This new book brings together leading terrorism scholars and defence professionals to discuss the impact of networks on conflict and war.Post-modern terrorism and topics of global insurgency are also
Cyrus Lakdawala examines the many different variations of the Modern Defence, studies the typical plans and tactics, offers repertoire options and provides answers to all the key questions
The second edition of this highly regarded reference source will be a welcome addition to any reference library, governmental department and development centre, It will also be of interest to journali
Grandmaster Nigel Davies revisits the fundamentals of the Modern Defence, studying in depth the crucial early moves and plans for both sides. This book is ideal for up-and-coming players.
Despite its continuing appeal in the Muslim world, Sufism has faced fierce challenges in the last 250 years. This volume assesses the evolution of anti-Sufism since the middle of the eighteenth centur
Debates over the 'end of art' have tended to obscure Hegel's work on the arts themselves. Benjamin Rutter opens this study with a defence of art's indispensability to Hegel's conception of modernity; he then seeks to reorient discussion toward the distinctive values of painting, poetry, and the novel. Working carefully through Hegel's four lecture series on aesthetics, he identifies the expressive possibilities particular to each medium. Thus, Dutch genre scenes animate the everyday with an appearance of vitality; metaphor frees language from prose; and Goethe's lyrics revive the banal routines of love with imagination and wit. Rutter's important study reconstructs Hegel's view not only of modern art but of modern life and will appeal to philosophers, literary theorists, and art historians alike.
Debates over the 'end of art' have tended to obscure Hegel's work on the arts themselves. Benjamin Rutter opens this study with a defence of art's indispensability to Hegel's conception of modernity; he then seeks to reorient discussion toward the distinctive values of painting, poetry, and the novel. Working carefully through Hegel's four lecture series on aesthetics, he identifies the expressive possibilities particular to each medium. Thus, Dutch genre scenes animate the everyday with an appearance of vitality; metaphor frees language from prose; and Goethe's lyrics revive the banal routines of love with imagination and wit. Rutter's important study reconstructs Hegel's view not only of modern art but of modern life and will appeal to philosophers, literary theorists, and art historians alike.
The authors attempt to outline a notion of high culture and its role within education, following a broad modern tradition springing from Matthew Arnold. The book is written with a concern for clarity
The English Franciscan Roger Bacon (c.1214–92) holds a controversial but important position in the development of modern science. He has been portrayed as an isolated figure, at odds with his influential order and ultimately condemned by it. This major study, the first in English for nearly sixty years, offers a provocative new interpretation of both Bacon and his environment. Amanda Power argues that his famous writings for the papal curia were the product of his critical engagement with the objectives of the Franciscan order and the reform agenda of the thirteenth-century church. Fearing that the apocalypse was at hand and Christians unprepared, Bacon explored radical methods for defending, renewing and promulgating the faith within Christendom and beyond. Read in this light, his work indicates the breadth of imagination possible in a time of expanding geographical and intellectual horizons.
The English Franciscan Roger Bacon (c.1214–92) holds a controversial but important position in the development of modern science. He has been portrayed as an isolated figure, at odds with his influential order and ultimately condemned by it. This major study, the first in English for nearly sixty years, offers a provocative new interpretation of both Bacon and his environment. Amanda Power argues that his famous writings for the papal curia were the product of his critical engagement with the objectives of the Franciscan order and the reform agenda of the thirteenth-century church. Fearing that the apocalypse was at hand and Christians unprepared, Bacon explored radical methods for defending, renewing and promulgating the faith within Christendom and beyond. Read in this light, his work indicates the breadth of imagination possible in a time of expanding geographical and intellectual horizons.
