Born into a family with artistry in their fingers, Lyza laments that her only talent is carving letters into wood. That is until her life is turned upside down when her mother succumbs to the influenz
Born into a family with artistry in their fingers, Lyza laments that her only talent is carving letters into wood. That is until her life is turned upside down when her mother succumbs to the influenz
Irish Revivalist playwright J. M. Synge is often regarded as a realist. Yet what happens when his work is analysed through wider performance studies and situated alongside less familiar historical contexts? By addressing this question, Hélène Lecossois offers new and valuable perspectives on Synge's plays while at the same time engaging with the complexity of his treatment of a range of performance practices – from keening at rural funerals to the performances of 'native villagers' in the entertainment section of International Exhibitions. What emerges from her study is a dramatist acutely aware of the ability of theatre in performance to counteract relentless forward-moving narratives of modernity. Through detailed, contextualized case studies, the book simultaneously makes meaningful contributions to performance studies and opens up theoretical questions of performance relating to the status of the object on stage, the body on stage and theatrical time.
Irish Revivalist playwright J. M. Synge is often regarded as a realist. Yet what happens when his work is analysed through wider performance studies and situated alongside less familiar historical contexts? By addressing this question, Hélène Lecossois offers new and valuable perspectives on Synge's plays while at the same time engaging with the complexity of his treatment of a range of performance practices – from keening at rural funerals to the performances of 'native villagers' in the entertainment section of International Exhibitions. What emerges from her study is a dramatist acutely aware of the ability of theatre in performance to counteract relentless forward-moving narratives of modernity. Through detailed, contextualized case studies, the book simultaneously makes meaningful contributions to performance studies and opens up theoretical questions of performance relating to the status of the object on stage, the body on stage and theatrical time.
Poetry. Jewish Studies. Women's Studies. In OLD WOMEN TALKING, Wilderness Sarchild celebrates growing old without denying the difficulties. Shouting, divulging, gossiping, sobbing, ranting, keening, S
Tears and Saints focuses not on martyrs or heroes but on the mystics - primarily female - famous for their keening spirituality and intimate knowledge of God. Their Christianity was anti-theological,
