The world spins and the cycle of seasons turns as the Guardians of the Year gather to tell each other stories. As a new Winter begins it is time to tell another tale. . . A kingdom is in peril, its pe
A virus that turns people into something somehow more than human quickly sweeps the world, upending society as we know it. This panoramic thriller begins with one small mystery. The body of a young w
Alfie Rabbit is walking through the woods. His world turns from real to imagined as a gatefold spread is opened. Now he's turning into different woodland animals. Alfie is a gliding owl, a sticky pric
From legendary chef Jacques Pepin, a book celebrating his lifelong love of chickens, featuring dozens of his celebrated paintings and more than 50 recipes, along with a treasure trove of poignant and often humorous stories.Chicken may not be a fancy or extravagant ingredient, but for master chef Jacques Pépin, it is the one he turns to regularly. In this beautifully illustrated book, Jacques reminisces on his life through the lens of the humble bird, from his childhood in rural France, where he chased chickens and watched as his maman turned them into her poulet à la crème, to his demanding apprenticeship and long, illustrious career―cooking Chicken Chasseur for Charles de Gaulle and his family, turning down a chance to work as JFK’s White House Chef for a job at Howard Johnson’s, and appearing on television alongside food-world luminaries like Julia Child. Throughout are Jacques’ favorite chicken and egg recipes, conveyed as if he were sharing them over a dinner table. Most significan
How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and the 'dark ghost'. She makes the case for these sustained metaphors as constitutive of the poet's imagination and art. Eliot was haunted by recurrence. His work is full of moments of luminous recognitions, moments in which a writer discovers both subject and appropriate image. This book examines such moments of recognition and invocation by reference to three clusters of imagery, drawing on the contemporary languages of literary criticism, psychology, physics and anthropology. Eliot's transposition of these registers, at turns wary and beguiled, interweaves modern understandings of originary processes in the human and natural world with a poet's preoccupation with language. The metaphors arising from these intersections generate the imaginativ
Scholars, amateur historians and actors have shaped theatre history in different ways at different times and in different places. This Companion offers students and general readers a series of accessible and engaging essays on the key aspects of studying and writing theatre history. The diverse international team of contributors investigates how theatre history has been constructed, showing how historical facts are tied to political and artistic agendas and explaining why history matters to us. Beginning with an introduction to the central narrative that traditionally informs our understanding of what theatre is, the book then turns to alternative points of view - from other parts of the world and from the perspective of performers in fields such as music-theatre and circus. It concludes by looking at how history is written in the 'democratic' age of the Internet and offers a new perspective on theatre history in our globalised world.
From New York Times bestselling author Ben Hatke comes Things in the Basement, a young readers graphic novel about Milo, a young boy who discovers a portal to a secret world in his basement. It was supposed to just be a normal basement--some storage boxes, dust, you know, the usual basement stuff. But when Milo is sent by his mother to fetch a sock from the basement of the historic home they've moved into, Milo finds a door in the back that he's never seen before. Turns out that the basement of his house is enormous. In fact, there is a whole world down there. As Milo travels ever deeper into the Basement World, he meets the many Things that live in the shadows and gloom...and he learns that to face his fears he must approach even the strangest creatures with kindness.
In the 19th century Friedrich Nietzsche infamously declared that "God is dead." It turns out he was on to something. Across the western world, churches are emptying out and closing their doors, and more and more people are rejecting organized religion. In the early 2000s a group of intellectuals who collectively came to be known as the "new atheists" capitalized on this fact, capturing the imagination of young skeptics and igniting a movement for secularism by arguing that religion is the source of most of our social ills. They believed that the decline of religious belief could be attributed to the rise of modern science. This was only the most recent incarnation of a story that has been told since the 18th century Enlightenment, which forged a myth of social progress and western cultural supremacy that has lent legitimacy to the projects of imperialism and global capitalism ever since. The social sciences have another story to tell. It is the story of secularization: a theory that gr
How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and the 'dark ghost'. She makes the case for these sustained metaphors as constitutive of the poet's imagination and art. Eliot was haunted by recurrence. His work is full of moments of luminous recognitions, moments in which a writer discovers both subject and appropriate image. This book examines such moments of recognition and invocation by reference to three clusters of imagery, drawing on the contemporary languages of literary criticism, psychology, physics and anthropology. Eliot's transposition of these registers, at turns wary and beguiled, interweaves modern understandings of originary processes in the human and natural world with a poet's preoccupation with language. The metaphors arising from these intersections generate the imaginativ
Hiring the Heavens offers a roadmap to transforming one's life by tapping the divine. In this book, Jean Slatter turns abstract expressions, such as "God is within you" and "ask and you shall receive
From the underreported frontlines of the climate emergency, an at-turns alarming and awe-inspiring work that follows the harrowing migrations of animals and plants fleeing rising temperatures and drought in their natural habitatsHarrowing journeys of animals and plants―fleeing skyrocketing temperatures and mega-droughts―reported from the frontlines of the greatest migration of species since the Ice AgeAs humans accelerate global warming while laying waste to the environment, animals and plants must flee to the margins: on scattered nature reserves, between major highways, or among urban sprawl. And when even these places become too hot and inhospitable, wildlife is left with only one path to survival: an often-formidable journey toward the poles as they race to find a new home in a warming world. Tropical zones lose their inhabitants, beavers settle in Alaska, and gigantic shoals of fish disappear―just to reappear along foreign coastlines.Award-winning environmental journalist Benjamin
This book addresses a largely untouched historical problem: the fourth to fifth centuries AD witnessed remarkably similar patterns of foreign invasion, conquest, and political fragmentation in Rome and China. Yet while the Western Roman Empire was never reestablished, China was reunified at the end of the sixth century. Following a comparative discussion of earlier historiographical and ethnographic traditions in the classical Greco-Roman and Chinese worlds, the book turns to the late antique/early medieval period, when the Western Roman Empire 'fell' and China was reconstituted as a united empire after centuries of foreign conquest and political division. Analyzing the discourse of ethnic identity in the historical texts of this later period, with original translations by the author, the book explores the extent to which notions of Self and Other, of 'barbarian' and 'civilized', help us understand both the transformation of the Roman world as well as the restoration of a unified imper
This book addresses a largely untouched historical problem: the fourth to fifth centuries AD witnessed remarkably similar patterns of foreign invasion, conquest, and political fragmentation in Rome and China. Yet while the Western Roman Empire was never reestablished, China was reunified at the end of the sixth century. Following a comparative discussion of earlier historiographical and ethnographic traditions in the classical Greco-Roman and Chinese worlds, the book turns to the late antique/early medieval period, when the Western Roman Empire 'fell' and China was reconstituted as a united empire after centuries of foreign conquest and political division. Analyzing the discourse of ethnic identity in the historical texts of this later period, with original translations by the author, the book explores the extent to which notions of Self and Other, of 'barbarian' and 'civilized', help us understand both the transformation of the Roman world as well as the restoration of a unified imper
Remember chia? Those little black seeds that grew “hair” for your Chia Pet? Well, they’re back, and as it turns out, they are incredibly healthy for you! These powerful little seeds are helpful for we
This comprehensive introduction to Chinese foreign relations examines the opportunities and limits China faces as it seeks growing international influence. Tracing the record of twists and turns in Ch
This comprehensive introduction to Chinese foreign relations examines the opportunities and limits China faces as it seeks growing international influence. Tracing the record of twists and turns in Ch
How can human beings acknowledge and experience the burdens of political responsibility? Why are we tempted to flee them, and how might we come to affirm them? Jade Larissa Schiff calls this experience of responsibility 'the cultivation of responsiveness'. In Burdens of Political Responsibility: Narrative and the Cultivation of Responsiveness, she identifies three dispositions that inhibit responsiveness - thoughtlessness, bad faith, and misrecognition - and turns to storytelling in its manifold forms as a practice that might facilitate and frustrate it. Through critical engagements with an unusual cast of characters (from Bourdieu to Sartre) hailing from a variety of disciplines (political theory, phenomenology, sociology, and literary criticism), she argues that how we represent our world and ourselves in the stories we share, and how we receive those stories, can facilitate and frustrate the cultivation of responsiveness.
A Storytelling World magazine award winnerIn turns funny, poignant, and wise, these nine lively stories are peopled with an array of unusual characters, including a young woman raised as a boy who is
How can human beings acknowledge and experience the burdens of political responsibility? Why are we tempted to flee them, and how might we come to affirm them? Jade Larissa Schiff calls this experience of responsibility 'the cultivation of responsiveness'. In Burdens of Political Responsibility: Narrative and the Cultivation of Responsiveness, she identifies three dispositions that inhibit responsiveness - thoughtlessness, bad faith, and misrecognition - and turns to storytelling in its manifold forms as a practice that might facilitate and frustrate it. Through critical engagements with an unusual cast of characters (from Bourdieu to Sartre) hailing from a variety of disciplines (political theory, phenomenology, sociology, and literary criticism), she argues that how we represent our world and ourselves in the stories we share, and how we receive those stories, can facilitate and frustrate the cultivation of responsiveness.
The instalments of Ezra Pound's life-project, The Cantos , composed during his incarceration in Washington after the Second World War were to have served as a "Paradiso" for his epic. Beautiful and tormented, enigmatic and irascible by turns, they express the poet's struggle to reconcile his striving for justice with his extreme Right politics. In heavily coded language, Pound was writing activist political poetry. Through an in-depth reading of the "Washington Cantos" this book reveals the ways in which Pound integrated into his verse themes and ideas that remain central to American far-right ideology to this day: States' Rights, White-supremacy and racial segregation, the usurpation of the Constitution by the Supreme Court, and history as racial struggle.Pound's struggle was also personal. These poems also celebrate his passion for his muse and lover, Sheri Martinelli, as he tries to teach her his politics and, in the final poems, mount his legal defence against the unresolved trea
