnation of the female body - inspired both fascination and ambivalence? Why were women restricted from performing on the Chinese public stage? How have f
Why has the female voice—as the resonant incarnation of the female body—inspired both fascination and ambivalence? Why were women restricted from performing on the Chinese public stage? How have femal
In her prologue Lawson (Brigham Young U.) recounts an early experience in her education in which she heard a professor at UCLA demonstrate music on the pipa, (a type of Chinese lute). He played some p
