Panayotakis (U. of Crete) seeks to provide a comprehensive account of the different traditions that are active in the many versions of the tale, by means of a detailed discussion of the language and t
Since 2008, when a version of this study served as his PhD dissertation in theology at the University of Durham in Britain, Patmore (Protestant Theological U. of the Netherlands) has revised it signif
The story of Apollonius, King of Tyre has rightly been called the most popular romance of the Middle Ages. From Iceland to Greece, from Spain to Russia, versions of this novel are recorded. It is the
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. Over the last two decades there has been a resurgence of theatrical interest in Shakespeare's Pericles, which has been rescued from comparative neglect and is now frequently performed. The editors reject the current orthodoxies, that the text is seriously corrupt and that the play is of divided authorship. They show how the 1609 quarto has features in common with the first quarto of King Lear, now widely regarded as being based on Shakespeare's manuscript. Likewise they regard the arguments concerning divided authorship as unproven and misleading. Instead they show the play to be a unified aesthetic experience.
*注意：此書為POD (Print on Demond)少量印製 Pericles, Prince of Tyre, must solve a riddle in order to marry the daughter of the King of Antioch, or be put to death. But when the answer reveals a horrific secret,
This commentary is the sequel to G.A.A. Kortekaas' The Story of Apollonius, King of Tyre: A Study of Its Greek Origin and an Edition of the Two Oldest Latin Recensions. Whereas the critical edition (2
