"Written well into mid-life, Songs for a Summons are explorations and observations of a writing life. David Guterson is the author of Snow Falling on Cedars, recipient of the 1995 PEN/Faulkner Award,
Following the same formula as other Cambridge Companions, this book is written by leading international experts in Christian ethics and is aimed at students on upper-level undergraduate courses, at teachers and at graduate students. It will be useful as well to ministers and other professionals within the church. Its eighteen chapters provide a thorough introduction to Christian ethics which is both authoritative and up-to-date. All contributors have been chosen because they are significant scholars with a proven track record of balanced, comprehensive and comprehensible writing. The Companion examines the scriptural bases of ethics, introduces a variety of approaches to ethics including those informed by considerations such as gender and by other faiths such as Judaism, and then discusses Christian ethics in the context of contemporary issues including war and the arms trade, social justice, ecology, economics, and medicine and genetics. The book offers a superb overview of its subjec
In this unusual and important work, three well-known historians of ideas examine the diverse forms taken in nineteenth-century Britain by the aspiration to develop what was then known as a 'science of politics'. This aspiration encompassed a more extensive and ambitious range of concerns than is implied by the modern term 'political science': in fact, as this book demonstrates, it remained the overarching category under which many nineteenth-century thinkers grouped their attempts to achieve systematic understanding of man's common life. As a result of both the over-concentration on closed abstract systems of thought and the intrusion of concerns which pervade much writing in the history of political theory and of the social sciences, these attempts have since been neglected or misrepresented. By deliberately avoiding such approaches, this book restores the subject to its centrality in the intellectual life and political culture of nineteenth-century Britain.
This Companion, first published in 2000, addresses the work of women playwrights in Britain throughout the twentieth century. The chapters explore the historical and theatrical contexts in which women have written for the theatre and examine the work of individual playwrights. A chronological section on playwriting from the 1920s to the 1970s is followed by chapters which raise issues of nationality and identity. Later sections question accepted notions of the canon and include chapters on non-mainstream writing, including black and lesbian performance. Each section is introduced by the editors, who provide a narrative overview of a century of women's drama and a thorough chronology of playwriting, set in political context. The collection includes essays on the individual writers Caryl Churchill, Sarah Daniels, Pam Gems and Timberlake Wertenbaker as well as extensive documentation of contemporary playwriting in Wales, Scotland and Northern Ireland, including figures such as Liz Lochhe
In Islam and Postcolonial Narrative, John Erickson examines four major authors from the 'third world' - Assia Djebar, Adelkebir Khatibi, Tahar ben Jelloun and Salman Rushdie - all of whom have engaged in a critique of the relationship between Islam and the West. Erickson analyses the narrative strategies they deploy to explore the encounter between Western and Islamic values and reveals their use of the cultural resources of Islam, as well as their intertextual exchanges with other third-world writers. Erickson argues against any homogenising mode of writing labelled 'postcolonial' and any view of Islamic and Western discourses as monolithic or totalising. He reveals the way these writers valorise expansiveness, polyvalence and indeterminacy as part of an attempt to represent the views of individuals and groups that live on the cultural and political margins of society.
In Poetry and Music in Medieval France, first published in 2003, Ardis Butterfield examines vernacular song in medieval France. She begins with the moment when French song first survives in writing in the early thirteenth century, and examines a large corpus of works which combine elements of narrative and song, as well as a range of genres which cross between different musical and literary categories. Emphasising the cosmopolitan artistic milieu of Arras, Butterfield describes the wide range of contexts in which secular songs were quoted and copied, including narrative romances, satires and love poems. She uses manuscript evidence to shed light on medieval perceptions of how music and poetry were composed and interpreted. The volume is well illustrated to demonstrate the rich visual culture of medieval French writing and music. This interdisciplinary study will be of interest to both literary and musical scholars of late medieval culture.
The aim of the authors in writing this monograph has been to provide a comprehensive and critical, but personal account of salt glands. Papers on salt glands are scattered through a great many different journals. There is therefore a great need for a synthesis of what is known about salt glands. The means by which salt glands perform their vital function of forming and excreting a concentrated salt solution is of great biological importance in understanding salt and water relations in the cells of all living things. In addition to the basic physiology of salt glands there is consideration of their ecological importance, their interaction with other systems of the body, their role in non-marine birds and reptiles and their evolution. Salt glands have interested biologists from a wide range of disciplines. This book brings together the scattered literature and will be a convenient source of reference to those working in the field, as well as providing information for comparative studies
Silvan Tomkins was one of the most influential theorists on emotion and emotional expression. Over a period of 40 - some years - until his death in 1991 - he developed a set of original, important ideas about the nature of affect and its relationship to cognition and personality. Tomkins dealt with fundamental questions in a fresh and provocative way, establishing affect as a separate, biological system, and providing compelling data on discrete affect expressions. Several years before his death, Professor Tomkins agreed to bring his papers (unpublished and published) together into Exploring Affect for Cambridge Studies in Emotion and Social Interaction. He worked with Paul Ekman and Klaus Scherer to develop a structure for the book that would synthesize his theory of emotion. Unfortunately, he died before he was able to complete the process. Virginia Demos, who knew Professor Tomkins well, took on the enormous task of compiling the papers and writing connective material for the book.
One aim of this series is to dispel the intimidation readers feel when faced with the work of difficult and challenging thinkers. Moses ben Maimon, also known as Maimonides (1138–1204), represents the high point of Jewish rationalism in the middle ages. He played a pivotal role in the transition of philosophy from the Islamic East to the Christian West. His greatest philosophical work, The Guide of the Perplexed, had a decisive impact on all subsequent Jewish thought and is still the subject of intense scholarly debate. An enigmatic figure, Maimonides continues to defy simple attempts at classification. The twelve essays in this volume offer a lucid and comprehensive treatment of his life and thought. They cover the sources on which Maimonides drew, his contributions to philosophy, theology, jurisprudence, and Bible commentary, as well as his esoteric writing style and influence on later thinkers.
From respected journalist, professor, and founder of the Writer's Symposium by the Sea, a book that demystifies the art and science of interviewing, in the vein of On Writing Well or How to Read Liter
Sir Arthur Quiller-Couch (18631–1944), who often published under the pen-name of 'Q', was one of the giants of early twentieth-century literature and literary criticism. A novelist and poet who was also a Professor of English, he helped to form the literary tastes of generations of literary students and scholars who came after him. The freshness, enthusiasm and intellectual insight of his work is still evident in his writings nearly a century on. Cambridge University Press is delighted to reissue some of his key texts in this new edition. Taken from a series of articles for the Pall Mall magazine, this month-by-month series of observations on life and thought shows, in Quiller-Couch's own words, 'that beneath some apparent and purposed frivolities ... the author, from month to month, writing casually, had a sense of the beauty and seriousness of life as well as of its humours'.
New York holds a special place in America's national mythology as both the gateway to the USA and as a diverse, vibrant cultural center distinct from the rest of the nation. From the international atmosphere of the Dutch colony New Amsterdam, through the expansion of the city in the nineteenth century, to its unique appeal to artists and writers in the twentieth, New York has given its writers a unique perspective on American culture. This Companion explores the range of writing and performance in the city, celebrating Herman Melville, Walt Whitman, Edith Wharton, Eugene O'Neill, and Allen Ginsberg among a host of authors who have contributed to the city's rich literary and cultural history. Illustrated and featuring a chronology and guide to further reading, this book is the ideal guide for students of American literature as well as for all who love New York and its writers.
Anthony Trollope was among the most prolific, popular, and richly diverse writers of the mid-Victorian period, with forty-seven novels and a variety of other writings to his name. Both a serial and series writer whose novels traversed Ireland, England, Australia and New Zealand, and genres from realism to science fiction, Trollope also published criticism, short fiction, travel writing and biography. The Cambridge Companion to Anthony Trollope provides a state-of-the-field review of critical perspectives on his work, with the volume's sixteen essays addressing Trollope's biography, autobiography, canonical fiction, short stories and travel writing, as well as surveying diverse topics including gender, sexuality, vulgarity, and the law.
Virginia Woolf's writing has generated passion and controversy for the best part of a century. Her novels - challenging, moving, and always deeply intelligent - remain as popular with readers as they are with students and academics. The highly successful Cambridge Companion has been fully revised to take account of new departures in scholarship since it first appeared. The second edition includes new chapters on race, nation and empire, sexuality, aesthetics, visual culture and the public sphere. The remaining chapters, as well as the guide to further reading, have all been fully updated. The Cambridge Companion to Virginia Woolf remains the first port of call for students new to Woolf's work, with its informative, readable style, chronology and authoritative information about secondary sources.a
Robert Frost is one of the most popular American poets and remains widely read. His work is deceptively simple, but reveals its complexities upon close reading. This Introduction provides a comprehensive but intensive look at his remarkable oeuvre. The poetry is discussed in detail in relation to ancient and modern traditions as well as to Frost's particular interests in language and sound, metaphor, science, religion, and politics. Faggen both looks back to the literary traditions that shape Frost's use of form and language, and forward to examine his influence on poets writing today. The recent controversies in Frost criticism and in particular in Frost biography are brought into sharp focus as they have shaped the poet's legacy and legend. The most accessible overview available, this book will be invaluable to students, readers and admirers of Frost.
As a leading thinker of the European Enlightenment, Voltaire is a central figure in France's collective cultural memory. The popularity of Candide has made him perhaps best known as a writer of tales. Yet these represent only a fraction of his entire œuvre. Voltaire created a style of authorship which made him the most famous writer in Europe and made him a figurehead for a certain style of writing and thinking. This Companion covers his plays, fiction, pamphlets, correspondence, biblical criticism, and historical, political and philosophical thought, to give a wide-ranging view of his writings. The most comprehensive book on Voltaire available in English, it makes accessible the most recent research in France as well as the English-speaking world, in a series of original essays and a guide to sources. The essays demonstrate why Voltaire remains an essential point of reference in defining the modern intellectual today.
Tacitus is universally recognised as ancient Rome's greatest writer of history, and his account of the Roman Empire in the first century AD has been fundamental in shaping the modern perception of Rome and its emperors. This Companion provides a new, up-to-date and authoritative assessment of his work and influence which will be invaluable for students and non-specialists as well as of interest to established scholars in the field. First situating Tacitus within the tradition of Roman historical writing and his own contemporary society, it goes on to analyse each of his individual works and then discuss key topics such as his distinctive authorial voice and his views of history and freedom. It ends by tracing Tacitus' reception, beginning with the transition from manuscript to printed editions, describing his influence on political thought in early modern Europe, and concluding with his significance in the twentieth century.
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This second edition of Macbeth provides a thorough reconsideration of one of Shakespeare's most popular plays. In his introduction, A. R. Braunmuller explores Macbeth's immediate theatrical and political contexts, particularly the Gunpowder Plot, and addresses such celebrated questions as: do the Witches compel Macbeth to murder; is Lady Macbeth herself in some sense a witch; is Macduff morally culpable? A new and well-illustrated account of the play in performance examines several cinematic versions, such as those by Kurosawa and Roman Polanski, as well as other dramatic adaptations. Several possible new sources are suggested and the presence of Thomas Middleton's writing in the
Charles Dickens became immensely popular early on in his career as a novelist, and his appeal continues to grow with new editions prompted by recent television and film adaptations, as well as large numbers of students studying the Victorian novel. This lively and accessible introduction to Dickens focuses on the extraordinary diversity of his writing. Jon Mee discusses Dickens's novels, journalism and public performances, the historical contexts and his influence on other writers. In the process, five major themes emerge: Dickens the entertainer; Dickens and language; Dickens and London; Dickens, gender, and domesticity; and the question of adaptation, including Dickens's adaptations of his own work. These interrelated concerns allow readers to start making their own new connections between his famous and less widely read works and to appreciate fully the sheer imaginative richness of his writing, which particularly evokes the dizzying expansion of nineteenth-century London.
Neoplatonism is a term used to designate the form of Platonic philosophy that developed in the Roman Empire from the third to the fifth century AD and that based itself on the corpus of Plato's dialogues. Sara Rappe's challenging study analyses Neoplatonic texts themselves using contemporary philosophy of language. It covers the whole tradition of Neoplatonic writing from Plotinus through Proclus to Damascius. Addressing the strain of mysticism in these works, the author shows how these texts reflect actual meditational practices, methods of concentrating the mind, and other mental disciplines that informed the tradition as a whole. In providing such a broad survey of Neoplatonic writing, the book will appeal to classical philosophers classicists as well as students of religious studies.
