Never before have Shakespeare’s plays been depicted in LEGO bricks, and now Brick Shakespeare: The Tragedies—Hamlet, Macbeth, Romeo and Juliet, and Julius Caesar and Brick Shakespeare: The Comedies—A
A Charmed Life tells the story of Liza Campbell, the last child to be born at the impressive and renowned Cawdor Castle, the same locale featured in Shakespeare’s Macbeth. It was at the histori
When Priscilla Halburton-Smythe brings her London playwright fiance home to Lochdubh, everybody in town is delighted . . . except for love-smitten Constable Hamish Macbeth. Yet his affairs of the hear
Sergeant Hamish Macbeth--Scotland's most quick-witted but unambitious policeman--returns in M.C. Beaton's new mystery in her New York Times bestselling series.DEATH OF AN HONEST MANNobody loves an hon
Police Constable Hamish Macbeth is called in to investigate the death of the unpopular Lady Jane, a malicious gossip and student at the Lochdubh School of Casting, Salmon and Trout Fishing in the Scot
G. K. Hunter was Founding Professor of English Literature?at Warwick University and Emily Sanford Professor of English?at Yale University. His publications include editions of King Lear and Macbeth fo
The world of Thurber is splendidly sampled in these thirty stories, sketches, and articles that range from the wildest comedy to the serious business of murder. Animal courtship, maids, Macbeth, baseb
Seneca's plays, which include Hercules Furens, Phaedra, Medea and Oedipus, were widely read during the Elizabethan era, and had an important influence on the dramatists of the time, including Shakespeare, Kyd, Marlowe and Marston. This study, first published in 1922, examines Seneca's Greek predecessors, his character, life and times, and the nature and extent of his influence and legacy. Divided into five sections, the book addresses in turn: the rise of Greek drama before Seneca; Seneca's character and temperament; Seneca's tragedies; the different dramatic forms in the centuries after Seneca; and the important influence of Seneca on Elizabethan dramatists. Lucas provides close readings of a wide range of plays, including Macbeth and The Spanish Tragedy, and places the works in their historical context – Greek, Roman and Elizabethan.
Lily Bess Campbell (1883–1967) was a professor of English at UCLA. She won the achievement award from the American Association of University Women in 1960 and was named Woman of the Year by the Los Angeles Times in 1962. One of the most eminent literary scholars of her generation in the United States, she published mostly on Tudor literature. This study, first published in 1930, examines how the passions were understood in the Renaissance and why they were a central concern in the philosophy and medical studies of the period. After several chapters exploring moral philosophy and tragedy more generally, Campbell analyses the characters of Hamlet, Othello, Lear and Macbeth in relation to their guiding emotions: grief, jealousy, wrath and fear. She argues that Shakespeare, in his major tragedies, reflected the latest thinking of his time about the passions and their role in shaping the human mind.
Mary Cowden Clarke (1809–98) was the daughter of the publisher Vincent Novello. She produced a complete concordance to Shakespeare's works in 1845, and her fascination with the plays led to her publishing in 1850 a series of imaginative accounts of the girlhood of some of his heroines. Her motive was 'to imagine the possible circumstances and influences of scene, event, and associate, surrounding the infant life of his heroines, which might have conduced to originate and foster those germs of character recognised in their maturity as by him developed; to conjecture what might have been the first imperfect dawnings of that which he has shown us in the meridian blaze of perfection'. These 'prequels' offer a back-story which is surprising in its subversive interpretation of the plays and especially of the role of the 'hero'. Volume 1 includes the stories of Portia and Lady Macbeth.
'The Family Shakspeare: in which nothing is added to the original text, but those words and expressions are omitted which cannot with propriety be read in a family.' These words on the title pages of this edition gave rise to the verb 'to bowdlerise' - to remove or modify text considered vulgar or objectionable. Although the first edition was in fact created by Henrietta Maria Bowdler (1750–1830) and published in 1807, the many subsequent editions were published under the name of her brother Thomas (1754–1825), who devoted his time to prison reform and chess, as well as the sanitising of Shakespeare. The Bowdlers' work became enormously popular as the scandal-ridden Regency gave way to Victorian respectability. This volume, from the 1853 edition, contains Macbeth, King John, King Richard II, King Henry IV, Part 1, King Henry IV, Part 2, and King Henry V.
First published in 1860, this is the third and final volume of Howard Staunton's collection of Shakespeare's plays, with black-and-white illustrations by the prolific artist John Gilbert. Staunton's annotated edition, based on the folio and quarto editions collated with the texts of later editors from Rowe to Dyce, combines common sense with meticulous research, making it a definitive resource in its day. Each play is accompanied by an introduction giving details of its original production and publication and the sources of its plot, critical commentary, and footnotes explaining terms and expressions. This volume contains The Tempest, King Lear, Coriolanus, Winter's Tale, Troilus and Cressida, Hamlet, Julius Caesar, Macbeth, Antony and Cleopatra, Titus Andronicus and Othello. The volume concludes with the Sonnets and Poems and a glossarial index.
The writings in this collection first appeared in Bentley's Miscellany, the well-known nineteenth-century journal whose first editor was Charles Dickens. Their author, William Maginn, was widely acknowledged as one of the most eccentric and brilliant periodical writers of his time. This volume, consisting of two parts, was put together by his friends and well-wishers after his death in 1842. The first part, The Shakespeare Papers, features eight essays that display Maginn's brilliantly tangential and often counter-intuitive approach to Shakespearean characters and includes his views on Falstaff, Jacques, Romeo, Bottom, Lady Macbeth, Timon of Athens, Polonius and Iago. The second part, Pictures Grave and Gay, consists of four short stories peopled with eccentric characters and brimming with Maginn's odd wit. The spectrum of writing contained in this volume gives the reader a rich harvest of literary nuggets that is both historical and timeless.
An edition of William Shakespeare's first folio, with original spelling, getting as close as possible to the original plays. It includes dramas such as "Hamlet", "Macbeth", "King Lear" and "Romeo and
This is a compendium of story starters taken from the very best stories ever written. Bewitching lines from Macbeth, magical songs from A Midsummer Night s Dream and lover s talk from Romeo and Juliet
