Although considered a figure of great importance and influence by his contemporaries, Edmond Holmes has been consigned to relative obscurity in the progressive educational tradition. This book reinsta
By the time of his early death in 1988, Raymond Carver had established himself as one of the great practitioners of the American short story, a writer who had not only found his own voice but imprinte
Like his great contemporaries Sun Yat-sen and Mohandas K. Gandhi, the Philippine patriot and polymath JOSE RIZAL (1861-1896) helped write the history of freedom in Asia. His two subversive novels and
Like his great contemporaries Sun Yat-sen and Mohandas K. Gandhi, the Philippine patriot and polymath JOSE RIZAL (1861-1896) helped write the history of freedom in Asia. His two subversive novels and
France’s great heroine and England’s great scourge: whether a lunatic, a witch, a religious icon, or a skilled soldier and leader, Joan of Arc’s contemporaries found her as extraord
Two thousand years ago, Jesus walked across Galilee; everywhere he traveled he gained followers. His contemporaries are familiar historical figures: Julius Caesar, Caesar Augustus, Herod the Great, Po
Talbot Baines Reed wrote in a period of transition when hot metal typesetting and offset printing were transforming the scale and scope of printing. In the previous 350 years, England had experienced civil war and started the Industrial Revolution. The dissemination of printed information and learning is inextricable to this history, and the art with which this was done is a quintessential part of English culture. Reed is distinctly aware of the great debt that his contemporaries had to the early typographers (notable among them William Caslon - considered the first great English typographer - and John Baskerville), and everywhere in his work is this shown in his meticulous and unstinting presentation of the fascinating details of their artistic exploration and expression. Modern readers will enjoy the technical and historical insight this work affords, and also find the style and presentation fresh and engaging.
Published in 1874, this collection of reports by the chemist and scientific journalist Sir William Crookes (1832–1919) describes his controversial research into psychic forces. In 1870, Crookes decided that science had a duty to study preternatural phenomena associated with spiritualism, and he spent the next four years carrying out experiments which tested famous mediums including D. D. Home, Kate Fox and Florence Cook. This fascinating work describes Crookes' witnessing of the movement of bodies at a distance, rappings, changes in the weights of bodies, levitation of individuals and automatic writing. Although he was strongly criticised by his contemporaries, Crookes would not be deterred from his psychical research, demonstrating that he thought all natural phenomena worthy of scientific investigation. A great experimentalist, Crookes refused to be bound by tradition and convention, and his story reveals one of the important episodes in the history of the spiritualist movement.
The genius of Carl Friedrich Gauss (1777–1855) and the novelty of his work (published in Latin, German, and occasionally French) in areas as diverse as number theory, probability and astronomy were already widely acknowledged during his lifetime. But it took another three generations of mathematicians to reveal the true extent of his output as they studied Gauss' extensive unpublished papers and his voluminous correspondence. This posthumous twelve-volume collection of Gauss' complete works, published between 1863 and 1933, marks the culmination of their efforts. Containing working notes and published treatises, geodesic survey data and astronomical observations, together with letters and reviews of work by Gauss' contemporaries, it provides a fascinating account of one of the great scientific minds of the nineteenth century.
Gustav Klimt (1862-1918) is renowned for his two-dimensional, ornamental works, which made him famous worldwide as the most important representative of Viennese Art Nouveau. This volume provides insight into the artistic influences of the great artists of Modernism who helped to firm his remarkable oeuvre. Vienna in 1900 - the Vienna Secession, galleries, private art collectors and art magazines - introduced the art of the European avant-garde into Gustav Klimt's surroundings.The Viennese artist was open to the pictorial language of his contemporaries including Alma-Tadema, Minne, Rodin, Toorop, Hodler, Van Gogh, Monet, Khnopff, Toulouse-Lautrec, Whistler, Matisse and many others, and adapted elements from a variety of styles. The publication presents in large-format illustrations the works of Klimt and artists who were close to him, revealing significant and often surprising parallels.
The genius of Carl Friedrich Gauss (1777–1855) and the novelty of his work (published in Latin, German, and occasionally French) in areas as diverse as number theory, probability and astronomy were already widely acknowledged during his lifetime. But it took another three generations of mathematicians to reveal the true extent of his output as they studied Gauss' extensive unpublished papers and his voluminous correspondence. This posthumous twelve-volume collection of Gauss' complete works, published between 1863 and 1933, marks the culmination of their efforts and provides a fascinating account of one of the great scientific minds of the nineteenth century. Volume 4, published in 1873, contains Gauss' theoretical work on differential geometry and probability, reviews of work by contemporaries including Herschel, and notes relating to geodesic surveys of the Kingdom of Hanover from the 1820s to the 1840s, together with a description of the heliotrope Gauss invented for the surveys.
The genius of Carl Friedrich Gauss (1777–1855) and the novelty of his work (published in Latin, German, and occasionally French) in areas as diverse as number theory, probability and astronomy were already widely acknowledged during his lifetime. But it took another three generations of mathematicians to reveal the true extent of his output as they studied Gauss' extensive unpublished papers and his voluminous correspondence. This posthumous twelve-volume collection of Gauss' complete works, published between 1863 and 1933, marks the culmination of their efforts and provides a fascinating account of one of the great scientific minds of the nineteenth century. Volume 3, which appeared in 1866, focuses on analysis. It includes Gauss' work on elliptic functions and on power series, for which he gave the first convergence criteria, as well as his first (1799) proof of the fundamental theorem of algebra, and reviews of works by contemporaries including Fourier.
On the basis of extensive material in the form of letters, pamphlets and the recollections of friends and contemporaries, Jules Marcou (1824–1898) tells the story of the life and work of Louis Agassiz in this two-volume work of 1896. The Swiss-born palaeontologist, glaciologist and zoologist (1807–1873) is regarded as one of the founding fathers of the modern American scientific tradition. Marcou, a fellow countryman and collaborator of Agassiz, does not attempt to conceal his high regard for the subject of his biography but does have 'in view the truth'. In a chronological narrative, Volume 1 traces the childhood and early professional success of Agassiz, including his charming of the great von Humboldt. It describes Agassiz' time as professor in Switzerland and his marriage, ending with the arrival of Agassiz in America and his first attempts at forging a university career there.
Admired by contemporaries as an artistic jack-of-all-trades, Koloman Moser (1868–1918) is regarded today as one of the most important representatives of the Viennese Secession art movement, alon
With the first publication, in this edition, of all the surviving letters of Ernest Hemingway (1899–1961), readers will for the first time be able to follow the thoughts, ideas and actions of one of the great literary figures of the twentieth century in his own words. This first volume encompasses his youth, his experience in World War I and his arrival in Paris. The letters reveal a more complex person than Hemingway's tough guy public persona would suggest: devoted son, affectionate brother, infatuated lover, adoring husband, spirited friend and disciplined writer. Unguarded and never intended for publication, the letters record experiences that inspired his art, afford insight into his creative process and express his candid assessments of his own work and that of his contemporaries. The letters present immediate accounts of events and relationships that profoundly shaped his life and work. A detailed introduction, notes, chronology, illustrations and index are included.
The actress Dorothy Jordan (1761–1816), contemporary of Sarah Siddons, was born in London, one of nine children. Her reputation as the greatest comic actress of her time was secured upon joining Sheridan's company at Drury Lane in 1785. Remembered particularly for cross-dressing roles such as Rosalind in As You Like It and Viola in Twelfth Night, she brought great charm and spontaneity to her interpretations. Her life off-stage was equally colourful, and she was for over twenty years the lover of William, Duke of Clarence, with whom she had ten children. This two-volume biography, first published in 1831, was written by her friend James Boaden (1762–1839), a playwright who later turned to theatrical biography. In it, he relates the extraordinary and poignant story of her life from acclaim to obscurity. Volume 1 covers events up to 1798, including her establishment at Drury Lane and her liaison with Clarence.
The actress Dorothy Jordan (1761–1816), contemporary of Sarah Siddons, was born in London, one of nine children. Her reputation as the greatest comic actress of her time was secured upon joining Sheridan's company at Drury Lane in 1785. Remembered particularly for cross-dressing roles such as Rosalind in As You Like It and Viola in Twelfth Night, she brought great charm and spontaneity to her interpretations. Her life off-stage was equally colourful, and she was for over twenty years the lover of William, Duke of Clarence, with whom she had ten children. This two-volume biography, first published in 1831, was written by her friend James Boaden (1762–1839), a playwright who later turned to theatrical biography. In it, he relates the extraordinary and poignant story of her life from acclaim to obscurity. Volume 2 covers her many provincial tours, her enforced separation from Clarence, retirement and self-imposed exile in France.
Published in 1848, this two-volume work was received with great praise. During a celebrated career, Anna Brownell Jameson (1794–1860) produced Shakespeare criticism, travel writing, biography, and art history, and was admired by contemporaries such as Mary Shelley and Thomas Carlyle. Taking an aesthetic rather than religious approach, the work is a study of the legends represented in Western art of the Middle Ages, ordered taxonomically. Though Jameson is considered the first professional female art critic, this is a reductive label; she was, rather, one of the great art critics of her age and her work is still of importance to art historians. Volume 2, which is richly illustrated, examines the Patron Saints of Christendom, the Virgin Patronesses, the early martyrs, the Greek and Latin martyrs, the early bishops, the hermits, and the warrior saints.
Published in 1848, this two-volume work was received with great praise. During a celebrated career, Anna Brownell Jameson (1794–1860) produced Shakespeare criticism, travel writing, biography, and art history, and was admired by contemporaries such as Mary Shelley and Thomas Carlyle. Taking an aesthetic rather than religious approach, the work is a study of the legends represented in Western art of the Middle Ages, ordered taxonomically. Though Jameson is considered the first professional female art critic, this is a reductive label; she was, rather, one of the great art critics of her age and her work is still of importance to art historians. Volume 1, which is richly illustrated, covers the literary origins of the legends and surveys the representation of angels and archangels, the Four Evangelists, the Twelve Apostles, the Doctors of the Church, and a number of significant saints, including Mary Magdalene.
Shostakovich: A Life Remembered is a unique study of the great composer based on reminiscences from his contemporaries: family members, friends, fellow musicians and other prominent figures of the tim
