In the years of and around the First World War, American poets, fiction writers, and dramatists came to the forefront of the international movement we call Modernism. At the same time a vast amount of non- and anti-Modernist culture was produced, mostly supporting, but also critical of, the US war effort. A History of American Literature and Culture of the First World War explores this fraught cultural moment, teasing out the multiple and intricate relationships between an insurgent Modernism, a still-powerful traditional culture, and a variety of cultural and social forces that interacted with and influenced them. Including genre studies, focused analyses of important wartime movements and groups, and broad historical assessments of the significance of the war as prosecuted by the United States on the world stage, this book presents original essays defining the state of scholarship on the American culture of the First World War.
The state is legally required to be neutral towards religion, but in many countries it is increasingly anything but. This book conducts a comparative legal analysis of the church–state relationship within and between western countries – including the USA, France and Israel – that are key players in international and domestic dynamics in which religion and religious conflict take centre stage. It analyses how government accommodates diversity, how policies of multiculturalism and pluralism translate into legislation, the extent to which they address matters of religion and belief and what pattern of related issues then come before the courts. Finally, it considers how civil society and democracy in general can maintain a balance between the interests of those of different religions and beliefs and those of none. In this illuminating study, Kerry O'Halloran shows how the relationship between religion and government affects civil society and the functioning of democracy in North America a
"Do the arts improve academic achievement? What does it mean to 'teach' art? What should the balance of classic and pop be in the music curriculum? Should we encourage young children on the stage? How
Entrepreneurship has regained centre stage in the contemporary knowledge-intensive and innovation-driven economy, as well as in research. Integrating classic and recent insights into the organization,
An examination of the notion of craft as it moves from moves from “modern craft” to “post-craft” amid new economies of making.The notion of the handmade has shifted from the margins to center stage. C
No longer a side dish, it’s time for meatballs to take center stage with Meatballs: The Ultimate Cookbook.Meatballs are more than just a potluck food. No longer a side dish, it’s time for meatballs to
A hilariously moving and inspirational memoir of a girl with two gay dads, navigating her way through life with joy, love, gratitude, and an excellent sense of humor. As the daughter of two gay fathers in the 90s, Chelsea has always had a different outlook than some people. And yet, her message is one of universal importance - love is the most important force in the world. Through her moving and at times hilarious memoir, Chelsea reflects on how we are all much more similar than we are different. Living "two doors down from normal," Chelsea quickly learned that society loves to put people in boxes, but these boxes do not always reflect how we feel about ourselves. Through Inexplicably Me, Chelsea works to bring people together in love and acceptance and to illustrate that, while her story may seem worlds away from others, we all strive for happiness and love. From sharing the stage with President Obama when she was only eighteen years old, to her father spending her senior year
A groundbreaking global history of gender nonconformity Today’s narratives about trans people tend to feature individuals with stable gender identities that fit neatly into the categories of male or female. Those stories, while important, fail to account for the complex realities of many trans people’s lives. Before We Were Trans illuminates the stories of people across the globe, from antiquity to the present, whose experiences of gender have defied binary categories. Blending historical analysis with sharp cultural criticism, trans historian and activist Kit Heyam offers a new, radically inclusive trans history, chronicling expressions of trans experience that are often overlooked, like gender-nonconforming fashion and wartime stage performance. Before We Were Trans transports us from Renaissance Venice to seventeenth-century Angola, from Edo Japan to early America, and looks to the past to uncover new horizons for possible trans futures.
This graphic novel–style memoir about the weirdness and wonder of pregnancy and early motherhood is told with humor, frankness, and honesty. The perfect gift for new parents, parents-to-be, or anyone interested in the experience of bringing a new human into today's world.Emma Ahlqvist's graphic memoir about the birth and early moments of raising her first child is a wry and resonant portrayal of both the challenges and excitement of pregnancy, birth, breastfeeding, and embracing the experience of motherhood. Told through black-and-white drawings and short, frank captions, Ahlqvist considers everything from lactation woes to anxieties about late-stage capitalism and global warming, with drawings centered on the gendered division of labor, her efforts to maintain a professional and artistic life after having a baby, and the genuine rewards of bringing a child into the world.Unflinching, relatable, and funny, My Body Created a Human portrays the stress and joys of parenthood―without the r
A darkly witty, deeply affecting, and finely crafted memoir by the Big Bang Theory and Speechless star and comedian, John Ross Bowie. From his earliest memories of watching Rhoda with his parents in their tiny Hell’s Kitchen apartment, John knew that he wanted to be an actor. The strange, alternate world of television―where people always cracked the perfect joke, lived in glamorous Upper East Side buildings, and made up immediately after fighting―seemed far better than his own home life, with a mother and father on the brink of divorce and a neighborhood full of crumbling pre-war architecture and not-so-occasional muggings. And yet that other world also seems unattainable. Besides crippling stage fright (which would take him years to overcome) John's father, ever aloof and cynical, has instilled within him the notion that acting is “no job for a man.”His father would impart that while theater, film, and television should be consumed and even debated, to create was no way to make a liv
