Life Before Man explores the lives of three people imprisoned by walls of their own construction and in thrall to the tragicomedy we call love. Elizabeth, with her controlled sensuality and suppressed
在以珀耳修斯為中心的故事裡，梅杜莎註定成為令人膽寒的邪惡怪物。美麗聰慧、虔心奉獻的神殿祭司何以成為詛咒下的駭人女妖？當我們撥開這層僅剩恐懼與惡的扁平形象後，才能看見在幾乎被化約成相貌醜陋的殘忍毒婦之前，她所經歷的悲慘遭遇。繼柔卡絲塔與卡利俄佩，Natalie Hayne再次把說故事的權利，還給神話裡被寥寥數語帶過的女性角色。'Witty, gripping, ruthless' - Margaret Atwood via Twitter'Beautiful and moving' - Neil Gaiman via Twitter'So to mortal men, we are monsters. Because of our flight, our strength. They fear us, so they call us monsters.’Medusa is the sole mortal in a family of gods. Growing up with her Gorgon sisters, she begins to realize that she is the only one who experiences change, the only one who can be hurt. And her mortal lifespan gives her an urgency that her family will never know.When the sea god Poseidon commits an unforgivable act in the temple of Athene, the goddess takes her revenge where she can – and Medusa is changed forever. Writhing snakes replace her hair, and her gaze now turns any living creature to stone. The power cannot be controlled: Medusa can look at nothing without destroying it. She is condemned to a life of sha
By the author of The Handmaid's TaleNow a major NETFLIX seriesSometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend?
A genre-defining tale of first contact by one of the twentieth century’s most brilliant—and neglected—science fiction and horror writers, whom Stephen King called “the best writer of science fiction that England has ever produced.”A genre-defining tale of first contact by one of the twentieth century’s most brilliant—and neglected—science fiction and horror writers, whom Stephen King called “the best writer of science fiction that England has ever produced.”“In my opinion, [John] Wyndham’s chef d’oeuvre . . . a graphic metaphor for the fear of unwanted pregnancies . . . I myself had a dream about a highly intelligent nonhuman baby after reading this book.”—Margaret Atwood, SlateWhat if the women of a sleepy English village all became simultaneously pregnant, and the children, once born, possessed supernatural—and possibly alien—powers? A mysterious silver object appears in quiet, picture-perfect Midwich. A day later, the object is gone—and all the women in the village, they will come t
William Shakespeare's The Tempest retold as Hag-Seed Felix is at the top of his game as Artistic Director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he's
Salem's Critical Insights series distills the best of both classic and current literary criticism of the world's most-studied literature. The series focuses on an individual author's entire body of wo
In this critical collection, well-known Atwood scholars offer original readings and critical re-evaluations of three Atwood masterpieces—The Robber Bride, The Blind Assassin, and Oryx and Crake. Provi
Atwood's work exists in a very peculiar place: it reads like literature, but it sells like popular fiction. Perhaps part of the secret is her choice of subjects, themes and genres, ranging from gothic
