This book is intended both as a resource for engineers and as an introduction to the layman about our most important metal system. After an introduction that deals with the history and refining of iron and steel, the rest of the book examines their physical properties and metallurgy. To elaborate on the importance of iron and steel, we can refer to the fact that modern civilization as we know it would not be possible without it. Steel is essential in the machinery necessary for manufacturing that meets our needs. Even the words themselves have come to suggest strength. Phrases such as 'iron willed', 'iron fisted', 'iron clad', 'iron curtain' and 'pumping iron' imply strength. A 'steely glance' is a stern look. 'A heart of steel' refers to a very hard demeanor. The Russian dictator, Stalin (which means steel in Russian), chose the name to invoke fear in those under him.
Belle-époque Paris witnessed the emergence of a vibrant and diverse dance scene, one that crystallized around the Ballets Russes, the Russian dance company formed by impresario Sergey Diaghilev. The company has long served as a convenient turning point in the history of dance, celebrated for its revolutionary choreography and innovative productions. This book presents a fresh slant on this much-told history. Focusing on the relation between music and dance, Davinia Caddy approaches the Ballets Russes with a wide-angled lens that embraces not just the choreographic, but also the cultural, political, theatrical and aesthetic contexts in which the company made its name. In addition, Caddy examines and interprets contemporary French dance practices, throwing new light on some of the most important debates and discourses of the day.
Across the Revolutionary Divide: Russia and the USSR 1861-1945 offers a broad interpretive account of Russian history from the emancipation of the serfs to the end of World War II.Provides a coherent
This is a magisterial account of the day-to-day practice of Russian criminal justice in the seventeenth and early eighteenth centuries. Nancy Kollmann contrasts Russian written law with its pragmatic application by local judges, arguing that this combination of formal law and legal institutions with informal, flexible practice contributed to the country's social and political stability. She also places Russian developments in the broader context of early modern European state-building strategies of governance and legal practice. She compares Russia's rituals of execution to the 'spectacles of suffering' of contemporary European capital punishment and uncovers the dramatic ways in which even the tsar himself, complying with Moscow's ideologies of legitimacy, bent to the moral economy of the crowd in moments of uprising. Throughout, the book assesses how criminal legal practice used violence strategically, administering horrific punishments in some cases and in others accommodating with
The overthrow and execution of Tsar Nicholas II and the Russian Imperial family is a cause celebre of 20th-century history. Andrew Cook's re-investigation of the story finally solves one of the greate
Join intrepid explorer Benjamin Blog and his inquisitive dog Barko Polo as they travel to one of the world's most fascinating countries: Russia! The book includes chapters on Russian history, geograph
The chroniclers of medieval Rus were monks, who celebrated the divine services of the Byzantine church throughout every day. This study is the first to analyze how these rituals shaped their writing of the Rus Primary Chronicle, the first written history of the East Slavs. During the eleventh century, chroniclers in Kiev learned about the conversion of the Roman Empire by celebrating a series of distinctively Byzantine liturgical feasts. When the services concluded, and the clerics sought to compose a native history for their own people, they instinctively drew on the sacred stories that they sang at church. The result was a myth of Christian origins for Rus - a myth promulgated even today by the Russian government - which reproduced the Christian origins myth of the Byzantine Empire. The book uncovers this ritual subtext and reconstructs the intricate web of liturgical narratives that underlie this foundational text of pre-modern Slavic civilization.
Moscow’s Red Square is a center of Russian history and culture. This book explores the physical and cultural geography of Russia, showing the reader what daily life is like in Russia and how Russians
Belle-époque Paris witnessed the emergence of a vibrant and diverse dance scene, one that crystallized around the Ballets Russes, the Russian dance company formed by impresario Sergey Diaghilev. The company has long served as a convenient turning point in the history of dance, celebrated for its revolutionary choreography and innovative productions. This book presents a fresh slant on this much-told history. Focusing on the relation between music and dance, Davinia Caddy approaches the Ballets Russes with a wide-angled lens that embraces not just the choreographic, but also the cultural, political, theatrical and aesthetic contexts in which the company made its name. In addition, Caddy examines and interprets contemporary French dance practices, throwing new light on some of the most important debates and discourses of the day.
Steinberg (history, Georgia Southern U.) presents an overview of the structural and organizational changes introduced into the Russian Army after the disaster of the Japanese War of 1905 in order to p
Here is the history of the disintegration of the Russian Empire, and the emergence, on its ruins, of a multinational Communist state. In this revealing account, Richard Pipes tells how the Communists
The Russian anarchist Peter Kropotkin was the world's foremost spokesman of anarchism at the end of the nineteenth and the beginning of the twentieth centuries. The Conquest of Bread is his most detailed description of the ideal society, embodying anarchist communism, and of the social revolution that was to achieve it. Marshall Shatz's introduction to this edition traces Kropotkin's evolution as an anarchist, from his origins in the Russian aristocracy to his disillusionment with the Russian Revolution, and the volume also includes a hitherto untranslated chapter from his classic Memoirs of a Revolutionist, which contains colourful character-sketches of some of his fellow anarchists, as well as an article he wrote summarising the history of anarchism, and some of his views on the Revolution.
The results of a project by The European Azerbaijan Society, this three-volume set comprises documents found in the Russian State Historical Archive and The Russian State Military History Archive. The
Of the 2.3 million National Servicemen conscripted during the Cold War, 5,000 attended the secret Joint Services School for Linguists, tasked with supplying much-needed Russian speakers to the three s
Originally published in 1961. Russian Marxist philosophy of science originated among men and women who gave their whole lives to rebellion against established authority. The original tension within Ma
Pipes is a widely recognized authority on Russia and is currently Baird professor of History at Harvard University. This is the final volume in his magisterial history of the Russian Revolution, cover
Accessible and?authoritative, this?biography covers the truth behind the shadowy figure of Gregory Rasputin.?Rasputin features in Russian history as a malign and destructive force, a man with an unhea
Konstantin Stanislavsky, the Russian director and actor and co-founder, in 1898, of the Moscow Art Theatre, was the originator of the most influential system of acting in the history of western theatre. Many of Stanislavsky's concepts are widespread in popular thought on acting; this book offers a evaluation of the basis of his ideas, discussing whether the system has survived because Stanislavsky made discoveries about acting that are and always have been scientifically verifiable, or whether his methods work on a practical basis despite an outdated theory. Drawing on information that has become available in recent years in Russia, the book examines how the development of Stanislavsky's system was influenced by scientific discoveries in his lifetime, and compares Stanislavsky's methods with those of Evgeny Vakhtangov, Michael Chekhov and Vsevolod Meyerhold. A full understanding of these ideas is crucial for anyone interested in acting and actor-training today.
