This monograph examines the Royal Commissions on Patent (1864) and Copyright (1878) by exploring the people, procedures, and politics behind these in-depth inquiries into intellectual property reform
“A tour de force of storytelling.” ―Louise Penny, #1 New York Times bestselling author of the Chief Inspector Gamache series“Jobb’s excellent storytelling makes the book a pleasure to read.” ―The New York Times Book Review“When a doctor does go wrong, he is the first of criminals,” Sherlock Holmes observed during one of his most baffling investigations. “He has nerve and he has knowledge.” In the span of fifteen years, Dr. Thomas Neill Cream murdered as many as ten people in the United States, Britain, and Canada, a death toll with almost no precedent. Poison was his weapon of choice. Largely forgotten today, this villain was as brazen as the notorious Jack the Ripper. Structured around the doctor’s London murder trial in 1892, when he was finally brought to justice, The Case of the Murderous Dr. Cream exposes the blind trust given to medical practitioners, as well as the flawed detection methods, bungled investigations, corrupt officials, and stifling morality of Victorian society tha
By providing an examination of John Richard Green's career, Brundage illuminates a critical juncture in historiography, for Green was a critical figure in the transition from the writing of history of
This interdisciplinary study argues for the vital importance of visual culture as a force shaping the Victorian novel's formal development and reading history. It shows how authors like Charles Dickens, William Makepeace Thackeray, Wilkie Collins and Thomas Hardy borrowed language and conceptual formations from art world spaces - the art market, the museum, the large-scale exhibition, and art critical discourse - not only when they chose certain subjects or refined certain aspects of realism, but also when they tried to adapt various genres of the novel for a new and newly vociferous mass audience. Quandaries specific to new forms of public display affected authors' sense of their relationship with their own public. Debates about how best to appreciate a new mass of visual information impacted authors' sense of how people read, and consequently the development of particular novel forms like the multi-plot novel, the historical novel, the sensation novel, and fin-de-siècle fiction.
Audrey Fisch's study, first published in 2000, examines the circulation within England of the people and ideas of the black Abolitionist campaign. During the 1850s, African-Americans and others active in the campaign to abolish slavery, journeyed to England to present the slave experience and rouse opposition to American slavery. By focusing on Harriet Beecher Stowe's Uncle Tom's Cabin, an anonymous sequel to that novel, Uncle Tom in England, and John Brown's Slave Life in Georgia, and the lecture tours of free blacks and ex-slaves, Fisch follows the discourse of American abolitionism as it moved across the Atlantic and was reshaped by domestic Victorian debates about popular culture and taste, the worker versus the slave, popular education, and working class self-improvement. Despite its popular appeal, she claims, the African-American abolitionist campaign actually re-energised English nationalism. This book will be of interest to students of African-American literature, and nineteen
Games obsessed the Victorian and Edwardian public schools. This obsession has become widely known as athleticism. Now commonly regarded as an indulgence, it was in fact much more: a combination of hedonism and idealism. This is a major study of the games ethos which dominated the lives of many Victorian and Edwardian public school boys. It includes much hitherto unpublished material about schools, people, practices and attitudes, and adds insights and subtlety to earlier, uncomplicated generalizations. Dr Mangan's readable and engrossing study of athleticism is a work of substantial and fluent scholarship. It is an original and stimulating contribution to the history of public schools, educational ideologies and secondary education which will interest the general reader as well as the social scientist, historian and educationalist.
The consequences of extreme poverty were a grim reality for all too many people in Victorian England. The various poor laws implemented to try to deal with it contained a number of controversial measu
In Victorian Writing about Risk, first published in 2000, Elaine Freedgood explores the geography of risk produced by a wide spectrum of once-popular literature, including works on political economy, sanitary reform, balloon flight, Alpine mountaineering and African exploration. The consolations offered by this geography of risk are precariously predicated on the stability of dominant Victorian definitions of people and places. Women, men, the labouring and middle classes, the English and the Irish, Africa and Africans: all have assigned identities which allow risk to be located and contained. When identities shift and boundaries fail, danger and safety begin to appear in all the wrong places. The texts that this study focuses on reveal the ways in which risk moralizes and naturalizes the economic and political institutions of industrial, imperial culture during a period of unprecedented expansion and change.
A rich and exuberant group biography of the early geologists, the people who were first to excavate from the layers of the world its buried history.The birth of geology was fostered initially by gentl
Pondering the town he had invented in his novels, Anthony Trollope had 'so realised the place, and the people, and the facts' of Barset that 'the pavement of the city ways are familiar to my footsteps'. After his novels end, William Thackeray wonders where his characters now live, and misses their conversation. How can we understand the novel as a form of artificial reality? Timothy Gao proposes a history of virtual realities, stemming from the imaginary worlds created by novelists like Trollope, Thackeray, Charlotte Bronte, and Charles Dickens. Departing from established historical or didactic understandings of Victorian fiction, Virtual Play and the Victorian Novel recovers the period's fascination with imagined places, people, and facts. This text provides a short history of virtual experiences in literature, four studies of major novelists, and an innovative approach for scholars and students to interpret realist fictions and fictional realities from before the digital age. This ti
Audrey Fisch's study, first published in 2000, examines the circulation within England of the people and ideas of the black Abolitionist campaign. During the 1850s, African-Americans and others active in the campaign to abolish slavery, journeyed to England to present the slave experience and rouse opposition to American slavery. By focusing on Harriet Beecher Stowe's Uncle Tom's Cabin, an anonymous sequel to that novel, Uncle Tom in England, and John Brown's Slave Life in Georgia, and the lecture tours of free blacks and ex-slaves, Fisch follows the discourse of American abolitionism as it moved across the Atlantic and was reshaped by domestic Victorian debates about popular culture and taste, the worker versus the slave, popular education, and working class self-improvement. Despite its popular appeal, she claims, the African-American abolitionist campaign actually re-energised English nationalism. This book will be of interest to students of African-American literature, and nineteen
This interdisciplinary study argues for the vital importance of visual culture as a force shaping the Victorian novel's formal development and reading history. It shows how authors like Charles Dickens, William Makepeace Thackeray, Wilkie Collins and Thomas Hardy borrowed language and conceptual formations from art world spaces - the art market, the museum, the large-scale exhibition, and art critical discourse - not only when they chose certain subjects or refined certain aspects of realism, but also when they tried to adapt various genres of the novel for a new and newly vociferous mass audience. Quandaries specific to new forms of public display affected authors' sense of their relationship with their own public. Debates about how best to appreciate a new mass of visual information impacted authors' sense of how people read, and consequently the development of particular novel forms like the multi-plot novel, the historical novel, the sensation novel, and fin-de-siècle fiction.
Tennis is defined by its head games, its demands for physical prowess, and its plethora of outsized personalities. It mixes chess and dance, intellectual geometry and aesthetic joy. People who love te
Victorian literature for audiences of all ages provides a broad foundation upon which to explore complex and evolving ideas about young people. In turn, this collection argues, contemporary works for
In one of his most provocative essays, Ibsen offers a rebuke to the Victorian notion of community as well as to the blessings of democracy. His An Enemy of the People creates a situation in which one
The lawyer and journalist Henry Steel Olcott (1832–1907) published People from the Other World in 1875. Part 1 of the work is a careful account of Olcott's 1874 investigations into the famous Eddy brothers of Chittenden, Vermont, and their claimed psychic powers. Part 2 is a report into two Philadelphia mediums who claimed to be able to call up two spirits called John and Katie King. The account includes descriptions of séances, healings, levitation, teleportation and the famous Compton transfiguration. Olcott, a founding member of the Theosophical Society and its first president, was a pioneer of psychical research. This work, deeply influenced by Helena Blavatsky (1831–1891), who he met at Chittenden, is one of his most popular. It offers an important insight into the nineteenth-century fascination with the occult and is a classic example of a Victorian attempt to approach the supernatural with the rigours of scientific investigation.
Charles Booth’s seventeen-volume series, The Life and Labour of the People in London (18861903), is a staple of late Victorian social history and a monumental work of scholarship. Despite these facts,
Charles Booth’s seventeen-volume series, The Life and Labour of the People in London (18861903), is a staple of late Victorian social history and a monumental work of scholarship. Despite these facts,
