When this volume of work was published, The Times welcomed the book and the project in these words: Here - almost for the first time - we have a picture of normal society in a past age in the same fullness of detail as we can picture our own age. It is the beginning of what we have never had before, a history of the English people. The first volume of John Harold Clapham's remarkable and original work begins with a comprehensive description of Britain on the eve of the Railway Age, covering topics such as the organisation of agriculture, industry and commerce. The second half of the volume takes as its starting point the opening of Liverpool–Manchester Railway in 1830 and investigates the social and fiscal policies of this period of rapid change as well as the advances in engineering and their effects.
Moscow-born Sergey Brin and Midwest-born Larry Page dropped out of graduate school at Stanford University to, in their own words, "change the world" through a powerful search engine that would organiz
In most languages we find 'little words' which resemble a full word, but which cannot stand on their own. Instead they have to 'lean on' a neighbouring word, like the 'd, 've and unstressed 'em of Kim'd've helped'em ('Kim would have helped them'). These are clitics, and they are found in most of the world's languages. In English the clitic forms appear in the same place in the sentence that the full form of the word would appear in but in many languages clitics obey quite separate rules of placement. This book is the first introduction to clitics, providing a complete summary of their properties, their uses, the reasons why they are of interest to linguists and the various theoretical approaches that have been proposed for them. The book describes a whole host of clitic systems and presents data from over 100 languages.
In a 1969 conversation with Rolling Stone editor Jann Wenner, Bob Dylan proclaimed, “I don’t give interviews.” But in truth, he has spoken at length with print publica
This study focuses on the cognitive processes involved in creole genesis - relexification, reanalysis and direct levelling - processes which the author demonstrates play a significant role in language genesis and change in general. Dr Lefebvre argues that the creators of pidgins/creoles use the parametric values of their native languages in establishing those of the language that they are creating and the semantic principles of their own grammar in concatenating morphemes and words in the new language. This theory is documented on the basis of a uniquely detailed comparison of Haitian creole with its contributing French and West African languages. Summarizing more than twenty years of funded research, the author examines the input of adult, as opposed to child, speakers and resolves the problems in the three main approaches, universalist, superstratist and substratist, which have been central to the recent debate on creole development.
This book is a study of the prose writings of Richard Wagner and their relevance to an understanding of his music and drama, as well as their relation to music criticism and aesthetics in the nineteenth century in general. As a by-product of Wagner's many-faceted career as musician, conductor, cultural critic and controversial ideologue, the writings are documents of undisputed interpretative value. This study focuses on Wagner's words on music, and interprets them in the light of the musical, aesthetic and critical contexts that generated them. Professor Grey considers Wagner's ambivalence concerning the idea of 'absolute music' and the capacity of music to project meaning or drama from within its own system of referents. Particularly relevant are Wagner's appropriation of a Beethoven legacy, the metaphors of musical 'gender' and 'biology' in Opera and Drama and the critical background to ideas of 'motive' and 'leitmotif' in theory and practice.
Here, in their own words, indigenous voices reclaim the narrative of California Indians. Before contact, California's Native people comprised five hundred independent tribal groups whose cultural and
By and about the greatest celebrities of frontier America, these are the stories of their adventures told in their own words through excerpts from autobiographies, articles they wrote, newspaper inter
Originally published in 1933, this book was written with the aim of presenting the life stories of William and Caroline Herschel in the setting of their family circle and the broader historical context. The text is composed, as far as possible, from their own words, using extracts from William Herschel's brief autobiographical notes and from Caroline's very full journals, as well as from letters. A variety of illustrative figures and an appendix section are also included. This book will be of value to anyone with an interest in the Herschels, astronomy and music.
In most languages we find 'little words' which resemble a full word, but which cannot stand on their own. Instead they have to 'lean on' a neighbouring word, like the 'd, 've and unstressed 'em of Kim'd've helped'em ('Kim would have helped them'). These are clitics, and they are found in most of the world's languages. In English the clitic forms appear in the same place in the sentence that the full form of the word would appear in but in many languages clitics obey quite separate rules of placement. This book is the first introduction to clitics, providing a complete summary of their properties, their uses, the reasons why they are of interest to linguists and the various theoretical approaches that have been proposed for them. The book describes a whole host of clitic systems and presents data from over 100 languages.
More than 60 pagan leaders and teachers describe in their own words what they believe and what they practice. . Addresses how Pagans view parenting, organized religion, and politics. . Introduces the
This book demonstrates how, after many years of inactivity after the World War II tribunals, judges at the Yugoslav, Rwanda and Sierra Leone tribunals, and to a lesser extent the International Criminal Court, have seized the opportunity to develop international law on war crimes, crimes against humanity and genocide. Meernik and Aloisi argue that judges are motivated by a concern for human rights protection and the legacy of international criminal justice. They have progressively expanded the reach of international law to protect human rights and have used the power of their own words to condemn human rights atrocities. Judges have sentenced the guilty to lengthy and predictable terms in prison to provide justice, deterrence of future violations and even to advance peace and reconciliation. On judgment day, we show that judges have sought to enhance the power of international justice.
This book demonstrates how, after many years of inactivity after the World War II tribunals, judges at the Yugoslav, Rwanda and Sierra Leone tribunals, and to a lesser extent the International Criminal Court, have seized the opportunity to develop international law on war crimes, crimes against humanity and genocide. Meernik and Aloisi argue that judges are motivated by a concern for human rights protection and the legacy of international criminal justice. They have progressively expanded the reach of international law to protect human rights and have used the power of their own words to condemn human rights atrocities. Judges have sentenced the guilty to lengthy and predictable terms in prison to provide justice, deterrence of future violations and even to advance peace and reconciliation. On judgment day, we show that judges have sought to enhance the power of international justice.
The eighteenth century has long been acknowledged as a pivotal period in Shakespeare's reception, transforming a playwright requiring 'improvement' into a national poet whose every word was sacred. Scholars have examined the contribution of performances, adaptations, criticism and editing to this process of transformation, but the crucial role of fiction remains overlooked. Shakespeare and the Eighteenth-Century Novel reveals for the first time the prevalence, and the importance, of fictional characters' direct quotations from Shakespeare. Quoting characters ascribe emotional and moral authority to Shakespeare, redeploy his theatricality, and mock banal uses of his words; by shaping in this way what is considered valuable about Shakespeare, the novel accrues new cultural authority of its own. Shakespeare underwrites, and is underwritten by, the eighteenth-century novel, and this book reveals the lasting implications for both of their reputations.
Drawing from ex-slave narratives to provide accurate and poignant insights, this book presents ex-slave descriptions in their own words about their lives before, during, and following the Civil War.
The Who were a mass of contradictions. They brought intellect to rock but were the darlings of punks. They were the quintessential studio act yet were also the greatest live attraction in the world. T
Leonard Cohen, one of the most admired performers of the last half century, has had a stranger-than-fiction, roller-coaster ride of a life. Now, for the first time, he tells his story in his own words
Young people share valuable advice―words they wish they had heard growing up―to inspire, reassure, encourage, and say You’re enough, just as you are.You can . . . be brave, challenge yourself, overcome your fears, be kind, be YOU! Come on an amazing journey with fourteen young people as they grow from birth to eighteen, learning new skills, exploring new worlds, standing up for their own and others’ rights, and following their dreams. Created in consultation with real young adults, Alexandra Strick’s groundbreaking narrative will inspire and empower young people of all ages and abilities to believe in themselves and follow their own path, especially during tough times. Complemented by Steve Antony’s exuberant and inclusive artwork, which introduces fourteen comparable fictional characters and tracks their growth page by page, You Can! is a timely and meaningful gift for graduates or any reader marking significant milestones.
In a series of more than 50 interviews that span seven decades, many never before seen in print, this is the story of Led Zeppelin told by the people who knew it best—the members of the band. This boo
