Ferris Bueller's Day Off meets Nick and Norah's Infinite Playlist in this romp through the city that never sleeps from the New York Times bestselling author of Since You've Been Gone.Two girls. One night. Zero phones. Kat and Steviebest friends, theater kids, polar oppositeshave snuck away from the suburbs to spend a night in New York City. They have it all planned out. They'll see a play, eat at the city's hottest restaurant, and have the best. Night. Ever. What could go wrong? Well. Kind of a lot? They're barely off the train before they're dealing with destroyed phones, family drama, and unexpected Pomeranians. Over the next few hours, they'll have to grapple with old flames, terrible theater, and unhelpful cab drivers. But there are also cute boys to kiss, parties to crash, dry cleaning to deliver (don't ask), and the world's best museum to explore. Over the course of a wild night, both Kat and Stevie will get a wake-up call about their friendship, their choicesand finally discover
The Cambridge Guide to the Worlds of Shakespeare aims to replicate the expansive reach of Shakespeare's global reputation. In pursuit of that vision, this work is transhistorical, international and interdisciplinary. Volume 1, Shakespeare's World, 1500–1660, includes a comprehensive survey of the world in which Shakespeare and his contemporaries lived, while Volume 2, The World's Shakespeare, 1660–Present, examines what the world has made of Shakespeare as a cultural icon over the past four centuries. For each of the work's twenty-eight broad subject areas, ranging from translation to popular culture to performing arts, an overview is followed by a series of shorter essays taking up particular aspects of the subject at hand. Richly illustrated with more than three hundred images between the two volumes, this work brings the world, life and afterlife of Shakespeare to readers, from non-academic Shakespeare fans and students to theater professionals and Shakespeare scholars.
Bringing together studies in theater history, print culture, and literature, this book offers a new consideration of Romantic-period writing in Britain. Recovering a wide range of theatrical criticism from newspapers and periodicals, some of it overlooked since its original publication in Regency London, Jonathan Mulrooney explores new contexts for the work of the actor Edmund Kean, essayist William Hazlitt, and poet John Keats. Kean's ongoing presence as a figure in the theatrical news presented readers with a provocative re-imagining of personal subjectivity and a reworking of the British theatrical tradition. Hazlitt and Keats, in turn, imagined the essayist and the poet along similar theatrical lines, reframing Romantic prose and poetics. Taken together, these case studies illustrate not only theater's significance to early nineteenth-century Londoners, but also the importance of theater's textual legacies for our own re-assessment of 'Romanticism' as a historical and cultural phe
An introduction to the Statue of Liberty, Ellis Island, and American immigration history in readers' theater form follows two children and their mother as they arrive from Russia by boat and look up a
A New York Times Notable Book of the YearA Slate Favorite Book of the Year "The Nate series by Tim Federle is a wonderful evocation of what it's like to be a theater kid. Highly recommended." --Lin-Manuel Miranda, star and creator of the musical, Hamilton A small-town boy hops a bus to New York City to crash an audition for E.T.: The Musical in this winning middle grade novel that The New York Times called "inspired and inspiring." Nate Foster has big dreams. His whole life, he's wanted to star in a Broadway show. (Heck, he'd settle for seeing a Broadway show.) But how is Nate supposed to make his dreams come true when he's stuck in Jankburg, Pennsylvania, where no one (except his best pal Libby) appreciates a good show tune? With Libby's help, Nate plans a daring overnight escape to New York. There's an open casting call for E.T.: The Musical, and Nate knows this could be the difference between small-town blues and big-time stardom. Tim Federle's "hilarious and heartwarming debut nove
Bringing together studies in theater history, print culture, and literature, this book offers a new consideration of Romantic-period writing in Britain. Recovering a wide range of theatrical criticism from newspapers and periodicals, some of it overlooked since its original publication in Regency London, Jonathan Mulrooney explores new contexts for the work of the actor Edmund Kean, essayist William Hazlitt, and poet John Keats. Kean's ongoing presence as a figure in the theatrical news presented readers with a provocative re-imagining of personal subjectivity and a reworking of the British theatrical tradition. Hazlitt and Keats, in turn, imagined the essayist and the poet along similar theatrical lines, reframing Romantic prose and poetics. Taken together, these case studies illustrate not only theater's significance to early nineteenth-century Londoners, but also the importance of theater's textual legacies for our own re-assessment of 'Romanticism' as a historical and cultural phe
In a story inspired by the classic nursery rhymes "This Little Piggie" and "Pat-a-cake" and told in readers' theater form, three young pigs go to the market for their mother and ask the baker for a ca
(Applause Books). As a playwright, screenwriter, and director, Arthur Laurents has a unique place in the history of theater. In this moving, exhilarating, and provocative account, he presents readers
What is a promise? What are the consequences of the act of promising? In this bold yet subtle meditation, the author contemplates the seductive promise of speech and the seductive promise of love. Imagining an encounter between Molière’s Don Juan and J. L. Austin, between a mythical figure of the French classical theater and a twentieth-century philosopher, she explores the relation between speech and the erotic, using a literary text as the ground for a telling encounter between philosophy, linguistics, and Lacanian psychoanalytic theory. In the years since the publication of this book (which the author today calls “the boldest, the most provocative, but also the most playful” she has written), speech act theory has continued to play a central and defining role in the theories of sexuality, gender, performance studies, post-colonial studies, and cultural studies. This book remains topical as readers increasingly discover how multiply relevant the speaking body is.Moving beyond the dom
Learn to collaborate with others, think on your feet, and both welcome and celebrate mistakes using the skills of improve theater Offering readers critical tools to enrich relationships, unleash the i
Corduroy was first introduced to readers in 1968 and soon became a classic character. Everybody's favorite department store bear is having further adventures in a story about using your voice. Now available in Step into Reading, the premier reader line!When Lisa wants to contact a movie theater owner about a problem, she thinks he's too important and won't respond. Can Corduroy help his friend with her good deed? He shows her how powerful a letter can be, and that speaking up about a problem can make a change! Step 2 Readers use basic vocabulary and short sentences to tell simple stories, for children who recognize familiar words and can sound out new words with help. Rhyme and rhythmic text paired with picture clues help children decode the story.
From Tony Award-winning composer-lyricist-star Lin-Manuel Miranda comes a backstage pass to his groundbreaking, hit musicalHamilton.Hamilton has it all-romance, drama, violence, patriotism, adventure, and more-combine that with the foundational story of our nation, and you've got a book that's bound to be an American classic. "One of the most exhilarating experiences I've had in a theater." said David Brooks. "This show will be talked about in years to come as a benchmark experience," said Peter Marks, theater critic for theWashington Post. Audience members leave Hamilton wanting more--more details about the many dramatic episodes in Alexander Hamilton's life and further analysis of the musical's lyrics and their meaning. This book will include behind-the-scenes photos of the show and evokes the spirit of the musical, giving readers the same enthralling mix of history, personality, and inspiration that Miranda has achieved on stage. A backstage
LGBTQ暢銷書《如果我們是天生一對》續作。宇宙再次將Ben與Arthur拉近一段迂迴的戀情。在紐約這座大城市竟不斷碰上無法忘懷的初戀，難道宇宙正在暗示他們重新來過嗎？New York Times bestselling authors Becky Albertalli (Simon vs. the Homo Sapiens Agenda) and Adam Silvera (They Both Die at the End) reunite to continue the story of Arthur and Ben, two very different boys whom readers first fell for in the blockbuster rom-com What If It’s Us.Ben survived freshman year of college, but he’s feeling more stuck than ever. His classes are a slog, his part-time job working with his father is even worse, and his best friend Dylan’s been acting weird for weeks. Ben’s only real bright spot is his writing partner Mario, who’s been giving him a lot of Spanish lessons and even more kisses. Mario’s big Hollywood dreams make Ben start to dream bigger—and the choices he makes now could be the key to reshaping his future. So why can’t he stop thinking about a certain boy from his past?Arthur is back in New York City for the first time in two years, ready to take the theater world by a
