Award-winning author R. Scott Hurd employs the unique and imaginative stories of fourteen biblical characters who were close to Jesus—including Thomas, Barnabas, and Mary Magdalene—in order to help yo
His Christ is an epic conception, wholly original. 'When Kazantzakis describes the raising of Lazarus, the early life of Mary Magdalene, the domestic lives of Martha and Mary, it is as if an old box
Recent scholarship into the role and participation of women in early Christian communities has largely focused on Mary Magdalene, says Ernst (Institute of Faith Education, Brisbane, Australia), but Ma
You do not kill a man in cold blood and then talk your way out of it.Other than her real name—Mary-Magdalene Feigenbaum—fifteen-year-old Maggie’s problems seem ordinary. She has tiffs with her too-cri
London, 1758. Beatrice Scarlet has returned to London and found work at St. Mary Magdalene's Refuge for fallen women. Beatrice enjoys the work and her apothecary skills are much needed. The home c
This volume in the Earth Bible Commentary series shows how John's Gospel might motivate and resource a Christian response to the ecological crisis. Margaret Daly-Denton shows how aptly Mary Magdalene
This is a study of how women figured in public reaction to the church from New Testament times to Christianity's encounter with the pagan critics of the second century CE. The reference to a hysterical woman was made by the most prolific critic of Christianity, Celsus. He was referring to a follower of Jesus - probably Mary Magdalene - who was at the centre of efforts to create and promote belief in the resurrection. MacDonald draws attention to the conviction, emerging from the works of several pagan authors, that female initiative was central to Christianity's development; she sets out to explore the relationship between this and the common Greco-Roman belief that women were inclined towards excesses in religion. The findings of cultural anthropologists of Mediterranean societies are examined in an effort to probe the societal values that shaped public opinion and early church teaching. Concerns expressed in New Testament and early Christian texts about the respectability of women, a
This is a study of how women figured in public reaction to the church from New Testament times to Christianity's encounter with the pagan critics of the second century CE. The reference to a hysterical woman was made by the most prolific critic of Christianity, Celsus. He was referring to a follower of Jesus - probably Mary Magdalene - who was at the centre of efforts to create and promote belief in the resurrection. MacDonald draws attention to the conviction, emerging from the works of several pagan authors, that female initiative was central to Christianity's development; she sets out to explore the relationship between this and the common Greco-Roman belief that women were inclined towards excesses in religion. The findings of cultural anthropologists of Mediterranean societies are examined in an effort to probe the societal values that shaped public opinion and early church teaching. Concerns expressed in New Testament and early Christian texts about the respectability of women, a
Southwest Book Award WinnerByrd’s poems open a strange door—Jesus Christ and Mary Magdalene are spotted making love in downtown El Paso, a private detective goes south to Toluca to find a revolution i
In Women of the New Testament, Pia Septien presents eleven women who encountered the living God. Some knew him personally and spoke with him, like Mary Magdalene or the sisters, Martha and Mary. Other
Maureen Paschal thought she might rest and work on her book after discovering the gospel written by Mary Magdalene that revealed Jesus and Mary Magdalene were married. The truth of their story rocked
Why Were the Teachings of the Original Christians Brutally Suppressed by the Roman Church?‧ Because they portray Jesus and Mary Magdalene as mythic figures based on the Pagan Godman and Goddess‧ Becau
Explores a first-century manuscript that asserts that Jesus was married to Mary Magdalene; that she was gentile, not Jewish; that they had children; and that there was another plot on Jesus' life prio
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume one include: A lost guide to Tinctoris's teachings recovered; two English motets on Simon de Montfort; the Mary Magdalene scene in the Visitatio sepulchri ceremonies; and European politics and the distribution of music in the early fifteenth century.
A GRIPPING THRILLER AND A PROFOUND SPIRITUAL JOURNEY THAT REVEALS THE GREATEST STORY NEVER TOLD!Two thousand years ago, Mary Magdalene hid a set of scrolls in the rocky foothills of the French Pyrene
The New York Times bestseller from Margaret George, author of Mary, Called Magdalene and Elizabeth I With her amazing ability to summon the voices of historical characters, Margaret George tells the s
For Such a Time as This illuminates the stories from the perspective of prominent women of the Bible, including Eve, Sarah & Hagar, Esther, Mary Magdalene, Gomer, and more with vivid and historica
The T&T Clark Handbook of Jesus and Film introduces postgraduate readers to the critical field of Jesus and/on film. The bulk of biblical films feature Jesus, as protagonist, in cameo, or as a looming background presence or pattern. The handbook assesses the field in light of the work of important biblical film critics including chapters from the leading voices in the field and showcasing the diversity of work done by scholars in the field. Movies discussed include The Passion of the Christ , The King of Kings, Jesus of Nazareth, Monty Python's Life of Brian, Son of Man, and Mary Magdalene . The chapters range across two broad areas: 1) Jesus films, understood broadly as filmed passion plays, other relocations of Jesus, historical Jesus treatments, and Jesus adjacent cinema (privileging invented characters or “minor” gospel characters); and 2) other cinematic Jesuses, including followers who imitate Jesus devotionally or aesthetically, (Christian) Christ figures, antichri