New York City's streets, parks, museums, architecture, and its people appear in an array of literary works published from New York's earliest settlement to the present day. The exploration of the city as both a symbol and as a reality has formed the basis of New York's literature. Using the themes of adaptation, innovation, identity, and hope, this history explores novels, poetry, periodicals, and newspapers to examine how New York's literature can be understood through the notion of movement. From the periodicals of the nineteenth century, the Arabic writers of the city in the early twentieth century, the literature of homelessness, childhood, and the spaces of tragedy and resilience within the metropolis, this diverse assessment opens up new areas of research within urban literature. It provides an innovative examination of how writing has shaped the lives of New Yorkers and how writing about the city has shaped the modern world.
This volume examines eighteenth-century Irish literature, highlighting the diversity of texts, authors and approaches that characterises contemporary studies of the period. Chapters consider the contexts of history, politics, language, philosophy, gender, sexuality, and the environment while situating Irish literature in relation to Ireland, Britain, Europe and beyond. Well-known authors (Jonathan Swift, Edmund Burke and Oliver Goldsmith) are read alongside less familiar writers (including Mary Barber, William Chaigneau, Frances Sheridan, and Samuel Whyte) and popular and ephemeral literatures take their place with formerly canonical texts. It demonstrates the exciting vitality and richness of eighteenth-century Irish literature - written and performed - as well as its complex intersections with different communities and traditions. This book will be a key resource to scholars and students of Irish eighteenth-century studies as well as readers generally interested in questions of Anglo
This interdisciplinary study explores how classical ideals of generosity influenced the writing and practice of gift giving in medieval Europe. In assuming that medieval gift giving was shaped by oral 'folk models', historians have traditionally followed in the footsteps of social anthropologists and sociologists such as Marcel Mauss and Pierre Bourdieu. This first in-depth investigation into the influence of the classical ideals of generosity and gift giving in medieval Europe reveals to the contrary how historians have underestimated the impact of classical literature and philosophy on medieval culture and ritual. Focusing on the idea of the gift expounded in the classical texts read most widely in the Middle Ages, including Seneca the Younger's De beneficiis and Cicero's De officiis, Lars Kjær investigates how these ideas were received, adapted and utilised by medieval writers across a range of genres, and how they influenced the practice of generosity.
Unlike most other studies of alchemy and literature, which focus on alchemical imagery in poetry of specific periods or writers, this book traces the figure of the alchemist in Western literature from
The period between c.1750 and c.1840 is popularly known for the rise of the novel, yet historical works by Enlightenment writers, including David Hume, Edward Gibbon and William Robertson, were some of its most commercially successful books. Moving beyond the range of previous studies that have sought to explain this success by focussing on publishers, writers and their ideas, Mark Towsey's study is the first to focus on the reading audiences themselves. Drawing on a variety of sources including marginalia, letters, diaries and commonplace books, this lively book reveals why histories were so widely read, and shows how they were used by readers across the English-speaking world to make sense of social upheaval at home and revolution abroad. In doing so, it marks a major addition to the history of reading, shedding fascinating new light on how readers interpreted books in the past.
Ian McEwan is one of Britain's most inventive and important contemporary writers. Also adapted as a film, his novel Enduring Love (1997) is a tale of obsession that has both troubled and enthralled re
The New Irish Studies demonstrates how diverse critical approaches enable a richer understanding of contemporary Irish writing and culture. The early decades of the twenty-first century in Ireland and Northern Ireland have seen an astonishing rate of change, one that reflects the common understanding of the contemporary as a moment of acceleration and flux. This collection tracks how Irish writers have represented the peace and reconciliation process in Northern Ireland, the consequences of the Celtic Tiger economic boom in the Republic, the waning influence of Catholicism, the increased authority of diverse voices, and an altered relationship with Europe. The essays acknowledge the distinctiveness of contemporary Irish literature, reflecting a sense that the local can shed light on the global, even as they reach beyond the limited tropes that have long identified Irish literature. The collection suggests routes forward for Irish Studies, and unsettles presumptions about what constitut
Roman letters demonstrate that language has imperium: the power to resolve problems, to negotiate relationships and to construct identities. This book combines sociolinguistic and historical approaches to explore how that power is deployed by the bilingual elite of the Roman Republic and Empire, offering the first systematic analysis of Greek code-switches in the letters of Cicero, Pliny, Marcus Aurelius and Fronto and in the Lives of Suetonius. Greek was a subtle tool within Latin epistolary communication, and an analysis of letter writers' bilingual practices reveals their manipulation of language to manage relationships between peers and across hierarchical or political divides, uncovering the workings of politics and society. Comparative analysis of Roman and modern code-switching contributes to the debate on how bilingual strategies in letters evolve and how they relate to oral and literary language. The language of letters illuminates the Roman world and its entanglements with Gr
In A Political Economy of Modernism, Ronald Schleifer examines the political economy of what he calls 'the culture of modernism' by focusing on literature and the arts; intellectual disciplines of post-classical economics; and institutional structures of corporate capitalism and the lower middle-class. In its wide ranging study focused on modernist writers (Dreiser, Hardy, Joyce, Stevens, Woolf, Wells, Wharton, Yeats), modernist artists (Cézanne, Picasso, Stravinsky, Schoenberg), economists (Jevons, Marshall, Veblen), and philosophers (Benjamin, Jakobson, Russell), this book presents an institutional history of cultural modernism in relation to the intellectual history of Enlightenment ethos and the social history of the second Industrial Revolution. It articulates a new method of analysis of the early twentieth century - configuration and modeling - that reveals close connections among its arts, understandings, and social organizations.
Anglo-Saxons valued education yet understood how precarious it could be, alternately bolstered and undermined by fear, desire, and memory. They praised their teachers in official writing, but composed and translated scenes of instruction that revealed the emotional and cognitive complexity of learning. Irina Dumitrescu explores how early medieval writers used fictional representations of education to explore the relationship between teacher and student. These texts hint at the challenges of teaching and learning: curiosity, pride, forgetfulness, inattention, and despair. Still, these difficulties are understood to be part of the dynamic process of pedagogy, not simply a sign of its failure. The book demonstrates the enduring concern of Anglo-Saxon authors with learning throughout Old English and Latin poems, hagiographies, histories, and schoolbooks.
This book explores how writers such as Amos Tutuola, George Lamming, Samuel Selvon, VS Naipaul, Chinua Achebe, Derek Walcott, Kamau Brathwaite, and Wole Soyinka came to be published in London in impor
This is a guide to English usage for readers and writers, professional and amateur, established and aspiring, formal trainees and those trying to break in; students of English, both language and liter
Interaction, Improvisation, and Interplay in Jazz Performance offers a new and exciting way to listen to and understand jazz. When describing a performance, most jazz writers focus on the improvised l
Irish Literature in Transition, 1980–2020 elucidates the central features of Irish literature during the twentieth century's long turn, covering its significant trends and formations, reassessing its major writers and texts, and providing path-making accounts of its emergent figures. Over the past forty years, life in the Republic of Ireland and Northern Ireland has been transformed by new material conditions in each polity and by ideological shifts in the way people understand themselves and their relation to the world. Amid these remarkable changes, culture on both sides of the border has emerged as a global phenomenon, one that both reflects and intervenes in rapidly changing contemporary conditions. This volume accounts for broad patterns of literary and cultural production in this period and demonstrates the value of Irish contemporary literature within anglophone and European traditions and as a body of work that has kept its eye trained on the particularities of the island and i
Saving the City provides a detailed analysis of the attempts of ancient writers and thinkers, from Homer to Cicero, to construct and recommend political ideals of statesmanship and ruling, of the poli
First published in 1981, this book explores the reactions of some female writers to the social effects of industrial capitalism between 1778 and 1860. The period set in motion a crisis over the status
An illustrated tour of the landscapes of Mississippi that have inspired the state’s many lauded writers, from Faulkner and Welty to Morris and Ward.There is a palpable connection to the landscapes of
