This book will make YOU an artist as you explore 25 different art techniques inspired by ground-breaking artists from around the world!Paint a still-life like Vincent Van Gogh! Create a cubist collage like Pablo Picasso! Make a polka-dot pumpkin like Yayoi Kusama! This book will make YOU an artist as you explore 25 different art techniques - from cave painting to contemporary performance - inspired by ground-breaking artists from around the world. And discover famous masterpieces with photographs of real works of art!Pick up your pencils, collect your collage materials and find out more about some of world's best-known creatives in this fact-filled book full of step-by-step activities that are easy to try at home. Including information about tools, materials and basic art theory, this imaginative book is jam-packed with ideas for aspiring artists everywhere.List of artists featured: A cave painter, an ancient Roman mosaic maker, Leonardo da Vinci, Artemisia Gentileschi, Katsushika Hoku
An informative guide to the Romans, covering key figures, battles and events as well as the day-to-day life of Roman citizens, and their pastimes and art. Colourfully illustrated with detailed artwork
Decadence and Literature explains how the concept of decadence developed since Roman times into a major cultural trope with broad explanatory power. No longer just a term of opprobrium for mannered art or immoral behaviour, decadence today describes complex cultural and social responses to modernity in all its forms. From the Roman emperor's indulgence in luxurious excess as both personal vice and political control, to the Enlightenment libertine's rational pursuit of hedonism, to the nineteenth-century dandy's simultaneous delight and distaste with modern urban life, decadence has emerged as a way of taking cultural stock of major social changes. These changes include the role of women in forms of artistic expression and social participation formerly reserved for men, as well as the increasing acceptance of LGBTQ+ relationships, a development with a direct relationship to decadence. Today, decadence seems more important than ever to an informed understanding of contemporary anxieties
In the first centuries BCE and CE, Roman wall painters frequently placed representations of works of art, especially panel paintings, within their own mural compositions. Nathaniel B. Jones argues that the depiction of panel painting within mural ensembles functioned as a meta-pictorial reflection on the practice and status of painting itself. This phenomenon provides crucial visual evidence for both the reception of Greek culture and the interconnected ethical and aesthetic values of art in the Roman world. Roman meta-pictures, this book reveals, not only navigated social debates on the production and consumption of art, but also created space on the Roman wall for new modes of expression relating to pictorial genres, the role of medium in artistic practice, and the history of painting. Richly illustrated, the volume will be important for anyone interested in the social, ethical, and aesthetic dimensions of artworks, in the ancient Mediterranean and beyond.
The Great Oasis of Egypt provides the first full study of the Dakhla and Kharga Oases in antiquity, written by participants in several of the current archaeological projects in this region. The oases were closely tied to Egypt and to each other, but not always easy to control, and their agricultural productivity varied with climatic conditions. The book discusses the oases' geology, water resources, history, administration, economy, trade connections, taxation, urbanism, religion, burial practices, literary culture, and art. New evidence for human health and illness from the cemeteries is presented along with a synthesis on the use of different types of cloth in burial. A particular emphasis is placed on pottery, with its ability to tell us both about how people lived and how far imports and exports can be seen from the shapes and fabrics, and both literature and art suggest full participation in the culture of Greco-Roman Egypt.
Presenting a range of evidence for these diverse styles, from Roman art to early medieval bracteate amulets, and from classical texts to Beowulf, the Edda and Icelandic sagas, Professor Speidel here d
Hamlet is a characteristic intellectual more inclined to lecture actors about their craft than listen to them, and is a precursor of Enlightenment figures like Diderot and Lessing. This book is a quest for the voice of early professional actors, drawing on English, French and other European sources to distinguish the methods of professionals from the theories of intellectual amateurs. David Wiles challenges the orthodoxy that all serious discussion of acting began with Stanislavski, and outlines the comprehensive but fluid classical system of acting which was for some three hundred years its predecessor. He reveals premodern acting as a branch of rhetoric, which took from antiquity a vocabulary for conversations about the relationship of mind and body, inside and outside, voice and movement. Wiles demonstrates that Roman rhetoric provided the bones of both a resilient theatrical system and a physical art that retains its relevance for the post-Stanislavskian performer.
