This volume explores twentieth-century organ music through in-depth studies of the principal centers of composition, the most significant composers and their works, and the evolving role of the instru
Cult Writers handpicks 50 notable figures from the modern world of literature and explores the creative genius that earned them the cult label, while celebrating the works that made their names.What m
The field of inequality emerged out of a set of classic texts--important works that students and scholars continue to read and inform their ongoing research. Often controversial and deeply influential
Through a series of innovative critical readings Richard Hunter builds a picture of how the ancients discussed the meaning of literary works and their importance in society. He pays particular attention to the interplay of criticism and creativity by not treating criticism in isolation from the works which the critics discussed. Attention is given both to the development of a history of criticism, as far as our sources allow, and to the constant recurrence of similar themes across the centuries. At the head of the book stands the contest of Aeschylus and Euripides in Aristophanes' Frogs which foreshadows more of the subsequent critical tradition than is often realised. Other chapters are devoted to ancient reflection on Greek and Roman comedy, to the Augustan critic Dionysius of Halicarnassus, to 'Longinus', On the Sublime, and to Plutarch. All Greek and Latin is translated.
In this crisply written book, Hanno Sauer offers the first book-length treatment of debunking arguments in ethics, developing an empirically informed and philosophically sophisticated account of genealogical arguments and their significance for the reliability of moral cognition. He breaks new ground by introducing a series of novel distinctions into the current debate, which allows him to develop a framework for assessing the prospects of debunking or vindicating our moral intuitions. He also challenges the justification of some of our moral judgments by showing that they are based on epistemically defective processes. His book is an original, cutting-edge contribution to the burgeoning field of empirically informed metaethics, and will interest philosophers, psychologists, and anyone interested in how - and whether - moral judgment works.
Animal Subjects identifies a new understanding of animals in modernist literature and science. Drawing on Darwin's evolutionary theory, British writers and scientists of the late nineteenth and early twentieth centuries began to think of animals as subjects dwelling in their own animal worlds. Both science and literature aimed to capture the complexity of animal life, and their shared attention to animals pulled the two disciplines closer together. It led scientists to borrow the literary techniques of fiction and poetry, and writers to borrow the observational methods of zoology. Animal Subjects tracks the coevolution of literature and zoology in works by H. G. Wells, Aldous Huxley, D. H. Lawrence, Virginia Woolf, and modern scientists including Julian Huxley, Charles Elton, and J. B. S. Haldane. Examining the rise of ecology, ethology, and animal psychology, this book shows how new, subject-centered approaches to the study of animals transformed literature and science in the modernis
Cole saw the trade unions as being critical to progress, but to realise their role they needed to change and the issue of trade union structure therefore became fundamental. He considered in this volu
Academic attention has focused on America's influence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period - from modernity and gender relations to new technology and new media - and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core.
George Gershwin is often described as a quintessentially American composer. This Cambridge Companion explains why, engaging with the ways in which his music was shaped by American political, intellectual, cultural and business interests. As a composer and performer, Gershwin embraced technological advances and broke new ground in music business practices. In the decades preceding World War II, he captured the mechanistic pulse of modern life with his concert works and lay the groundwork for the Great American Songbook with his Broadway shows and film music. With his brother Ira, and his cousins Henry and B. A. Botkin, Gershwin explored various ethnic and cultural identities and contemplated their roles in US culture. His music confronted race during the Jim Crow era and continues to engage with issues of race today. This interdisciplinary exploration of Gershwin's life and music describes his avowed pursuit of an 'American' musical identity and its ongoing legacy.
George Gershwin is often described as a quintessentially American composer. This Cambridge Companion explains why, engaging with the ways in which his music was shaped by American political, intellectual, cultural and business interests. As a composer and performer, Gershwin embraced technological advances and broke new ground in music business practices. In the decades preceding World War II, he captured the mechanistic pulse of modern life with his concert works and lay the groundwork for the Great American Songbook with his Broadway shows and film music. With his brother Ira, and his cousins Henry and B. A. Botkin, Gershwin explored various ethnic and cultural identities and contemplated their roles in US culture. His music confronted race during the Jim Crow era and continues to engage with issues of race today. This interdisciplinary exploration of Gershwin's life and music describes his avowed pursuit of an 'American' musical identity and its ongoing legacy.
This book is a comprehensive study of historical sociology and its development, especially in the Indian context. It looks at the works of Indian sociologists and analyses their approaches in terms of
Exploring the furthest reaches of the globe, Persian travelers from Iran and India travelled across Russian and Ottoman territories, to Asia, Africa, North and South America, Europe and beyond. Remapping the world through their travelogues, Reversing the Colonial Gaze offers a comprehensive and transformative analysis of the journeys of over a dozen of these nineteenth-century Persian travelers. By moving beyond the dominant Eurocentric perspectives on travel narratives, Hamid Dabashi works to reverse the colonial gaze which has thus far been cast upon these rich body of travelogues. His lyrical and engaging re-evaluation of these journeys, complimented by close-readings of seminal travelogues, challenges the systematic neglect of these narratives in scholarly literature. Opening up the entirety of these overlooked or abused travelogues, Dabashi reveals not a mere repetition of cliché accounts of Iranian or Muslim encounters with the West, but a path-breaking introduction to a constell
After World War I, American, Irish and then Caribbean writers boldly remade the world literary system long dominated by Paris and London. Responding to literary renaissances and social upheavals in their own countries and to the decline of war-devastated Europe, émigré and domestic-based writers produced dazzling new works that challenged London's or Paris's authority to fix and determine literary value. In so doing, they propounded new conceptions of aesthetic accomplishment that were later codified as 'modernism'. However, after World War II, an assertive American literary establishment repurposed literary modernism to boost the cultural prestige of the United States in the Cold War and to contest Soviet conceptions of 'world literature'. Here, in accomplished readings of major works and essays by Henry James, Ezra Pound, W. B. Yeats, T. S. Eliot, James Joyce, F. Scott Fitzgerald, Eugene O'Neill and Derek Walcott, Joe Cleary situates Anglophone modernism in terms of the rise and fall o
Exploring the 'Nahda', a cultural renaissance in the Arab world responding to massive social change, this study presents a crucial and often overlooked part of the Arab world's encounter with global capitalist modernity, an interaction which reshaped the Middle East over the course of the long nineteenth century. Seeing themselves as part of an expanding capitalist civilization, Arab intellectuals approached the changing world of the mid-nineteenth century with confidence and optimism, imagining utopian futures for their own civilizing projects. By analyzing the works of crucial writers of the period, including Butrus al-Bustani and Rifa'a al-Tahtawi, alongside lesser-known figures such as the prolific journalist Khalil al-Khuri and the utopian visionary Fransis Marrash of Aleppo, Peter Hill places these visions within the context of their local class- and state-building projects in Ottoman Syria and Egypt, which themselves formed part of a global age of capital. By illuminating this l
In this book, Molly Zahn investigates how early Jewish scribes rewrote their authoritative traditions in the course of transmitting them, from minor edits in the course of copying to whole new compositions based on prior works. Scholars have detected evidence for rewriting in a wide variety of textual contexts, but Zahn's is the first book to map manuscripts and translations of biblical books, so-called 'parabiblical' compositions, and the sectarian literature from Qumran in relation to one another. She introduces a new, adaptable set of terms for talking about rewriting, using the idea of genre as a tool to compare and contrast different cases. Although rewriting has generally been understood as a vehicle for biblical interpretation, Zahn moves beyond that framework to demonstrate that rewriting was a pervasive textual strategy in the Second Temple period. Her book contributes to a powerful new model of early Jewish textuality, illuminating the rich and diverse culture out of which bo
During the Italian Renaissance, laywomen and nuns could take part in every stage of the circulation of texts of many kinds, old and new, learned and popular. This first in-depth and integrated analysis of Italian women's involvement in the material textual culture of the period shows how they could publish their own works in manuscript and print and how they promoted the first publication of works composed by others, acting as patrons or dedicatees. It describes how they copied manuscripts and helped to make and sell printed books in collaboration with men, how they received books as gifts and borrowed or bought them, how they commissioned manuscripts for themselves and how they might listen to works in spoken or sung performance. Brian Richardson's richly documented study demonstrates the powerful social function of books in the Renaissance: texts-in-motion helped to shape women's lives and sustain their social and spiritual communities.
Early Shakespeare, 1588–1594 draws together leading scholars of text, performance, and theatre history to offer a rigorous re-appraisal of Shakespeare's early career. The contributors offer rich new critical insights into the theatrical and poetic context in which Shakespeare first wrote and his emergence as an author of note, while challenging traditional readings of his beginnings in the burgeoning theatre industry. Shakespeare's earliest works are treated on their own merit and in their own time without looking forward to Shakespeare's later achievements; contributors situate Shakespeare, in his twenties, in a very specific time, place, and cultural moment. The volume features essays about Shakespeare's early style, characterisation, and dramaturgy, together with analysis of his early co-authors, rivals, and influences (including Lyly, Spenser and Marlowe). This collection provides essential entry points to, and original readings of, the poet-dramatist's earliest extant writings and
Hellenistic artworks are celebrated for innovations such as narrative, characterization, and description. The most striking examples are works associated with the Hellenistic courts. Their revolutionary appearance is usually attributed to Alexander the Great's conquest of the Near East, the start of the Hellenistic kingdoms, and Greek-Eastern interactions. In Rhetoric and Innovation in Hellenistic Art, Kristen Seaman offers a new approach to Hellenistic art by investigating an internal development in Greek cultural production, notably, advances in rhetoric. Rhetorical education taught kings, artists, and courtiers how to be Greek, giving them a common intellectual and cultural background from which they approached art. Seaman explores how rhetorical techniques helped artists and their royal patrons construct Hellenism through their innovative art in the scholarly atmospheres of Pergamon and Alexandria. Drawing upon artistic, literary, and historical evidence, this interdisciplinary stu
Teaching languages to adolescents can be a challenge. . . but one that is most rewarding! What works? What doesn't work? This book provides a reader friendly overview on teaching modern languages to adolescents (Years 7–13). Each chapter takes an aspect of language teaching and learning, and explains the underlying theory of instructed language acquisition and its application through examples from real language classrooms. The book explores teachers' practices and the reasoning behind their pedagogic choices through the voices of both the teachers themselves and their students. At the same time, it highlights the needs of the adolescent language learner and makes the case that adolescence is a prime time for language learning. Written in an accessible, engaging way, yet comprehensive in its scope, this will be essential reading for language teachers wishing to integrate cutting-edge research into their teaching. This title is also available as Open Access on Cambridge Core at 10.1017/9
Whether you're new to Austen's work or know it backwards and forwards already, this book provides a clear, full and highly engaging account of how Austen's fiction works and why it matters. Exploring new pathways into the study of Jane Austen's writing, novelist and academic Jenny Davidson looks at Austen's work through a writer's lens, addressing formal questions about narration, novel writing, and fictional composition as well as themes including social and women's history, morals and manners. Introducing new readers to the breadth and depth of Jane Austen's writing, and offering new insights to those more familiar with Austen's work, Jenny Davidson celebrates the art and skill of one of the most popular and influential writers in the history of English literature.
