This is a classic work of archaeology by one of the premier figures in the field. First published in 1971, A.M. Snodgrass' The Dark Age if Greece is the most comprehensive and coherent account availab
The Greek Dark Age is generally defined as the period between the collapse of Mycenaean civilization at the end of the 11th century BC and the beginning of the Archaic period some 450 years later. Thi
This book explores how art and material culture were used to construct age, gender and social identity in the Greek Early Iron Age, 1100–700 BCE. Coming between the collapse of the Bronze Age palaces and the creation of Archaic city-states, these four centuries witnessed fundamental cultural developments and political realignments. Whereas previous archaeological research has emphasized class-based aspects of change, this study offers a more comprehensive view of early Greece by recognizing the place of children and women in a warrior-focused society. Combining iconographic analysis, gender theory, mortuary analysis, typological study and object biography, Susan Langdon explores how early figural art was used to mediate critical stages in the life-course of men and women. She shows how an understanding of the artistic and material contexts of social change clarifies the emergence of distinctive gender and class asymmetries that laid the basis for classical Greek society.
This book explores how art and material culture were used to construct age, gender and social identity in the Greek Early Iron Age, 1100–700 BCE. Coming between the collapse of the Bronze Age palaces and the creation of Archaic city-states, these four centuries witnessed fundamental cultural developments and political realignments. Whereas previous archaeological research has emphasized class-based aspects of change, this study offers a more comprehensive view of early Greece by recognizing the place of children and women in a warrior-focused society. Combining iconographic analysis, gender theory, mortuary analysis, typological study and object biography, Susan Langdon explores how early figural art was used to mediate critical stages in the life-course of men and women. She shows how an understanding of the artistic and material contexts of social change clarifies the emergence of distinctive gender and class asymmetries that laid the basis for classical Greek society.
In this innovative study, James Whitley examines the relationship between the development of pot style and social changes in the Dark Age of Greece (1100-700 BC). He focuses on Athens where the Protogeometric and Geometric styles first appeared. He considers pot shape and painted decoration primarily in relation to the other relevant features - metal artefacts, grave architecture, funerary rites, and the age and sex of the deceased - and also takes into account different contexts in which these shapes and decorations appear. A computer analysis of grave assemblages supports his view that pot style is an integral part of the collective representations of Early Athenian society. It is a lens through which we can focus on the changing social circumstances of Dark Age Greece. Dr Whitley's approach to the study of style challenges many of the assumptions which have underpinned more traditional studies of Early Greek art.
The period between the collapse of the Mycenaean civilization around 1200 BC and the dawning of the classical era four and half centuries later is widely known as the Dark Age of Greece, not least in
In this book, Sarah Murray provides a comprehensive treatment of textual and archaeological evidence for the long-distance trade economy of Greece across 600 years during the transition from the Late Bronze to the Early Iron Age. Analyzing the finished objects that sustained this kind of trade, she also situates these artifacts within the broader context of the ancient Mediterranean economy, including evidence for the import and export of commodities as well as demographic change. Murray argues that our current model of exchange during the Late Bronze Age is in need of a thoroughgoing reformulation. She demonstrates that the association of imported objects with elite self-fashioning is not supported by the evidence from any period in early Greek history. Moreover, the notional 'decline' in trade during Greece's purported Dark Age appears to be the result of severe economic contraction, rather than a severance of access to trade routes.
The moments in life of "knowing". On Bognor Beach, with Grandpa England, she had "known" that he, and Papa, and she, would carry something on, something given, something bigger than themselves.Lilibet: a carefree child, a lover of horses and dogs, devoted to her family. And the girl who would be Queen.A.N. Wilson, one of England's most beloved writers, imagines the Queen on the eve of her platinum jubilee. We watch as she discovers, at the tender age of ten, that she is heir to the throne. We witness her meet the dashing Prince Phillip of Greece, who she loved steadfastly from the age of fifteen, and see their friendship blossom into passionate love. Above all, we learn of her astonishing sense of vocation and public duty, which grew during the dark years of WWII and her father's subsequent years of ill health.By turns funny, tender and tragic, Lilibet: The Girl Who Would be Queen honours our beloved monarch and her illustrious reign.Praise for A.N. Wilson's The King and the Christmas
