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The book centers on practical religion in everyday life. It challenges it's readers to exercse their faith. The concept of a faith that works is not evident to many, and many seems to be satisfied wit

Mr Strachan was asked if he could identify or explain the illustrations in an edition of the English Great Bible of 1541. Some were simple, others quite baffling. He set out to discover their meaning and history, and succeeded in tracing their derivation. At each stage a possible influence or explanation pointed a stage farther back; in the end he found that he had to cover virtually the whole history of illustration in printed bibles during their first century. He has set down his findings in this study. There is a considerable detective interest; one sees how successive renderings of a subject produced strange garblings, until certain pictures became apparently meaningless. It is all quite easy to understand, now that Mr Strachan has explained it; but he was working backwards in time, and it was a feat of ingenuity and perseverance to have reached his conclusions. All the more so in that he had to survey the entire range of bible-printing in every important European country.

The book opens with a brief historical outline of Onondaga culture and a sketch of the major developments in Iroquois prehistory. Each site is described, with a short account of its discovery, locatio

This ambitious and provocative study provides a unique narrative of nineteenth-century English political history. Based on extensive research the book draws on critical theory to read and interpret a vast range of oral, visual and printed sources, in an attempt to expand our conception of the politics of the period. Read in the context of such sources, nineteenth-century English politics becomes resolved into a story about the struggle to define the nation's constitution, past, present and future. It suggests the existence of a popular strain of English libertarian politics, albeit one whose radical and democratic potential was gradually closed down. In short, despite the invention of a liberal constitution in this period, politics became less (not more) democratic, a lesson which the author sees as pertinent for many struggling to live in, or establish, liberal democratic constitutions in our own times.

Though many outstanding novels have been written in the last century, most of these novelists have also been short story writers. This reference is a guide to contemporary English-language short stor

This practical coursebook introduces all the basics of semantics in a simple, step-by-step fashion. Each unit includes short sections of explanation with examples, followed by stimulating practice exercises to complete in the book. Feedback and comment sections follow each exercise to enable students to monitor their progress. No previous background in semantics is assumed, as students begin by discovering the value and fascination of the subject and then move through all key topics in the field, including sense and reference, simple logic, word meaning and interpersonal meaning. New study guides and exercises have been added to the end of each unit to help reinforce and test learning. A completely new unit on non-literal language and metaphor, plus updates throughout the text significantly expand the scope of the original edition to bring it up-to-date with modern teaching of semantics for introductory courses in linguistics as well as intermediate students.

Sir James Frazer (1854–1941) is best remembered for his monumental study of ancient religion, The Golden Bough (of which the first and third editions are both reissued in this series). He also produced a translation of and commentary on the Description of Greece of Pausanias, the second-century CE traveller and antiquarian, and the first piece in this 1900 compilation of Frazer's 'sketches' is the introductory essay to that work. Short descriptions then follow of the present-day appearance of over ninety places visited by Pausanias, and the work ends with an essay on Pericles and the effect of the period of his rule on the art and architecture of Athens. This fascinating work is imbued with Frazer's enthusiasm for, and knowledge of, the topography of ancient Greece, and will be of interest not only to scholars but also to visitors to the country.

Integrating Schenkerian tools and an innovative approach to harmony, David Damschroder provides numerous penetrating analyses of works by Haydn and Mozart. A series of introductory chapters assist readers in developing their analytical capacity. Beginning with short excerpts from string quartets, the study proceeds by assessing the inner workings of twelve expositions from Haydn piano sonatas, six arias in G minor from Mozart operas, and three rondos in D major from piano concertos by Haydn and Mozart. In the Masterworks section that follows, Damschroder presents detailed analyses of six movements from symphonies, string quartets and opera by Haydn and Mozart, and compares his outcomes with those of other analysts, including Kofi Agawu, Robert O. Gjerdingen, James Hepokoski and Warren Darcy, Carl Schachter and James Webster. The book represents an important contribution to modern analytical discourse on a treasured body of music and an assessment of recent accomplishments within that r

Integrating Schenkerian tools and an innovative approach to harmony, David Damschroder provides numerous penetrating analyses of works by Haydn and Mozart. A series of introductory chapters assist readers in developing their analytical capacity. Beginning with short excerpts from string quartets, the study proceeds by assessing the inner workings of twelve expositions from Haydn piano sonatas, six arias in G minor from Mozart operas, and three rondos in D major from piano concertos by Haydn and Mozart. In the Masterworks section that follows, Damschroder presents detailed analyses of six movements from symphonies, string quartets and opera by Haydn and Mozart, and compares his outcomes with those of other analysts, including Kofi Agawu, Robert O. Gjerdingen, James Hepokoski and Warren Darcy, Carl Schachter and James Webster. The book represents an important contribution to modern analytical discourse on a treasured body of music and an assessment of recent accomplishments within that r