One of the most diverse books in the Iliad, Book III moves between intimate scenes in the heart of Troy and scenes serious and comic on the battlefield. It describes a major ritual in an elaborate oath-swearing, assigns a major role to divine intervention, introduces and characterises the main Trojan actors and reveals more about their Greek counterparts. The commentary discusses the styles of Homeric narrative, illustrating especially its economy and sophisticated handling of different time-scales. It situates the Iliad in its broad cultural and historical contexts, through consideration of the relationships between Greece and the Anatolian, Mesopotamian and ancient Indian cultures, particularly regarding shared story-patterns and ritual activity. An account is given of Troy's relationships with the Hittite empire and the vexed question of the historicity of the Trojan War. Also provided is a full historical account of Homeric language. The edition will be indispensable for students a
This book offers a captivating new interpretation of Lucian as a fictional theorist and writer to stand alongside the novelists of the day, bringing to bear on his works a whole new set of reading strategies. It argues that the aesthetic and cultural issues Lucian faced, in a world of mimesis and replication, were akin to those found in postmodern contexts: the ubiquity of the fake, the erasure of origins, the focus on the freakish and weird at the expense of the traditional. In addition to exploring the texture of Lucian's own writing, Dr ní Mheallaigh uses Lucian as a focal point through which to examine other fictional texts of the period, including Antonius Diogenes' The Incredible Things Beyond Thule, Dictys' Journal of the Trojan War and Ptolemy Chennus' Novel History, and reveals the importance of fiction's engagement with its contemporary culture of writing, entertainment and wonder.
One of the most diverse books in the Iliad, Book III moves between intimate scenes in the heart of Troy and scenes serious and comic on the battlefield. It describes a major ritual in an elaborate oath-swearing, assigns a major role to divine intervention, introduces and characterises the main Trojan actors and reveals more about their Greek counterparts. The commentary discusses the styles of Homeric narrative, illustrating especially its economy and sophisticated handling of different time-scales. It situates the Iliad in its broad cultural and historical contexts, through consideration of the relationships between Greece and the Anatolian, Mesopotamian and ancient Indian cultures, particularly regarding shared story-patterns and ritual activity. An account is given of Troy's relationships with the Hittite empire and the vexed question of the historicity of the Trojan War. Also provided is a full historical account of Homeric language. The edition will be indispensable for students a
An insightful study of heroism and of hero worship throughout history ranges from the ancient Trojan war to the twentieth century, looking at such figures as Alcibiades, El Cid, Albrecht von Wallenste
Here is a new Loeb Classical Library edition of Homer's stirring heroic account of the Trojan war and its passions. The eloquent and dramatic epic poem captures the terrible anger of Achilles, "the be
Here is a new Loeb Classical Library edition of Homer's stirring heroic account of the Trojan war and its passions. The eloquent and dramatic epic poem captures the terrible anger of Achilles, "the be
In the wake of Homer's Iliad and Odyssey, poets of the seventh and sixth centuries BC composed epics which covered other parts of the Trojan War story or different areas of Greek mythology. Quotations
The epic tale of Odysseus and his ten-year journey home after the Trojan War forms one of the earliest and greatest works of Western literature. @IthacaStateOfMind Uh oh. This cave is a giant’s
Shortlisted for the Women’s Prize for Fiction, a gorgeous retelling of the Trojan War from the perspectives of the many women involved in its causes and consequences—for fans of Madeline Miller.“With
Critical and historical notes accompany Shakespeare's play about a Trojan prince who becomes disillusioned with love and war after the deceit of his beloved Cressida and the death of Hector.
By systematically confronting Greek tradition of the Heroic Age with the evidence of both linguistics and archaeology, Margalit Finkelberg proposes a multidisciplinary assessment of the ethnic, linguistic and cultural situation in Greece in the second millennium BC. The main thesis of this book is that the Greeks started their history as a multi-ethnic population group consisting of both Greek-speaking newcomers and the indigenous population of the land and that the body of 'Hellenes' as known to us from the historic period was a deliberate self-creation. The book addresses such issues as the structure of heroic genealogy, the linguistic and cultural identity of the indigenous population of Greece, the patterns of marriage between heterogeneous groups as they emerge in literary and historical sources, the dialect map of Bronze Age Greece, the factors responsible for the collapse of the Mycenaean civilisation and finally, the construction of the myth of the Trojan War.
'Troilus and Criseyde', Geoffrey Chaucer's most substantial completed work, is a long historical romance; its famous tale of love and betrayal in the Trojan War later inspired William Shakespeare. This reader's guide, written specifically for students of medieval literature, provides a scene-by-scene paraphrase and commentary on the whole text. Each section explains matters of meaning, interpretation, plot structure and character development, the role of the first-person narrating voice, Chaucer's use of his source materials and elements of the poem's style. Brief and accessible discussions of key themes and sources (for example the art of love, the holy bond of things, Fortune and Thebes) are provided in separate textboxes. An ideal starting point for studying the text, this book helps students through the initial language barrier and allows readers to enjoy and understand this medieval masterpiece.
By systematically confronting Greek tradition of the Heroic Age with the evidence of both linguistics and archaeology, Margalit Finkelberg proposes a multidisciplinary assessment of the ethnic, linguistic and cultural situation in Greece in the second millennium BC. The main thesis of this book is that the Greeks started their history as a multi-ethnic population group consisting of both Greek-speaking newcomers and the indigenous population of the land and that the body of 'Hellenes' as known to us from the historic period was a deliberate self-creation. The book addresses such issues as the structure of heroic genealogy, the linguistic and cultural identity of the indigenous population of Greece, the patterns of marriage between heterogeneous groups as they emerge in literary and historical sources, the dialect map of Bronze Age Greece, the factors responsible for the collapse of the Mycenaean civilisation and finally, the construction of the myth of the Trojan War.
'Troilus and Criseyde', Geoffrey Chaucer's most substantial completed work, is a long historical romance; its famous tale of love and betrayal in the Trojan War later inspired William Shakespeare. This reader's guide, written specifically for students of medieval literature, provides a scene-by-scene paraphrase and commentary on the whole text. Each section explains matters of meaning, interpretation, plot structure and character development, the role of the first-person narrating voice, Chaucer's use of his source materials and elements of the poem's style. Brief and accessible discussions of key themes and sources (for example the art of love, the holy bond of things, Fortune and Thebes) are provided in separate textboxes. An ideal starting point for studying the text, this book helps students through the initial language barrier and allows readers to enjoy and understand this medieval masterpiece.
Did Homer tell the 'truth' about the Trojan War? If so, how much, and if not, why not? The issue was hardly academic to the Greeks living under the Roman Empire, given the centrality of both Homer, the father of Greek culture, and the Trojan War, the event that inaugurated Greek history, to conceptions of Imperial Hellenism. This book examines four Greek texts of the Imperial period that address the topic - Strabo's Geography, Dio of Prusa's Trojan Oration, Lucian's novella True Stories, and Philostratus' fictional dialogue Heroicus - and shows how their imaginative explorations of Homer and his relationship to history raise important questions about the nature of poetry and fiction, the identity and intentions of Homer himself, and the significance of the heroic past and Homeric authority in Imperial Greek culture.
In the tumultuous aftermath of the Trojan War, a young man battles to save his home and his inheritance. Setting out to find his father, he ends up discovering himself.Telemachus’ father, Odysseus, we
