Immediately after World War I, four major European and American poets and thinkers--W. B. Yeats, Robinson Jeffers, R. M. Rilke, and C. G. Jung--moved into towers as their principal habitations. Taking
From the Revolutionary War to the Civil War, a familiar scene appears and reappears in American literature: a speaker stands before a crowd of men and women, attempting to mitigate their natural suspi
As an increasing number of large corporations branch out into many fields of industry, public concern over the lateral extension of their power is aroused. Arguing that entry by large firms into conce
In one of his commencement talks as President of Princeton University, William G. Bowen called upon the assembled graduates to find ways, in their lives, to blend "the powers of the mind and the
Bruce Kuniholm takes a regional perspective to focus on postwar diplomacy in Iran, Turkey, and Greece and efforts in these countries to maintain their independence from the Great Powers. Drawing on a
"A clear and straightforward discussion of the ways in which literatures and their comparative study must depend upon the problematics of interpersonal and other relations. . . . This study w
By thoroughly examining T. S. Eliot and Ezra Pound collected and uncollected writings, James Longenbach presents their understandings of the philosophical idea of history and analyzes the strategies o
This introductory overview of Kierkegaard's writings summarizes their central arguments and places them in their historical context.Originally published in 1984.The Princeton Legacy Library uses the l
Fearing that their "civilization" would be overwhelmed, a tiny enclave of whites in Central Africa rebelled against a power which a little more than twenty-five years before had ruled the la
The first part of this book describes a wide variety of seabirds from the author's personal observation and knowledge of their ways; the second offers reflective essays on the general theme of birds i
What do long-distance travelers gain from their voyages, especially when faraway lands are regarded as the source of esoteric knowledge? Mary Helms explains how various cultures interpret space and di
Reinterpreting twelve of Renoir's best-known works, Professor Faulkner attributes their qualities not to the director's unified sensibility but to varying social and historical circumstances.Originall
From the creator of the horror video game sensation Five Nights at Freddy's comes this pulse-pounding graphic novel adaptation of the bestselling trilogy's thrilling conclusion!What really happened to Charlie? It's the question that John can't seem to shake, along with the nightmares of Charlie's seeming death and miraculous reappearance. John just wants to forget the whole terrifying saga of Freddy Fazbear's Pizza, but the past isn't so easily buried.Meanwhile, there's a new animatronic pizzeria opening in Hurricane, along with a new rash of kidnappings that feel all too familiar. Bound together by their childhood loss, John reluctantly teams up with Jessica, Marla, and Carlton to solve the case and find the missing children. Along the way, they'll unravel the twisted mystery of what really happened to Charlie, and the haunting legacy of her father's creations.Told through delightfully scary artwork from artist Diana Camero, and with even more horror than ever before, fans won't want
This newly commissioned volume presents a focused overview of Dante's masterpiece, the Commedia, offering readers of today wide-ranging insights into the poem and its core features. Leading scholars discuss matters of structure, narrative, language and style, characterization, doctrine, and politics, in chapters that make their own contributions to Dante criticism by raising problems and questions that call for renewed attention, while investigating contextual concerns as well as the current state of criticism about the poem. The Commedia is also placed in a variety of cultural and historical contexts through accounts of the poem's transmission and reception that explore both its contemporary influence and its continuing legacy today. With its accessible approach, its unstinting focus on the poem and its attention to matters that have not always received adequate critical assessment, this volume will be of value to all students and scholars of Dante's great poem.
Laws against Holocaust denial are perhaps the best-known manifestation of the present-day politics of historical memory. In Memory Laws, Memory Wars, Nikolay Koposov examines the phenomenon of memory laws in Western and Eastern Europe, Ukraine, and Russia and exposes their very different purposes in the East and West. In Western Europe, he shows how memory laws were designed to create a common European memory centred on the memory of the Holocaust as a means of integrating Europe, combating racism, and averting national and ethnic conflicts. In Russia and Eastern Europe, by contrast, legislation on the issues of the past is often used to give the force of law to narratives which serve the narrower interests of nation states and protect the memory of perpetrators rather than victims. This will be essential reading for all those interested in ongoing conflicts over the legacy of the Second World War, Nazism, and communism.
One of the iconic moments in English history, the trial and execution of King Charles I has yet to be studied in-depth from a contemporary legal perspective. Professor Ian Ward brings his considerable legal and historical acumen to bear on the particular constitutional issues raised by the regicide of Charles, and not only analyses the unfolding of events and their immediate historical context, but also draws out their wider importance and legacy for the generations of historians, politicians, and writers over the ensuing three and a half centuries.This is a book about constitutional history and thought, but also about the writing of constitutional history and thought and the forms they have taken -whether as scholarship, polemics, or literary experiments - in collective British memory. Chapters range from the events leading up to and through the trial and execution of Charles; to their theatricality, legality, and constitutionality; to the political writings such as Milton's Tenure o
The First World War left a legacy of chaos that is still with us a century later. Why did European leaders resort to war and why did they not end it sooner? Roger L. Ransom sheds new light on this enduring puzzle by employing insights from prospect theory and notions of risk and uncertainty. He reveals how the interplay of confidence, fear, and a propensity to gamble encouraged aggressive behavior by leaders who pursued risky military strategies in hopes of winning the war. The result was a series of military disasters and a war of attrition which gradually exhausted the belligerents without producing any hope of ending the war. Ultimately, he shows that the outcome of the war rested as much on the ability of the Allied powers to muster their superior economic resources to continue the fight as it did on success on the battlefield.
From the stories of wives and their lovers to those of kings and their conquests, to the overarching story of Shahrazad and Shahryar, the tales of the Arabian Nights have offered countless audiences entertainment and enjoyment as well as serving as cautionary stories. An outstanding piece of world literature, the Arabian Nights provide a lively and interesting way of exploring aspects of sexuality, romance, gender, culture, wealth, and politics. Looking at a wide range of the tales, David Ghanim offers a rigorous exploration of their profound sexuality: looking at both the context in which they were written and organised, as well as their legacy. By including accounts of heterosexuality, homosexuality, cuckoldry, insatiable lust, promiscuity, rape, incest, bestiality, demonic sexuality, and erotica, Ghanim highlights the complexity and dynamism of medieval sexuality, the active role of women in sexual activities, and the prevailing positive outlook on sexual liaison and gender mixing.
The push for independence in African nations was ultimately an incomplete process, with the people often left to wrestle with a partial, imperfect legacy. Rather than settle for liberation in name alone, the people engaged in an ongoing struggle for meaningful freedom. Phyllis Taoua shows how the idea of freedom in Africa today evolved from this complex history. With a pan-African, interdisciplinary approach, she synthesizes the most significant issues into a clear, compelling narrative. Tracing the evolution of a conversation about freedom since the 1960s, she defines three types and shows how they are interdependent. Taoua investigates their importance in key areas of narrative interest: the intimate self, gender identity, the nation, global capital, and the spiritual realm. Allowing us to hear the voices of African artists and activists, this compelling study makes sense of their struggle and the broad importance of the idea of freedom in contemporary African culture.
Over the decades since he was first hailed by critics and filmmakers around the world, Sergei Eisenstein has assumed many identities. Originally cast as a prophet of revolution and the maestro of montage, and later seen as both a victim of and apologist for Stalin’s tyranny, the scale and impact of Eisenstein’s legacy has continued to grow. If early research on Eisenstein focused on his directorial work – from the legendary Battleship Potemkin and October to the still-controversial Ivan the Terrible – with time scholars have discovered many other aspects of his multifarious output.In recent years, multimedia exhibitions, access to his vast archive of drawings, and publication of his previously censored theoretical writings have cast Eisenstein in a new light. Deeply engaged with some of the leading thinkers and artists of his own time, Eisenstein remains a focus for many of their successors, contested as well as revered. Over half a century since his death in 1948, an ambitious t
