This is a comparative study of the work and thought of the German Romantic writer E. T. A. Hoffmann and the French poet Charles Baudelaire. Hoffmann was introduced into France in 1829 and Baudelaire could have read his work in the numerous translations that were published in the following decades. This 1979 book attempts to explain Baudelaire's fascination with Hoffmann's combination of humour and the fantastic, showing the extent to which the two men shared very similar views about art in particular and the world in general. Although earlier critics had referred to Baudelaire's interest in Hoffmann and the influence Hoffmann had over him, none had examined the question at such length, nor analysed in such detail the way in which each exploited the fantastic.
Charles Baudelaire's place among the great poets of the Western world is undisputed, and his influence on the development of poetry since his lifetime has been enormous. In this Companion, essays by outstanding scholars illuminate Baudelaire's writing both for the lay reader and for specialists. In addition to a survey of his life and a study of his social context, the volume includes essays on his verse and prose, analyzing the extraordinary power and effectiveness of his language and style, his exploration of intoxicants like wine and opium, and his art and literary criticism. The volume also discusses the difficulties, successes and failures of translating his poetry and his continuing power to move his readers. Featuring a guide to further reading and a chronology, this Companion provides students and scholars of Baudelaire and of nineteenth-century French and European literature with a comprehensive and stimulating overview of this extraordinary poet.
Charles Baudelaire, possibly the most influential author of nineteenth-century France, created a poetics of modernity and a thematics of the city; he transcended genre by moving between poetry and pro
Charles Baudelaire is usually read as a paradigmatically modern poet, whose work ushered in a new era of French literature. But the common emphasis on his use of new forms and styles overlooks the com
Takeda presents students, academics, and researchers with an investigation of the act of translating the untranslatable, as embodied in the work of avant-garde poets. The author has organized the main
The Violence of Modernity turns to Charles Baudelaire, one of the most canonical figures of literary modernism, in order to reclaim an aesthetic legacy for ethical inquiry and historical critique. Wor
Charles Altieri's book sets modernist American poetry in a precise cultural context by analysing how major poets reacted to the challenge posed by modernist painting's radical critique of traditional representational models for art. It argues that modernist poets have tended to resist the received values of their contemporary culture by finding idealising principles in modes of pure abstraction. It traces the use of such abstraction in literature from Wordsworth, through Baudelaire and Mallarme, to T. S. Eliot, William Carlos Williams, Marianne Moore, and Gertrude Stein. There are summary chapters also on Wallace Stevens and Ezra Pound, considerations of Cezanne and the Cubists, and a substantial theoretical discussion of the nature of abstract art.
Charles Altieri's book sets modernist American poetry in a precise cultural context by analysing how major poets reacted to the challenge posed by modernist painting's radical critique of traditional representational models for art. It argues that modernist poets have tended to resist the received values of their contemporary culture by finding idealising principles in modes of pure abstraction. It traces the use of such abstraction in literature from Wordsworth, through Baudelaire and Mallarme, to T. S. Eliot, William Carlos Williams, Marianne Moore, and Gertrude Stein. There are summary chapters also on Wallace Stevens and Ezra Pound, considerations of Cezanne and the Cubists, and a substantial theoretical discussion of the nature of abstract art.
In an unpublished preface to "Les Fleurs du Mal," Baudelaire wrote "Does one show the audience all the rags and cosmetics, the pulleys and chains, the corrections and scribbled proofs - in a word, all
Poetics en passant presents a cross-Channel poetics to redefine the relationship between Victorian and Modern poetry. Reading Charles Baudelaire with—and against—Christina Rossetti, Jamis
With studies of, amongst others, Miguel de Cervantes, Anton Chekhov, Charles Baudelaire and Henry James, this landmark collection of essays is a unique and wide-ranging exploration and celebration of
Raised on Charles Baudelaire, A Clockwork Orange, and fine Bordeaux in 1970s Lebanon, Darina Al-Joundi was encouraged by her unconventional father to defy all taboos. As the bombs fell, she lived an a
