“Staging Memory and Materiality in Eighteenth-Century Theatrical Biography” examines theatrical biography as a nascent genre in eighteenth-century England. This study specifically focuses on Thomas Da
The idea of the tragic has permeated Western culture for millennia, and has been expressed theatrically since the time of the ancient Greeks. However, it was in the Europe of the twentieth century – o
The vanished world of India’s late-colonial theatre provides the backdrop for the autobiographies in this book. The life-stories of a quartet of early Indian actors and poet-playwrights are here trans
‘Moliere on Stage’ takes the reader onstage, backstage and into the audience of Moliere’s plays, analyzing the performance of his works in both his own time and in ours. Written by a professional stag
‘Moliere on Stage’ takes the reader onstage, backstage and into the audience of Moliere’s plays, analyzing the performance of his works in both his own time and in ours. Written by a professional stag
‘Sites of Performance: Of Time and Memory’ focuses on the impact of time and memory as they intersect and constitute the varied spaces of theatre, performance and installation art.
‘World Cinema and the Visual Arts’ combines new analyses of two subjects of ongoing research in the field of humanities: cinema and the visual arts. Originally presented at the American Comparative Li
‘Dialogues on Beckett’ is a collection of 12 conversations about 12 plays by Samuel Beckett, discussions about the meaning of life and the universe between an agnostic and a Christian, based on a clos
In the early 1960s the board of governors of the Adelaide Festival of Arts in Australia rejected two Patrick White plays, The Ham Funeral in 1962 and Night on Bald Mountain in 1964. Australian Theatre
“On Beckett: Essays and Criticism” is the first collection of writings about the Nobel Prize–winning author that covers the entire spectrum of his work, and also affords a rare glimpse of the private
The idea of the tragic has permeated Western culture for millennia, and has been expressed theatrically since the time of the ancient Greeks. However, it was in the Europe of the twentieth century – o
In addition to providing the first English translation of the anticolonial Marathi classic ‘Kichaka-Vadha’, this volume is the only edition of the play, in any language, to provide an extensive histor
In addition to providing the first English translation of the anticolonial Marathi classic ‘Kichaka-Vadha’, this volume is the only edition of the play, in any language, to provide an extensive histor
