Great men, especially creative artists whose work lives after them, engage people's imagination for centuries. Beethoven, as man and composer, has inspired innumerable books both by his contemporaries
Sculptor, architect, painter, playwright, and scenographer, Gian Lorenzo Bernini (1598–1680) was the last of the great universal artistic geniuses of early modern Italy, placed by both contemporaries
This volume explores the Russia where the great writer, Fyodor Dostoevsky (1821–81), was born and lived. It focuses not only on the Russia depicted in Dostoevsky's works, but also on the Russian life that he and his contemporaries experienced: on social practices and historical developments, political and cultural institutions, religious beliefs, ideological trends, artistic conventions and literary genres. Chapters by leading scholars illuminate this broad context, offer insights into Dostoevsky's reflections on his age, and examine the expression of those reflections in his writing. Each chapter investigates a specific context and suggests how we might understand Dostoevsky in relation to it. Since Russia took so much from Western Europe throughout the imperial period, the volume also locates the Russian experience within the context of Western thought and practices, thereby offering a multidimensional view of the unfolding drama of Russia versus the West in the nineteenth century.
In May 1962, as the struggle for civil rights heated up in the United States and leaders of the Catholic Church prepared to meet for Vatican Council II, Pope John XXIII named the first black saint of the Americas, the Peruvian Martín de Porres (1579–1639), and designated him the patron of racial justice. The son of a Spanish father and a former slavewoman from Panamá, Martín served a lifetime as the barber and nurse at the great Dominican monastery in Lima. This book draws on visual representations of Martín and the testimony of his contemporaries to produce the first biography of this pious and industrious black man from the cosmopolitan capital of the Viceroyalty of Peru. The book vividly chronicles the evolving interpretations of his legend and his miracles, and traces the centuries-long campaign to formally proclaim Martín de Porres a hero of universal Catholicism.
Pedro de Mena y Medrano (1628-1688) is the most highly regarded master of Spanish Baroque sculpture, on a par with his contemporaries, the great seventeenth-century painters Velazquez, Zurbaran and Mu
In Thomas Jefferson: A Modern Prometheus, Wilson Jeremiah Moses provides a critical assessment of Thomas Jefferson and the Jeffersonian influence. Scholars of American history have long debated the legacy of Thomas Jefferson. However, Moses deviates from other interpretations by positioning himself within an older, 'Federalist' historiographic tradition, offering vigorous and insightful commentary on Jefferson, the man and the myth. Moses specifically focuses on Jefferson's complexities and contradictions. Measuring Jefferson's political accomplishments, intellectual contributions, moral character, and other distinguishing traits against contemporaries like George Washington and Benjamin Franklin but also figures like Machiavelli and Frederick the Great, Moses contends that Jefferson fell short of the greatness of others. Yet amid his criticism of Jefferson, Moses paints him as a cunning strategist, an impressive intellectual, and a consummate pragmatist who continually reformulated hi
