Hegel's The Phenomenology of Spirit (1807) is one of the most influential texts in the history of modern philosophy. In it, Hegel proposed an arresting and novel picture of the relation of mind to world and of people to each other. Like Kant before him, Hegel offered up a systematic account of the nature of knowledge, the influence of society and history on claims to knowledge, and the social character of human agency itself. A bold new understanding of what, after Hegel, came to be called 'subjectivity' arose from this work, and it was instrumental in the formation of later philosophies, such as existentialism, Marxism, and American pragmatism, each of which reacted to Hegel's radical claims in different ways. This edition offers a new translation, an introduction, and glossaries to assist readers' understanding of this central text, and will be essential for scholars and students of Hegel.
Proclus' commentary on the dialogue Timaeus by Plato (d.347 BC), written in the fifth century AD, is arguably the most important commentary on a text of Plato, offering unparalleled insights into eight centuries of Platonic interpretation. It has had an enormous influence on subsequent Plato scholarship. This edition nevertheless offers the first new translation of the work for nearly two centuries, building on significant recent advances in scholarship by Neoplatonic commentators. It will provide an invaluable record of early interpretations of Plato's dialogue, while also presenting Proclus' own views on the meaning and significance of Platonic philosophy. The book presents Proclus' unrepentant account of a multitude of divinities involved with the creation of mortal life, the supreme creator's delegation to them of the creation of human life, and the manner in which they took the immortal life principle from him and wove it together with our mortal parts to produce human beings.
This volume provides a new critical text of the Prologue and the first two books of Venantius Fortunatus' Vita Sancti Martini, a work, written in the latter half of the sixth century, which paraphrases in epic verse the famous prose hagiography of St Martin by Sulpicius Severus. This edition offers the first English translation of and the first full commentary on that part of Venantius' poem. Venantius was one of the last writers in a recognisably classical Latin tradition and his Vita affords a fascinating insight into the language and literary culture of his time. It is, however, a deceptively allusive and difficult poem, and the introduction and commentary of this book deal extensively with matters of exegesis, textual criticism, language, metre and much else. It will be valuable for students of the literature and culture of late Latin antiquity, and for those interested in early Christianity and hagiography.
This volume was conceived with the double aim of providing a background and a further context for the new Dumbarton Oaks English translation of the Life of St Neilos from Rossano, founder of the monas
The Philosophy of Symbolic Forms is Cassirer's most important work. This major new translation brings his magnum opus to a new generation of students and scholars. Volume 3: The Phenomenology of
The Philosophy of Symbolic Forms is Cassirer's most important work. This major new translation brings his magnum opus to a new generation of students and scholars. Volume 2: Mythical Thought cons
The Philosophy of Symbolic Forms is Cassirer's most important work. This major new translation brings his magnum opus to a new generation of students and scholars. Volume 1: Language is a fascina
From the 'old world' to the 'new' and back again, this transnational history of the performance and reception of Bizet's Carmen – whose subject has become a modern myth and its heroine a symbol – provides new understanding of the opera's enduring yet ever-evolving and resituated presence and popularity. This book examines three stages of cultural transfer: the opera's establishment in the repertoire; its performance, translation, adaptation and appropriation in Europe, the Americas and Australia; its cultural 'work' in Soviet Russia, in Japan in the era of Westernisation, in southern, regionalist France and in Carmen's 'homeland', Spain. As the volume reveals the ways in which Bizet's opera swiftly travelled the globe from its Parisian premiere, readers will understand how the story, the music, the staging and the singers appealed to audiences in diverse geographical, artistic and political contexts.
