Elena Govor has given voice to a part of Australian cultural history that until now has been silent. Extraordinarily, it was men born in the former Russian Empire that constituted the most numerous gr
A History of Russian Architecture, the most comprehensive study of this subject to date, surveys the development of Russian architecture, from the masonry churches of tenth century Kievan Rus to the p
The history of ideas has played a central role in Russia's political and social history. Understanding its intellectual tradition and the way the intelligentsia have shaped the nation is crucial to understanding the Russia of today. This history examines important intellectual and cultural currents (the Enlightenment, nationalism, nihilism, and religious revival) and key themes (conceptions of the West and East, the common people, and attitudes to capitalism and natural science) in Russian intellectual history. Concentrating on the Golden Age of Russian thought in the mid-nineteenth century, the contributors also look back to its eighteenth-century origins in the flowering of culture following the reign of Peter the Great, and forward to the continuing vitality of Russia's classical intellectual tradition in the Soviet and post-Soviet eras. With brief biographical details of over fifty key thinkers and an extensive bibliography, this book provides a fresh, comprehensive overview of Rus
Written by an international team of experts, this book brings together the fruits of recent research into all areas of Russian theatre history. Of particular interest are the chapters written by senior Russian academics, who not only reveal previously unpublished documentation but also offer alternative insights into their subjects. The History covers the whole range of Russian dramatic experience, from puppet theatre to ballet and grand opera, but its emphasis is on the practice of theatre, especially acting, and the final chapter puts Russian theatre into the wider context of Western performance and the stage. The History begins with the earliest endeavours, with rituals and entertainments, and moves through to the emergence of established drama in the eighteenth century. The history of twentieth-century Russian theatre is a special feature of the volume, with chapters following the progress of drama and performance from the revolution, through communism, up until recent years.
Written by an international team of experts, this book brings together the fruits of recent research into all areas of Russian theatre history. Of particular interest are the chapters written by senior Russian academics, who not only reveal previously unpublished documentation but also offer alternative insights into their subjects. The History covers the whole range of Russian dramatic experience, from puppet theatre to ballet and grand opera, but its emphasis is on the practice of theatre, especially acting, and the final chapter puts Russian theatre into the wider context of Western performance and the stage. The History begins with the earliest endeavours, with rituals and entertainments, and moves through to the emergence of established drama in the eighteenth century. The history of twentieth-century Russian theatre is a special feature of the volume, with chapters following the progress of drama and performance from the revolution, through communism, up until recent years.
Surveys Russian literature from the eleventh century to the present, set within the context of political, social, religious, and philisophical developments
Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century. A History of Russian Literature provides a comprehensive account of Russian writing f
Leon Trotsky is considered by many, alongside Lenin of course, as the author of the Russian Revolution, and is also considered by his admirers to be one of the most astute Marxist analysts of history
Film emerged in pre-Revolutionary Russia to become the “most important of all arts” for the new Bolshevik regime and its propaganda machine. The 1920s saw a flowering of film experimentation, notably
Professor Vinokur (1896–1947) discusses each of the stages in the development of Russian from its Common Slavonic source, and the growing dominance of the dialect of Moscow from the sixteenth century, up to the ninenteenth century when the language had virtually reached its present form and into the twentieth century. Each stage is illustrated by extensive quotation, all examples of Old Russian being translated into English, but examples in modern Russian appearing in the original only. This 1971 text will be of value to students of Russian with a basic linguistic grounding who are beginning their study of the historical development of the language.
The history of ideas has played a central role in Russia's political and social history. Understanding its intellectual tradition and the way the intelligentsia have shaped the nation is crucial to understanding the Russia of today. This history examines important intellectual and cultural currents (the Enlightenment, nationalism, nihilism, and religious revival) and key themes (conceptions of the West and East, the common people, and attitudes to capitalism and natural science) in Russian intellectual history. Concentrating on the Golden Age of Russian thought in the mid-nineteenth century, the contributors also look back to its eighteenth-century origins in the flowering of culture following the reign of Peter the Great, and forward to the continuing vitality of Russia's classical intellectual tradition in the Soviet and post-Soviet eras. With brief biographical details of over fifty key thinkers and an extensive bibliography, this book provides a fresh, comprehensive overview of Rus
This book is the first detailed history of the Russian Symbolist movement, from its initial hostile reception as a symptom of European decadence to its absorption into the mainstream of Russian literature, and eventual disintegration. It focuses on the two generations of writers whose work served as the seedbed of Existentialism in thought and of Modernism in prose and the performing arts, and reassesses their achievements in the light of modern research. At the centre of the study are the texts themselves, with prose quoted in English translation and poetry given in the original Russian with prose translations. There is a valuable bibliography of primary sources and an extensive chronological appendix. This book will fill a long-felt gap, and will be invaluable to students and teachers of Russian and comparative literature, Symbolism, Modernism, and pre-revolutionary Russian culture.
