A little book of travel inspirations, pairing stunning photographs with life lessons on why travel matters and what we learn when we pack our bags and see the world, from the renowned expert Patricia Schultz, author of 1,000 Places to See Before You Die. From the author of 1,000 Places to See Before You Die, a rallying cry to get off the coach and out into the world. Why We Travel is filled with personal stories and anecdotes, quotes and inspire, and reasons to motivate – plus images so lush you can’t wait to be there. For years Patricia Schultz has been telling us where to travel, and we love listening. Now, in telling us why to travel, she reveals what makes her such a compelling guide and what makes travel such a richly rewarding experience. There’s the time she was on safari in Zambia yet found her most lasting memory in a classroom of five-year-olds. The comedy of mishaps that she and friends endured on a canal trip through rural France―and how it brought them together in an unex
To see through the eyes of essayist and dramaturge Jan Kott is to gain in knowledge not just of the theater but also of human culture. Since his Shakespeare Our Contemporary appeared in English in 196
For readers of Rebecca Solnit and Jenny Odell, this poetic and inventive blend of history, memoir, and visual essay reflects on how we can resist the erasure of our collective memory in this American century. Our sense of our history requires us to recall the details of time, of experiences that help us find our place in the world together and encourage us in the search for our individual identities. When we lose sight of the past, our ability to see ourselves and to understand one another is diminished. In this book, Colette Brooks explores how some of the more forgotten aspects of recent American experiences explain our challenging and often puzzling present. Through intimate and meticulously researched retellings of individual stories of violence, misfortune, chaos, and persistence--from the first mass shooting in America from the tower at the University of Texas, the televised assassinations of John F. Kennedy and Lee Harvey Oswald, life with nuclear bombs and the Doomsday Clock, o
Ways of Remembering tells a story about the relationship between secular law and religious violence by studying the memorialisation of the 2002 Gujarat pogrom―postcolonial India's most litigated and mediatized event of anti-Muslim mass violence. By reading judgments and films on the pogrom through a novel interpretive framework, the book argues that the shared narrative of law and cinema engenders ways of remembering the pogrom in which the rationality of secular law offers a resolution to the irrationality of religious violence. In the public's collective memory, the force of this rationality simultaneously condemns and normalises violence against Muslims while exonerating secular law from its role in enabling the pogrom, thus keeping the violent (legal) order against India's Muslim citizens intact. The book contends that in foregrounding law's aesthetic dimensions we see the discursive ways in which secular law organizes violence and presents itself as the panacea for that very viole
What does it mean to display war? Examining a range of different exhibitions in Britain, Canada and Australia, Jennifer Wellington reveals complex imperial dynamics in the ways these countries developed diverging understandings of the First World War, despite their cultural, political and institutional similarities. While in Britain a popular narrative developed of the conflict as a tragic rupture with the past, Australia and Canada came to see it as engendering national birth through violence. Narratives of the war's meaning were deliberately constructed by individuals and groups pursuing specific agendas: to win the war and immortalise it at the same time. Drawing on a range of documentary and visual material, this book analyses how narratives of mass violence changed over time. Emphasising the contingent development of national and imperial war museums, it illuminates the way they acted as spaces in which official, academic and popular representations of this violent past intersect.
Why is contemporary China such a politically contentious place? Relying on the memories of the survivors of the worst catastrophe of Maoist rule and documenting the rise of resistance and protest at the grassroots level, this book explains how the terror, hunger, and loss of the socialist past influences the way in which people in the deep countryside see and resist state power in the reform era up to the present-day repression of the People's Republic of China central government. Ralph A. Thaxton, Jr provides us with a worm's-eye view of an 'unknown China' - a China that cannot easily or fully be understood through made-in-the-academy theories and frameworks of why and how rural people have engaged in contentious politics. This book is a truly unique and disturbing look at how rural people relate to an authoritarian political system in a country that aspires to become a stable world power.
Why is contemporary China such a politically contentious place? Relying on the memories of the survivors of the worst catastrophe of Maoist rule and documenting the rise of resistance and protest at the grassroots level, this book explains how the terror, hunger, and loss of the socialist past influences the way in which people in the deep countryside see and resist state power in the reform era up to the present-day repression of the People's Republic of China central government. Ralph A. Thaxton, Jr provides us with a worm's-eye view of an 'unknown China' - a China that cannot easily or fully be understood through made-in-the-academy theories and frameworks of why and how rural people have engaged in contentious politics. This book is a truly unique and disturbing look at how rural people relate to an authoritarian political system in a country that aspires to become a stable world power.
Many decades have passed since the Palestinian national movement began its political and military struggle. In that time, poignant memorials at massacre sites, a palimpsest of posters of young heroes and martyrs, sorrowful reminiscences about lost loved ones, and wistful images of young men and women who fought as guerrillas, have all flourished in Palestinian refugee camps in Lebanon and in the Occupied Palestinian Territories. Heroes and Martyrs of Palestine tells the story of how dispossessed Palestinians have commemorated their past, and how through their dynamic everyday narrations, their nation has been made even without the institutional memory-making of a state. Bringing ethnography to political science, Khalili invites us to see Palestinian nationalism in its proper international context and traces its affinities with Third Worldist movements of its time, while tapping a rich and oft-ignored seam of Palestinian voices, histories, and memories.
This study looks at the rich literature that has been spawned through the historical imagination of Bengali-speaking writers in West Bengal and Bangladesh through issues of homelessness, migration and exile to see how the Partition of Bengal in 1947 has thrown a long shadow over memories and cultural practices. Through a rich trove of literary and other materials, the book lays bare how the Partition has been remembered or how it has been forgotten. For the first time, hitherto untranslated archival materials and texts in Bangla have been put together to assess the impact of 1947 on the cultural memory of Bangla-speaking peoples and communities. This study contends that there is not one but many smaller partitions that women and men suffered, each with its own textures of pain, guilt and affirmation.
Many decades have passed since the Palestinian national movement began its political and military struggle. In that time, poignant memorials at massacre sites, a palimpsest of posters of young heroes and martyrs, sorrowful reminiscences about lost loved ones, and wistful images of young men and women who fought as guerrillas, have all flourished in Palestinian refugee camps in Lebanon and in the Occupied Palestinian Territories. Heroes and Martyrs of Palestine tells the story of how dispossessed Palestinians have commemorated their past, and how through their dynamic everyday narrations, their nation has been made even without the institutional memory-making of a state. Bringing ethnography to political science, Khalili invites us to see Palestinian nationalism in its proper international context and traces its affinities with Third Worldist movements of its time, while tapping a rich and oft-ignored seam of Palestinian voices, histories, and memories.
A playful and poignant exploration of the nature of time through the eyes of a child from acclaimed author/illustrator Julie Morstad. What is time? Is it the tock tick tock of a clock, numbers and words on a calendar? It's that, but so much more. Time is a seed waiting to grow, a flower blooming, a sunbeam moving across a room. Time is slow like a spider spinning her web or fast like a wave at the beach. Time is a wiggly tooth, or waiting for the school bell to ring, or reading a story . . . or three But time is also morning for some and night for others, a fading sunset and a memory captured in a photo taken long ago. In this magical meditation on the nature of time, Julie Morstad shines a joyful light on a difficult-to-grasp concept for young readers and reminds older readers to see the wonders of our world, including children themselves, through the lens of time.
What causes some people to stand in solidarity with those from other races, religions, or nationalities, even when that solidarity does not seem to benefit the individual or their group? Seeing Us in Them examines outgroup empathy as a powerful predisposition in politics that pushes individuals to see past social divisions and work together in complex, multicultural societies. It also reveals racial/ethnic intergroup differences in this predisposition, rooted in early patterns of socialization and collective memory. Outgroup empathy explains why African Americans vehemently oppose the border wall and profiling of Arabs, why Latinos are welcoming of Syrian refugees and support humanitarian assistance, why some white Americans march in support of Black Lives Matter through a pandemic, and even why many British citizens oppose Brexit. Outgroup empathy is not naïve; rather it is a rational and necessary force that helps build trust and maintain stable democratic norms of compromise and rec
What causes some people to stand in solidarity with those from other races, religions, or nationalities, even when that solidarity does not seem to benefit the individual or their group? Seeing Us in Them examines outgroup empathy as a powerful predisposition in politics that pushes individuals to see past social divisions and work together in complex, multicultural societies. It also reveals racial/ethnic intergroup differences in this predisposition, rooted in early patterns of socialization and collective memory. Outgroup empathy explains why African Americans vehemently oppose the border wall and profiling of Arabs, why Latinos are welcoming of Syrian refugees and support humanitarian assistance, why some white Americans march in support of Black Lives Matter through a pandemic, and even why many British citizens oppose Brexit. Outgroup empathy is not naïve; rather it is a rational and necessary force that helps build trust and maintain stable democratic norms of compromise and rec
An innovative memoir connecting ideas of grief, memory, and animals to illustrate the importance of storytelling.When his mother died, Timothy C. Baker discovered that there was almost no record of her existence, and no stories that were his to tell: the only way to bring her back was through reading. Reading My Mother Back is a genre-bending memoir that explores a life marked by trauma, illness, religion, and abuse through a focus on the books Baker and his mother shared. The book combines accounts of rereading childhood classics with true and apocryphal stories of a quiet life, marked by great sorrow and great joy. The book is about grief and memory and how our childhood reading shapes the way we see the world; it’s about loneliness and the search for belonging; it’s about how ordinary lives are transfigured by storytelling. Moving from accounts of American evangelical communities to kidney failure, from literary criticism to psychoanalysis, and from guilt to love, Baker shows how li
