蔡依林 愛在巴黎LOVE IN PARIS 巴黎仲夏時節,晴朗多雲。難得暫停忙碌的演唱會行程,蔡依林跟隨著ELLE團隊一行人,千里迢迢遠赴法國,在充滿懷舊風情的巴黎老公寓中,進行封面拍攝。 鏡頭前的Jolin,不僅流露少見的嫵媚風情,更輕鬆分享近況,包括感情。果真,再也沒有比戀愛中的女人更嬌豔動人的了!
波德萊爾的《巴黎的憂鬱》(Le Spleen de paris)又名《小散文詩》(Petits Poemes en Prose),是一本被沙特譽為「捕捉現代城市生活之美」的遺世奇書。 幾乎與《惡之花》(Les Fleurs du Mal)出版的同時,波德萊爾開始在各種雜誌上陸續發表一些散文。按照詩人的本意,想寫的是「一種詩意的散文,沒有節奏和音符的音樂」。這些散文日後以《巴黎的憂鬱》為名出版,共五
As the world moves forward on a new path set by the Paris Agreement, the philosophical debate on climate change finds itself in a precarious position. Up until this time philosophy has remained ineffe
In 2018 the Fondation Louis Vuitton, Paris, is hosting exhibitons on two of the greatest artists of the 20th century - Egon Schiele, and Jean-Michel Basquiat. Both exhibitions have the same curator, a
For many years, the artist Bernard Frize has lived in Paris in a bourgeois, typically French apartment with various fanciful elements. But now the Swiss architect Philipp von Matt has built a residenc
On 28 June 1914, there were two almost simultaneous shots. In Paris, the twelfth Tour de France was about to start, while in Sarajevo the Austrian crown prince Franz Ferdinand was assassinated. Profes
Over 40 years ago Japanese painter Hiroshi Harada swapped his homeland for Paris, in search of a new artistic creative language and structure. Even though the rectangular doesn't exist in nature, it h
A lively and accessible history of Modernism, The First Moderns is filled with portraits of genius, and intellectual breakthroughs, that richly evoke the fin-de-si?cle atmosphere of Paris, Vienna, St.
A new kind of figurative art appeared during the 1960s in Europe and the United States. While in New York Pop Art offered a fresh perspective on an America in the throes of frenzied change, in Paris F
In the years 1945-1963, Jean Dubuffet set about documenting his collection of Art Brut. He had the pieces photographed by recognised photographers on the Paris art scene, including Henry Bonhotal and
Companies lie at the heart of the climate crisis and are both culpable for, and vulnerable to, its impacts. Rising social and investor concern about the escalating risks of climate change are changing public and investor expectations of businesses and, as a result, corporate approaches to climate change. Dominant corporate norms that put shareholders (and their wealth maximization) at the heart of company law are viewed by many as outdated and in need of reform. Companies and Climate Change analyzes these developments by assessing the regulation and pressures that impact energy companies in the UK, with lessons that apply worldwide. In this work, Lisa Benjamin shows how the Paris Agreement, climate and energy law in the EU and the UK, and transnational human rights and climate litigation, are regulatory and normative developments that illustrate how company law can and should act as a bridge to progressive corporate climate action.
This is the catalogue of the exhibition held at the Opera Gallery in Paris, dedicated to the Sardinian artist Pino Manos. Manos is renowned for founding the movement called Rigorismo (Rigourism) in 20
Nicknamed 'the French Borromini', Gilles Marie Oppenord (1672-1742) was born in Paris, the son of a royal cabinet maker. He was a royal pensioneer at the Academie de France in Rome. There he devoted m
F.C.B. Cadell was born in Edinburgh, where he lived for most of his life, and studied in Paris and Munich. This book illustrates many of the works for which Cadell is celebrated, including stylish por
This account on the great utopias of the 20th and 21st centuries will be told through the great works of art coming from the Centre Pompidou in Paris. Thematic, multimedia, and chronological, it consi
France and Fascism: February 1934 and the Dynamics of Political Crisis is the first English-language book to examine the most significant political event in interwar France: the Paris riots of Februar
1954, Brighton, London and Paris When Mirabelle receives a bequest from a lately deceased wartime acquaintance she is mystified - she hardly knew the man but it is not long before she realises that he
Interpretations of Greek Mythology, first published in1987, builds on the innovative work of Walter Burkert and the ‘Paris school’ of Jean-Pierre Vernant, and represents a renewal of interpretation of