A study of the works of Virginia Woolf and of other 'Bloomsbury' writers, in particular Roger Fry. Dr McLaurin discusses the influence of Samuel Butler on the philosophy and especially the aesthetics of Bloomsbury, and the relationships between the writings of Virginia Woolf and Roger Fry, showing that in her novels she was grappling with the same ideas as Fry was in his art-criticism. He then explores the place of repetition in the whole process of art and examines the uses of repetition in the work of Virginia Woolf and others, notably the 'stream of consciousness' writers. The final section of the book draws these themes together in a study of To the Lighthouse. This book explains a great deal about Virginia Woolf's attitude to writing and her preoccupation with the techniques of painting, and makes intelligible much about her aims and methods by setting them in their social and historical context.
Theology, Music and Time aims to show how music can enrich and advance theology, extending our wisdom about God and God's ways with the world. Instead of asking: what can theology do for music?, it asks: what can music do for theology? Jeremy Begbie argues that music's engagement with time gives the theologian invaluable resources for understanding how it is that God enables us to live 'peaceably' with time as a dimension of the created world. Without assuming any specialist knowledge of music, he explores a wide range of musical phenomena - rhythm, metre, resolution, repetition, improvisation - and through them opens up some of the central themes of the Christian faith - creation, salvation, eschatology, time and eternity, Eucharist, election and ecclesiology. He shows that music can not only refresh theology with new models, but also release it from damaging habits of thought which have hampered its work in the past.
Theology, Music and Time aims to show how music can enrich and advance theology, extending our wisdom about God and God's ways with the world. Instead of asking: what can theology do for music?, it asks: what can music do for theology? Jeremy Begbie argues that music's engagement with time gives the theologian invaluable resources for understanding how it is that God enables us to live 'peaceably' with time as a dimension of the created world. Without assuming any specialist knowledge of music, he explores a wide range of musical phenomena - rhythm, metre, resolution, repetition, improvisation - and through them opens up some of the central themes of the Christian faith - creation, salvation, eschatology, time and eternity, Eucharist, election and ecclesiology. He shows that music can not only refresh theology with new models, but also release it from damaging habits of thought which have hampered its work in the past.
This is an introduction to programming using Microsoft's Visual Basic.NET 2010, intended for novice programmers with little or no programming experience or no experience with Visual Basic. The text emphasizes programming logic and good programming techniques with generous explanations of programming concepts written from a non-technical point of view. It stresses input, processing, and output and sequence, selection, and repetition in code development. File I/O and arrays are included. Later chapters introduce objects, event programming, and databases. By taking a slow and steady approach to programming ideas, this book builds new concepts from what the reader has already learned. VB tips and quips inject both humor and insight. The book includes numerous programming examples and exercises, case studies, tutorials, and 'fixing a program' sections for an in-depth look at programming problems and tools. Quizzes and review questions throughout each chapter get students to think about the
(Applause Books). Mastery of craft depends on repetition: the more opportunities student actors have to be guided through analyzing scripts, the more likely they are to develop a reliable process for
This is an introduction to programming using Microsoft's Visual Basic.NET 2010, intended for novice programmers with little or no programming experience or no experience with Visual Basic. The text emphasizes programming logic and good programming techniques with generous explanations of programming concepts written from a non-technical point of view. It stresses input, processing, and output and sequence, selection, and repetition in code development. File I/O and arrays are included. Later chapters introduce objects, event programming, and databases. By taking a slow and steady approach to programming ideas, this book builds new concepts from what the reader has already learned. VB tips and quips inject both humor and insight. The book includes numerous programming examples and exercises, case studies, tutorials, and 'fixing a program' sections for an in-depth look at programming problems and tools. Quizzes and review questions throughout each chapter get students to think about the
Why do Internet, financial service, and beer commercials dominate Super Bowl advertising? How do political ceremonies establish authority? Why does repetition characterize anthems and ritual speech? W
Give beginning readers a boost with these whimsical, easy-to-read plays based on classic folk and fairy tales! The plays feature rhyme, repetition, and predictable language to help children build voca
Written in readable, vivid, non-technical prose, this book, first published in 2007, presents the highly respected scholarly research that forms the foundation for Deborah Tannen's best-selling books about the role of language in human relationships. It provides a clear framework for understanding how ordinary conversation works to create meaning and establish relationships. A significant theoretical and methodological contribution to both linguistic and literary analysis, it uses transcripts of tape-recorded conversation to demonstrate that everyday conversation is made of features that are associated with literary discourse: repetition, dialogue, and details that create imagery. This second edition features a new introduction in which the author shows the relationship between this groundbreaking work and the research that has appeared since its original publication in 1989. In particular, she shows its relevance to the contemporary topic 'intertextuality', and provides a useful summa
Repetition and symmetry are the fundamental aesthetic principles underlying the shape and decoration of ancient Athenian vases. This book is the first comprehensive study of the role of repetition beyond its aesthetic value, and as part of a code that conveys meaning to the viewer. Relying on the theoretical background provided through information theory and narratology, Ann Steiner uncovers the different kinds of meaning that painters created through the use of repetition. Using the reading of painted verbal inscriptions as a springboard, she demonstrates how repetition of imagery in multiple fields of a vase can create narration, paradigm, exploration of perceptual and ideological points of view, and parody. Steiner shows how the results of repetition on Archaic Athenian vases reiterate the activities of the elite symposion and the broader cultural values of the elite Athenians. She provides an entirely new way to read ancient Athenian vases.
All traditional implementation techniques for functional languages (mostly based on supercombinators, environments or continuations) fail to avoid useless repetition of work; they are not 'optimal' in their implementation of sharing, often causing a catastrophic, exponential explosion in reduction time. Optimal reduction is an innovative graph reduction technique for functional expressions, introduced by Lamping in 1990, that solves the sharing problem. This book, the first in the subject, is a comprehensive account by two of its leading exponents. Practical implementation aspects are fully covered as are the mathematical underpinnings of the subject. The relationship to the pioneering work of Lévy and to Girard's more recent Geometry of Interaction are explored; optimal reduction is thereby revealed as a prime example of how a beautiful mathematical theory can lead to practical benefit. The book is essentially self-contained, requiring no more than basic familiarity with functional la
Peter Kivy is the author of many books on the history of art and, in particular, the aesthetics of music. This collection of essays spans a period of some thirty years and focuses on a richly diverse set of issues: the biological origins of music, the role of music in the liberal education, the nature of the musical work and its performance, the aesthetics of opera, the emotions of music, and the very nature of music itself. Some of these subjects are viewed as part of the history of ideas, others as current problems in the philosophy of art. A particular feature of the volume is that Kivy avoids the use of musical notation so that no technical knowledge at all is required to appreciate his work. The essays will prove enjoyable and insightful not just to professionals in the philosophy of art and musicologists, or to musicians themselves, but also to any motivated general reader with a deep interest in music.
Peter Kivy is the author of many books on the history of art and, in particular, the aesthetics of music. This collection of essays spans a period of some thirty years and focuses on a richly diverse set of issues: the biological origins of music, the role of music in the liberal education, the nature of the musical work and its performance, the aesthetics of opera, the emotions of music, and the very nature of music itself. Some of these subjects are viewed as part of the history of ideas, others as current problems in the philosophy of art. A particular feature of the volume is that Kivy avoids the use of musical notation so that no technical knowledge at all is required to appreciate his work. The essays will prove enjoyable and insightful not just to professionals in the philosophy of art and musicologists, or to musicians themselves, but also to any motivated general reader with a deep interest in music.
Shhh…God Is in the Silence reminds us that we are all loved by God and were created with the spark of God’s love in our hearts. Through the gentle repetition of simple yet profound truths
Tradition is a central concept in the social sciences, but it is commonly treated as unproblematic. Dr Boyer insists that social anthropology requires a theory of tradition, its constitution and transmission. He treats tradition 'as a type of interaction which results in the repetition which results in the repetition of certain communicative events', and therefore as a form of social action. Tradition as Truth and Communication deals particularly with oral communication and focuses on the privileged role of licensed speakers and the ritual contexts in which certain aspects of tradition are characteristically transmitted. Drawing on cognitive psychology, Dr Boyer proposes a set of general hypotheses to be tested by ethnographic field research. He has opened up an important new field for investigation within social anthropology.
A building cannot be good to look at if it is unplanned, with its parts totally unrelated to one another; but on the other hand if the arrangement is too regular it becomes boring and dull. The object of architectural proportion is to strike the balance between these extremes, creating an interesting visible order by the repetition of similar shapes. In this book, first published in 1958, Mr Scholfield deals with the history of the theory of proportion, and in doing so develops his own positive theory, which reconciles the apparent contradictions of rival systems and serves as a key to historical understanding. Even when he is dealing with complex themes, Mr Scholfield's exposition can be followed by the uninitiated reader. Those already interested in architecture and the visual arts will certainly want the book; and those who are not will find, on reading it, that their interest is stimulated.
Repetition and symmetry are the fundamental aesthetic principles underlying the shape and decoration of ancient Athenian vases. This book is the first comprehensive study of the role of repetition beyond its aesthetic value, and as part of a code that conveys meaning to the viewer. Relying on the theoretical background provided through information theory and narratology, Ann Steiner uncovers the different kinds of meaning that painters created through the use of repetition. Using the reading of painted verbal inscriptions as a springboard, she demonstrates how repetition of imagery in multiple fields of a vase can create narration, paradigm, exploration of perceptual and ideological points of view, and parody. Steiner shows how the results of repetition on Archaic Athenian vases reiterate the activities of the elite symposion and the broader cultural values of the elite Athenians. She provides an entirely new way to read ancient Athenian vases.
LEVEL 2 BEGINNING TO READ ALONE up to 35 words per page Text is accessible and engaging with plenty of interest and repetition. Vocabulary is easy and familiar, and sentences are mainly short a
Dad's struggle to get young Joe the Frog to stop playing in the yard and take a bath lands them both in the mud in this comical Level 1 Green Light Reader filled with rhyme and repetition.
This groundbreaking new study takes a novel approach to reduplication, a phenomenon whereby languages use repetition to create new words. Sharon Inkelas and Cheryl Zoll argue that the driving force in reduplication is identity at the morphosyntactic, not the phonological level, and present a new model of reduplication - Morphological Doubling Theory - that derives the full range of reduplication patterns. This approach shifts the focus away from the relatively small number of cases of phonological overapplication and underapplication, which have played a major role in earlier studies, to the larger class of cases where base and reduplicant diverge phonologically. The authors conclude by arguing for a theoretical shift in phonology, which entails more attention to word structure. As well as presenting the authors' pioneering work, this book also provides a much-needed overview of reduplication, the study of which has become one of the most contentious in modern phonological theory.
