Vocal Chamber Music: A Performer's Guide is an exhaustive listing of works scored for voice, ranging from pieces for one voice and one instrument to pieces for twelve voices and twelve instruments. Cr
Superb collection of three trios, four quartets, and piano quintet. Breitkopf & Hartel edition. Includes Quintet in E-Flat Major, Op. 44, Quartet In E-Flat Major, Op. 47, Trio No. 1 In D Minor, Op
Approaching the tradition of chamber music with knowledge and passion, Keller serves as the often opinionated but always genial guide to 192 essential works by 56 composers, providing illuminating ess
All of Mendelssohn's chamber music: Octet, 2 Quintets, 6 Quartets, and Four Pieces for String Quartet. (Nothing with piano is included.) Complete works edition (1874?1877). Study score included.
Reproduced from famous Breitkopf & Härtel edition: Quintet in C Major (1828), 15 quartets and two trios for violin(s), viola, and violoncello. Study score.
Oxford's highly successful listener's guides--The Symphony, The Concerto, andChoral Masterworks--have been widely praised for their blend of captivating biography, crystal clear musical analysis, and
Internationally renowned scholars and performers present a wide range of new analytical, historical and critical perspectives on some of Mozart's most popular chamber music: his sonatas with violin, keyboard trios and quartets and the quintet with wind instruments. The chapters trace a broad chronology, from the childhood works, to the Mannheim and Paris sonatas with keyboard and violin, and the mature compositions from his Vienna years. Drawing upon the most recent research, this study serves the reader, be they a performer, listener or scholar, with a collection of writings that demonstrate the composer's innovative developments to generic archetypes and which explore and assess Mozart's creative response to the opportunities afforded by new and diverse instrumental combinations. Manners of performance of this music far removed from our own are revealed, with concluding chapters considering historically informed practice and the challenges for modern performers and audiences.
Internationally renowned scholars and performers present a wide range of new analytical, historical and critical perspectives on some of Mozart's most popular chamber music: his sonatas with violin, keyboard trios and quartets and the quintet with wind instruments. The chapters trace a broad chronology, from the childhood works, to the Mannheim and Paris sonatas with keyboard and violin, and the mature compositions from his Vienna years. Drawing upon the most recent research, this study serves the reader, be they a performer, listener or scholar, with a collection of writings that demonstrate the composer's innovative developments to generic archetypes and which explore and assess Mozart's creative response to the opportunities afforded by new and diverse instrumental combinations. Manners of performance of this music far removed from our own are revealed, with concluding chapters considering historically informed practice and the challenges for modern performers and audiences.
Medium level clarinet trios in score form. Suitable for contest, concert or church performance, these pieces appear on several state contest lists. Includes works by Beethoven, Haydn, Kuhlau, Mozart
Arcing across thirty years and seven volumes, Jan Zwicky’s poetry has always been acutely musical (and sensitive to the silence out of which music comes). In the compositions in Chamber Music, the fir
