In this book, Molly Zahn investigates how early Jewish scribes rewrote their authoritative traditions in the course of transmitting them, from minor edits in the course of copying to whole new compositions based on prior works. Scholars have detected evidence for rewriting in a wide variety of textual contexts, but Zahn's is the first book to map manuscripts and translations of biblical books, so-called 'parabiblical' compositions, and the sectarian literature from Qumran in relation to one another. She introduces a new, adaptable set of terms for talking about rewriting, using the idea of genre as a tool to compare and contrast different cases. Although rewriting has generally been understood as a vehicle for biblical interpretation, Zahn moves beyond that framework to demonstrate that rewriting was a pervasive textual strategy in the Second Temple period. Her book contributes to a powerful new model of early Jewish textuality, illuminating the rich and diverse culture out of which bo
Modern readings of the Roman poet Catullus' work have always been constrained by doubts about the surviving text. Does the sequence of our corpus reflect the artistically coherent and meaningful arrangement of the poems? Why are the various parts of the collection so jarringly different in content and emotional tone? To what extent, if at all, can we explain these shifts by appealing to Catullus' famously vivid portrayals of his emotions and life circumstances? Catullus Through his Books argues that we possess three separate books of poems designed by the poet himself; at key moments in these books, the poems dramatise the creative activity of their own composition, embedding apparent autobiographical details and purportedly revealing the poet's intentions and goals. These dramas of composition direct us through the poems, integrating our understanding of each part and generating a holistic vision of Catullus as poet of self-destroying longing and irreparable loss.
During the Italian Renaissance, laywomen and nuns could take part in every stage of the circulation of texts of many kinds, old and new, learned and popular. This first in-depth and integrated analysis of Italian women's involvement in the material textual culture of the period shows how they could publish their own works in manuscript and print and how they promoted the first publication of works composed by others, acting as patrons or dedicatees. It describes how they copied manuscripts and helped to make and sell printed books in collaboration with men, how they received books as gifts and borrowed or bought them, how they commissioned manuscripts for themselves and how they might listen to works in spoken or sung performance. Brian Richardson's richly documented study demonstrates the powerful social function of books in the Renaissance: texts-in-motion helped to shape women's lives and sustain their social and spiritual communities.
The beginning graduate student in homotopy theory is confronted with a vast literature on spectra that is scattered across books, articles and decades. There is much folklore but very few easy entry points. This comprehensive introduction to stable homotopy theory changes that. It presents the foundations of the subject together in one place for the first time, from the motivating phenomena to the modern theory, at a level suitable for those with only a first course in algebraic topology. Starting from stable homotopy groups and (co)homology theories, the authors study the most important categories of spectra and the stable homotopy category, before moving on to computational aspects and more advanced topics such as monoidal structures, localisations and chromatic homotopy theory. The appendix containing essential facts on model categories, the numerous examples and the suggestions for further reading make this a friendly introduction to an often daunting subject.
Many books on government in China either simply describe the political institutions or else focus, critically, on the weaknesses of the system, such as corruption or the absence of Western-style democ
Physicians have little training in examining the credibility of a patient’s medical presentation directly and are confronted with the possibility of malingering. This books serves as a guide for healt
