Following the resounding success of the eponymous West End and Broadway hit play, Frost/Nixon tells the extraordinary story of how Sir David Frost pursued and landed the biggest fish of his career&#
The expanded and updated third edition of this acclaimed Companion provides an accessible, broadly based survey of one of the liveliest and most popular forms of musical performance. It ranges from the American musical of the nineteenth century to the most recent productions on Broadway, in London's West End, and many other venues, and includes key information on singers, audiences, critical reception, and traditions. Contributors approach the subject from a wide variety of perspectives, including historical concerns, artistic aspects, important trends, attention to various genres, the importance of stars, the influence of race, the various disciplines of theatrical production, the musical in varied media, and changes in technology. Chapters related to the contemporary musical have been updated, and two new chapters cover the television musical and the British musical since 1970. Carefully organised and highly readable, it will be welcomed by enthusiasts, students, and scholars alike.
"Used from Broadway to Britiain's West End, QLab software is the tool of choice for many of the world's most prominent sound, projection, and integrated media designers. QLab 3 Show Control: Projects
Used from Broadway to Britain's West End, QLab software is the tool of choice for many of the world's most prominent sound, projection, and integrated media designers. QLab 4: Projects in Video, Audio
This book situates the production of The Boy Friend and the Players’ Theatre in the context of a post-war London and reads The Boy Friend , and Wilson's later work, as exercises in contemporary camp. It argues for Wilson as a significant and transitional figure both for musical theatre and for modes of homosexuality in the context of the pre-Wolfenden 1950s.Sandy Wilson's The Boy Friend is one of the most successful British musicals ever written. First produced at the Players' Theatre Club in London in 1953 it transferred to the West End and Broadway, making a star out of Julie Andrews and gave Twiggy a leading role in Ken Russell's 1971 film adaptation. Despite this success, little is known about Wilson, a gay writer working in Britain in the 1950s at a time when homosexuality was illegal.Drawing on original research assembled from the Wilson archives at the Harry Ransom Center, this is the first critical study of Wilson as a key figure of 1950s British theatre. Beginning with th
The glamorous world of the musical has a unique and irresistible appeal. Everyone wants to sing or play songs from the shows. Here are 10 great hits from the best of Broadway and London's West End. Th
The expanded and updated third edition of this acclaimed Companion provides an accessible, broadly based survey of one of the liveliest and most popular forms of musical performance. It ranges from the American musical of the nineteenth century to the most recent productions on Broadway, in London's West End, and many other venues, and includes key information on singers, audiences, critical reception, and traditions. Contributors approach the subject from a wide variety of perspectives, including historical concerns, artistic aspects, important trends, attention to various genres, the importance of stars, the influence of race, the various disciplines of theatrical production, the musical in varied media, and changes in technology. Chapters related to the contemporary musical have been updated, and two new chapters cover the television musical and the British musical since 1970. Carefully organised and highly readable, it will be welcomed by enthusiasts, students, and scholars alike.
One of the most successful musicals of all time, Andrew Lloyd Webber’s “The Phantom of the Opera” has been playing on Broadway and London’s West End for nearly 20 years. It has dazzled more than 100 m
The plays of María Martínez Sierra were popular in Spain, South America and in translation on Broadway and London's West End in the first half of the 20th century but they were thought to be written by her husband, the celebrated director and playwright Gregorio Martínez Sierra. After his death, the authorship of his work was revealed to be that of María, making her one of the most important playwrights of her time.This edited collection features three plays by María Martínez Sierra, translated by Helen and Harley Granville-Barker, along with an introduction by Patricia O’Connor, University of Cincinnati, US, which examines María's extraordinary life and work, and the battle for her authorship to be recognized in both the Spanish-speaking and anglophone world. This volume focuses on plays centred on strong women; and each is translated by the eminent man of theatre Harley Granville-Barker and his wife, Helen, whose own story holds stark parallels to Maria's in terms of authorship. The
